Gloria Bell

Julianne Moore, John Turturro

"Dance to Your own Tune"

NETFLIX

Julianne Moore stars as Gloria, a 50 something divorced mother of two grown children. She likes going to nightclubs/bars to dance the night away. Meets men for one night stands and goes on with her lonely, yet satisfied life. One night, she meets Arnold (John Turturro) at the bar and they start dating. But something is not right with Arnold. Well, not physically but it seems he cannot say no to his ex-wife and his two grown daughters when they summon him. And boy, they do 'need' him a lot, constantly calling him up wherever he goes. 

At first, Gloria didn't mind but as the neediness grew to an irritation. She had enough.  In Las Vegas, during an intimate dinner, his family calls and just like that he left poor Gloria all alone on what was supposed to be a romantic getaway.

Yet the thing with guys like Arnold is that they have no clue about how horrible they are as a human being. Totally oblivious to how despicable they are. So sure enough, he kept calling Gloria like he did nothing wrong. But Gloria is tough and she has moved on with her life, right after she had her 'revenge' over Arnold for treating her so badly.

The film ends with Laura Branigan's song "Gloria" at full blast and Gloria dancing away during the wedding of her friend's daughter. Julianne Moore has starred in many movies and she always make her characters multi-dimensional. But her great talent couldn't salvage the average plot but she did a good job of personifying Gloria.

Uncut Gems

Adam Sandler, Lakeith Stanfield,

Julia Fox, Kevin Garnett

NETFLIX

There is something to be said for comedians who are also good in dramatic roles. Adam Sandler proves it is possible.  As Howard Ratner, Sandler digs deep and shines as a compulsive gambling, jewelry store owner in New York. Always in a rush to score the big one, even going as far as buying some rare opal from Africa, which he considers his lucky charm. These type of hustlers always attract shady characters and in this movie there is no shortage of them.

The hustle and bustle of New York's diamond jewelry stores serves as the backdrop. Howard is a nervous gambler, always on the go type. wheeling and dealing. He is also having an affair with one of his employees. Yet fulfills his family and religious duties, obediently.  The plot is fast paced  and tend to use colorful language.  

Sometimes it is difficult to keep up with Howard's chaotic and sleazy lifestyle. Yet at the same time, we can't help but commiserate with his situation and root for him. He strikes as a tragic figure, we all love to hate but we also wish the best for him. For him to be successful in his business. For him to sanely handle his hectic lifestyle. For him to hit it big so maybe, just maybe he is less stressed and panicky.

Adam Sandler is in his 'Jewish' elements. From his wardrobe, to his accent and his manner of doing business.  His realistic portrayal deserves an award for this larger than life role. The haywire plot can be confusing but there is only one reason to watch his dramatic film - Adam Sandler. 

Our Souls at Night

Jane Fonda, Robert Redford

NETFLIX

This tender love story stars two truly talented actors. Both of them in their twilight years but still have great chemistry given that this is their 4th pairing in a movie. Jane Fonda and Robert Redford are legends in the film industry and in this intimate movie, they continue to prove their mettle and their durability in a solemn movie about finding love in one's later years.

Widow Addie Moore (Jane Fonda) knocks on widower Louis Water's door. She has a proposal for him. She wants Louis go to her house and sleep in her bed at nights. Purely platonic as she finds it difficult to fall asleep, when she is all alone at nights. At first, Louis (Robert Redford) was hesitant but then he would show up at the back door of her house as he didn't want any gossip. Eventually, he would show up at her front door and didn't care if they became the talk of the small town.

They have a nice set up until Addie's son Gene shows up. He leaves his little son, Jamie with her as he needs to sort out some marital problems. Jaime is shy but he eventually warms up to his grandmother and Louis. A minor accident leaves Addie disabled but she can still walk with clutches. Gene then decides Addie must live with them so they can take better care of her. Addie is reluctant but soon enough agrees so her little 'agreement' with Louis is permanently cut. But their communication continues through the help of the ever reliable cellphone.

This small town romance is the perfect vehicle to showcase Fonda and Redford's on screen chemistry. Veteran actors which uplifted this otherwise average romance, relying on their acting skills to personify their characters. It is rare that movies feature senior citizens in lead roles and "Our Souls at Night" is a gem in this age of CGI filled superhero blockbusters.

