Friday, April 24, 2020

Phantom Thread

Daniel Day Lewis, Vicky Krieps
Leslie Manville

NETFLIX


I'm grateful for Netflix, it has a wide selection of films which were first shown on the big screen. I've been meaning to see Daniel Day Lewis' final film but due to time constraints, I missed its run by just a day.

Director Paul Thomas Anderson and Daniel Day Lewis worked together in the award winning movie "There will be blood", a grand tale about the rise of a ruthless oil tycoon. 

Their second collaboration is a post-war narration, set in London about a famous fashion designer named Reynolds Woodcock. His stylish attires/gowns are sought after by royalty members, stars from tinsel town and the affluent sector of society. Together with his sister Cyril (Leslie Manville), a Mrs Danvers type and his business partner, the atelier is thriving.

After Cyril "rids" (no, she was not killed)  Reynolds of his lonely  girlfriend or wife (not sure if they were married); he drives at top speed in his sports car to his regular vacation spot.  There he meets Alma, a meek and shy waitress at the inn he frequents, who takes his order of a very hearty breakfast.

Alma (Vicky Krieps) is a bumpkin but Reynolds is totally smitten and brings her back to his atelier in London. At first, her role is ambiguous. She is assigned to help the other seamstresses yet she also shares his bed. They are polar opposites as she is awkwardly clumsy while Reynolds is refined and demure befitting his status in high society. 

But they are a good tandem as she's his inspiration, his muse, his everything. Things get  a bit bizarre when Alma commits some macabre deed so Reynolds is totally dependent on her. A side plot which I honestly didn't see coming. Soon enough, her 'gesture' works, so they seal their bond with matrimonial vows. Now official married, Reynolds lighten up a bit without losing his essence while Alma also tries desperately not to lose herself. Without compromising who they really are, their marriage is successful, even being blessed with a child. 

Newcomer Vicky Krieps was a revelation. Her Alma was able to evolve from an awe stricken shy waitress to a woman with a strong personality especially when it comes to "manipulating" her husband. Although she does have a morbid streak which manifests itself on some occasion, she is no longer the long suffering heroine. She has come into own person, a good thing for women during that decade when they were supposed to merely be decorative pieces.

Daniel Day Lewis doesn't disappoint at all. As Reynolds, he is in his best elements. Sans make up, salt & pepper hair slick and combed back, his face weary but distinguished, delivering his lines effortlessly. Totally imbibing this complex character with ease. At first, a stubborn snob but eventually submitting to a lifestyle completely different from his very uptight upbringing.

The Anglo-Irish actor has come a long way from "The Last of the Mohicans" (1992) as a swashbuckling hero rescuing a damsel in distress. He has had a flourishing career. Even though "Phantom Thread" is quite a 'minor' film compared to his other much celebrated movies, it was a fitting vehicle to capture his brilliant acting skills making him a great thespian. I will miss seeing him on the big screen but I also understand his reason for retirement. 

God speed, Daniel Day Lewis!

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