Last Christmas

Emilia Clarke, Henry Golding,

Emma Thompson, Michelle Yeoh

"Sometimes, You've just gotta have Faith"

Cinema 4, The Red Carpet @ Shang

For this Christmas themed movie, I dragged my parents along so we can get some of that much needed Yuletide spirit. It is difficult to feel Christmas-y when the sweat pours like crazy because unfortunately, we don't have winter in these parts of the globe.

This movie is based on Wham's or more specifically the late George Michael's hit 1984 song. Coincidentally, George Michael died on Christmas Day in 2016. Quite a shock which I still cannot fathom. Emma Thompson together with other writers wrote the script expanding on the essence of the song.

Emilia Clarke stars as Kate, a down on her luck, wanna be singer who works as an elf in a year round Christmas shop. Her employer, Santa (Michelle Yeoh), a dainty Asian who likes to spread Yuletide cheers in her shop full of wonderful trinkets. One day, bored Kate meets Tom (Henry Golding) loitering outside the shop and who always likes to look up. They tend to always bump into each other so they begin hanging out. He shows her his sanctuary, a small park within the bustling city. Together they discover the wonders of London, which is all decked up for the season to be jolly. He seems like a dream come true - a charming polite, good looking dude who gets around London on his bicycle and even volunteers at the homeless center.

As we discover more about Kate and her family composed of her mother Petra (Emma Thompson), her father Ivan who used to be a lawyer in their hometown, the now defunct Yugoslavia but drives a cab in London and her sister who hasn't come out yet to their parents. An air of mystery still surrounds Tom. We don't know his surname, his job, his family - nothing. 

Eventually, everything is revealed in a clever twist which really makes sense. It felt like a champagne bottle popping open, you know the shock and the little jerk you experience when you hear the cork bursting out of the bottle. LOL It does give justice to George Michael's lovely song about the heartbreak and anguish during Last Christmas.

The ensemble cast led by Emilia Clarke and Henry Golding are both delightful in their roles. It is always refreshing to watch Clarke being her cheerful self as opposed to her Khaleesi role in Game of Thrones. Henry Golding is still pleasant eye candy and does a good job, picking roles which suit his personality, the charming leading man role. Emma Thompson is a hoot, perfect as the overbearing mother, complete with the Eastern European accent.

The soundtrack features George Michael songs even one which was released after his untimely passing. The city of London in all its Yuletide finery provides an excellent backdrop. So much so that I wanted to fly to London, never mind the expense & the almost 15 hour flight. I understand the intention of the narration but it could use some editing especially where it gets too cheesy and when Petra became too domineering. 

I will still add Last Christmas to the list of my favorite Christmas movies. Mainly due to the believable chemistry between its lead stars and seeing wintry London during the most wonderful time of the year. 

P.S.

Love Actually is the top movie on my list.

P.P.S

I visited London in November 1995, mostly to watch West End plays.

100 Dinge(100 Things)

4th German Film Week

SM Megamall

Toni and Paul are best friends since childhood. Together, they develop an app for mobile phones called NANA. It is like SIRI but it can be customized to suit the personality and preferences of the owner of the cellphone, working based on complicated algorithms. 

They rush in Paul's dilapidated car to present it to the wealthy owner of a famous software company named David Zuckerman (hint: slight resemblance to Mark Zuckerberg), along with a thousand other app developers who all aim to secure capital for their inventions.

Through some twist of fate, even if they are the last ones to present NANA, Zuckerman is so taken with their app that he immediately present them with 4 Million Euros for their app. Drunken party ensues with Paul & Toni celebrating their victory with the employees of their company. In a drunken state of mind, they both agree to a bet - they will get rid of all their possessions for 100 days and only get one item back, each day at midnight.

Next scene, we see both guys naked, their huge loft type apartments stripped bare. A big hangover still clouds their vision and judgement as they realize their employees emptied them of their precious belongings. Running naked across town to the storage area where their things have been placed is one of the funniest scenes I have seen in a while.

The film focuses on Paul & Toni trying to come to terms with a drastic change in their lifestyle. Toni is methodical, the salesman among them and is very conscious of his looks - taking pills for hair growth, wearing contact lenses because he hates wearing glasses. While Paul is the developer of the app and totally obsessed with his cellphone as NANA who dictates his every movement from buying the latest sneakers online, to even what he has to wear every day.

