Paul Giamatti, Da'Vine Joy Randolph
Dominic Sessa, Carrie Preston
"Discomfort and Joy"
2024 Oscar Awards
Da'Vine Joy Randolph: Best Supporting Actress Winner
Paul Giamatti: Best Actor Nominee
Best Picture Nominee
Best Original Screenplay Nominee
Last March 18, I caught the first part of this movie on our flight to Singapore yet fell asleep mid way as it was an early morning flight. So I decided to re-watch it from the beginning during our return flight back home on March 24. Even though I was exhausted from the Singapore vacation, I managed to stay awake to finish the entire movie, after eating a really delicious dinner on Singapore Airlines.
Set in the 1970s in an all boys New England prep school called Barton, you can't help but compare "The Holdovers" with "Dead Poets Society. It is also a tale of a teacher who makes a huge impact on the lives of his students.
While Robin Williams was an inspirational presence to an entire class, here Paul Giamatti as Paul Hunham is not a well loved teacher. He is a grumpy, no fuss teacher with no bedside manners yet he is also a brilliant intellect. When he is assigned to 'babysit' a bunch of 'holdovers' or students with nowhere to go during Christmas break, he forms an improbable bond with Angus Tully (Dominic Sessa), a troubled student with dysfunctional family issues. To 'defrost' the icy, sardonic Mr Hunham, there is the kind hearted cook of the school, Mary (Da'Vine Joy Randolph) who is mourning the lost of her son in the Vietnam War.
The film picks up when Mr Hunham, together with Angus and Mary go on a road trip to visit Angus's father who happens to be in a mental institution. Guards are down as three distinctly different characters bond over a simple meal. Their interaction is where the film shines. Relying purely on the credible acting skills of its stars, bouyed by a dialogue driven script unfolding in rural America in the early 1970s, "The Holdovers" succeeds on its own merit.
It manages to warm our hearts with a good inspirational story of compassion and friendship with the right blend of light comedy and heavy drama dealing with sensitive issues like grief and mental illness. Without any fancy special effects to distract us from the true essence of a feel good movie.
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