Paddleton

Ray Romano, Mark Duplass

"A comedy Of dramatic Proportions"

NETFLIX

This buddy drama is one of the saddest movies I've seen.  Andy (Ray Romano) lives on the apartment on top of Michael's (Mark Duplass) flat. An unlikely friendship develops between them. 

They are both loner types lacking in social graces but their bond is solid. They even invented their own game which they named "paddleton", a variety of squash, the racket and ball game. They also always watch an old kung fu movie called "Death Punch", together. 

Michael finds out he has liver cancer and decides to take his own life before the disease turns 'messy'. So they go on a short road trip to another town where the (euthanasia) medicines Michael needs are available. Apparently, not all pharmacies sell these kind of medicines, for moral reasons.

Andy and Mark's friendship is purely platonic and I have to emphasize they are definitely not gay. I never got that vibe even though I have read reviews that imply they were. Their bond is endearing because it seems they only have each other as there are no mentions of family or other friends.

The last 20 minutes was intense and quite emotional. It is the scene where Michael decides to end his life. Much to the chagrin of Andy yet he doesn't stop his best friend, either. Mark Duplass did a great job in showing the effects these medicines have on one's body. There was no blood or anything gory involved. In fact, it was quite peaceful to see but it was also tragic and very sad. 

On the other hand, it was refreshing to see Andy move on with his life without Michael, even making small talk (his pet peeve) with his new neighbors (a mother and son) moving into Michael's former apartment.

I don't believe in euthanasia. This film doesn't really justify it. It was portrayed as an option offered to cancer patients so they can get a good quality of life. I may not like it but I do understand and respect their decisions.

"Paddleton" does not aim to be an existential movie and was ranked 186th in the 250 best Netflix movies. It is a simple narrative about an affinity between two people who may not have anything in common but are drawn to each other and have a lasting brotherly relationship. It is powered by great and credible acting from Mark Duplass and Ray Romano. Romano is  quite a revelation because even though he is  a comedian, he can equally shine in dramatic roles. Just be ready with some tissues, when you see this movie.

The Kindergarten Teacher

Maggie Gyllenhaal, Gael Garcia Bernal,

Parker Sevak

"A Fine line Between nurturing And obsession"

NETFLIX

This remake of a 2014 Israeli film is ranked 163 in the 250 best films on Netflix. It stars the talented Maggie Gyllenhaal as a 40 something kindergarten teacher named Lisa Spinelli. It seems that Lisa is stuck in a rut. 

Her grown children are always busy with their studies and constantly prefer social media over some family bonding times. Her husband Grant is solid yet there is an invisible wall between them.  Lisa is enrolled in a writing class so she can revive her lost dream, a life filled with poetry, supports art, or language. In short, being an intellectual in a world where social media has invaded every single aspect of our lives.

Enter Jimmy, a student in her kindergarten class who can recite his own poetry without any effort. Lisa becomes so fascinated with Jimmy's artistic talent, she even passes his poems as her own in her writing class. It climbs to an obsession as she hounds the little kid to come up with more poems, even giving him her cellphone number so Jimmy can call her up each time he comes up with a poem.

This very simple movie tackles with good precision the really thin line between nurturing pure talent and obsessing over it. For me, Lisa means well. She is part of a dying breed of individuals who prefer books, poetry and anything artistic than be caught up in a world of mediocrity. So I do understand her frustration, and her anguish, but her questionable method of harnessing Jimmy's talent is quite stalker-like and very creepy, indeed.  

On the other hand, there is no doubt that Jimmy is a genius. Even at such a young young, his brain is wired differently. I don't think he can even process just how talented he is. But this does not mean that Lisa can just 'invade' his brain and literally kidnap him, to hold him hostage as what happened towards the open ended conclusion. Mind you, even Jimmy realized that fact when he called the police and told the authorities, he was kidnapped. 

Maggie Gyllenhaal is brilliant in any role and as Lisa, she is very good in capturing the teacher's soulful and spirited persona. The little boy who portrays Jimmy is equally good, given that it is very difficult for child actors to look natural on screen. 