As we see how the deprivation of material possessions take a toll on their lives, (Paul is like a zombie without NANA while Toni's hair is unruly, has to wear glasses after infecting his eyes from week long contact lenses, OUCH!!) - they also come to terms with meeting realistic goals. Learning that friendship is more important than fancy rubber shoes or a well coiffed hair. Spending time with family and a potential love interest is way better than being obsessed with material things. 

The first part of the plot is engaging as we see how they cope with the bet, how they try to not 'cheat', the frantic race to win the bet. Middle part gets a bit murky with too many side plots distracting away from the main theme with the introduction of a love interest named Lucy for Toni. She is an interesting character with her own 'disability', having an enormous credit card debt, a victim of commercialism as well. 

The ending is rightfully predictable. Even as Zuckerman stole their creation, NANA, passing it off as his own, thus raking in profits, all is not lost for penniless Paul & Toni. A cunning twist manifests itself as sweet revenge. That was brilliant, I didn't expect that at all. A good way to end a comedy that went through many scenarios, naked butts et al, to essentially prove a very compelling point.

Balloon (2018)

4th German Film Week

SM Megamall

"For freedom, they Risked it All"

2019 marks the 30th anniversary of the reunification of Germany. The Berlin Wall which divided the West (democratic) from the East (communist) fell after a peaceful revolution. 

Life in East Germany was very restrictive, to say the least. The Ministry for State Security, commonly known as the Stasi was the official 'police'. They were a very ruthless and strict force who mostly relied on surveillance to keep tabs on its citizens. Openly engaging in domestic, foreign and political espionage which was overseen by the Communist/ Socialist party.

Many East Germans tried to flee across the border to West Germany. Risking their lives just to be free from authoritarian rule. This movie documents a major risk, two families took to escape from East Germany - using of all things, an easily visible hot air balloon. It was set in 1979 - Ten years before the fall of the Berlin wall.

It shows their futile first attempt when the balloon starting leaking due to the cold air at such a high altitude. The material they used was not water proof so the balloon came crashing down in a forested area, just a few meters from the border. That was heart breaking, shocking and really frustrating.

But luckily, the Strelzyk family were not caught since it was the dark of night. They managed to walk back to their car through the thick forest and simply went home like nothing happened. But still very shaken from the unfortunate incident.

Their inflated balloon though was discovered by a local who chanced upon it the next day. The Stasi as well as the border patrol is alerted and their search for the 'owners' of the balloon also unfolds simultaneously as the Strelzyk family along with their friends, the Wetzel  family decide to try escaping yet again.

They source their materials from different clothing stores as Gunter Wetzel gets to sewing the patches together to form a large balloon. They also tweak the main frame where the oxygen gases are situated and built it a bit larger to fit all of them.

The fast pacing takes on an intense nature once the second attempt on a much larger hot air balloon, begins. You are on the edge of your seat as you feel your pulsating heart beating fast. Probably the exact feeling they all felt that night. Adding to the drama is the fact that the Stasi have discovered about their second try so it is a race between the families flying to freedom and the authorities, fielding all of their gears, hot on their tail. 

Scenes are mostly shot during the night for the escapes. But the camera work is steady so you don't have to squint to see what unfolds on the screen. It is set in the 1970s so the wardrobe is realistic, as well as the furnishings inside their household. A typical East German vibe, if you know what I mean, permeates through the row of similar looking houses on their block.

The first balloon is already 'made' so it mostly focuses on the plotting of their second getaway.  Not much information on the why, when, and where this idea of escaping on a hot air balloon is provided. I guess, every East German's dream was to flee to freedom but it would have helped if we knew what triggered their intentions.

The end credits show the real characters upon whom this film is based, as well as their first inflated balloon cordoned off in some forested area. They are also shown reacting to the fall of the Berlin wall, safely in the Bavarian region which is located in the west part of Germany.

Overall, it is a fitting tribute to those who tried to escape, either successfully or resulting in failure. But it is human nature to cheer on for those deprived of their basic human rights and this average film deals with very inspirational characters who did not give up until they tasted freedom, in every sense of the word.