"The Kindergarten Teacher" is a slow burn but also very provocative. My advise is to watch it without being highly judgmental towards Lisa. Instead dig deep, and even though it is difficult, please try to fully understand where she is truly coming from. In these arduous times, tolerance goes a long way. I end with  a quote from Lisa which is sad yet very accurate.

Talent is so fragile and so rare. And our culture does everything to crush it. I mean even at four or five, they're coming into school attached to their phones, talking only about TV shows and video games. It's a materialistic culture, and it doesn't support art, or language, or observation. Even my own children, who are great, they don't read. You know, you think maybe it's just a phase. But I worry that it's something larger. A lack of curiosity. A lack of reflection. No one has space for poetry.

Knives Out

Daniel Craig, Ana de Armas

Jamie Lee Curtis, Don Johnson,

Toni Collette, Chris Evans,

Michael Shannon, LaKeith Stanfield,

Christoper Plummer

"Everyone has A motive.
No one Has a Clue"

This all-cast murder mystery does reveal early on, the manner the murder was committed. Yet as the plot unfolds, the original cause of death is torn to pieces as the truth slowly comes out.

So the 'murdered' person is famous crime novelist Harlan Thrombey (Christopher Plummer), the patriarch of the family who just celebrated his 85th birthday. Suicide is the cause of his untimely death. 

Enter Lieutenant Elliot (LaKeith Stanfield) the person in charge of investigating the 'suicide'. He is accompanied by renowned detective Benoit Blanc (Daniel Craig) who was hired by an anonymous benefactor. They proceed to interview several members of Harlan's immediate family. 

Harlan's eldest daughter Linda Drysdale (Jamie Lee Curtis), a successful business woman and her husband Richard (Don Johnson), next is Linda's brother Walt Thrombey (Michael Shannon) who runs the publishing company which markets his father's books. 

Joni Thrombey (Toni Collette) is Harlan's daughter in law, the widow of his late son Greg. She has a teenage daughter, Meg who is friends with Marta Cabrera (Ana de Armas), Harlan's dutiful nurse and caregiver, an immigrant from some Central or South American country. They all answer the queries as honestly as possible even though in the process, they each offer some sort of motive towards wanting Harlan dead, in some way or the other.

Through Blanc's intensive prodding, he discovers that Marta made a mistake while administering Harlan's medicines, he then overdoses on an injection which gives him only 10 minutes to live. Marta is unable to find the antidote so Harlan decides to kill himself so Marta's mother, an illegal immigrant won't be deported when Marta is jailed for the accidental injection. Much to Marta's chagrin and despite her pleas to call an ambulance, Harlan slits his throat.

To make the long story short, several factors such as Blanc's style of investigation, and the appearance of Ransom (Chris Evans), the son of Linda and Richard Drysdale, we find out the real cause of death, the evil mastermind behind the 'murder' and who hired Benoit Blanc. These snippets are all revealed through flashback sequences and leads to a bittersweet conclusion with Marta inheriting everything the patriarch owes as stipulated in his will.

This Agatha Christie style crime thriller with a cast of good actors was refreshing to watch. Daniel Craig shines as Benoit Blanc as we are reminded of Hercules Poirot, the fictional Belgian detective created by Agatha Christie. Not a caricature, mind you. But an equally eccentric detective. The ensemble cast carries the entire narrative on their quite able shoulders. The plot tends to lose some momentum during some scenes but overall it is a clever whodunit which deserves our full attention. 

Outside In

Jay Duplass, Edie Falco

Kaitlyn Dever

"Things are Never the Same on the Outside"

NETFLIX

The plot seems simple enough - an ex convict is released after 20 years for a crime he didn't commit, through the advocacy of his former HS teacher. Yet at the story unfolds we realize it isn't that simple. A side plot offers some complexity to an otherwise average drama.

Chris (Jay Duplass) is fetched from prison by his brother Ted. Although the crime is not re-enacted, the audience does have a sense more or less of what actually occurred through a muddled voice-over. The thing is Chris is totally innocent yet served 20 years incarceration. 

Now 38 years old awkward and shy Chris must adapt to a very uncertain future. He tries applying for several jobs yet his one passion remains his romantic feelings towards his former teacher. Carol (Edie Falco) is stuck in a loveless marriage and has a complicated relationship with her teenage daughter Hildy (Kaitlyn Dever). Fully aware of Chris's crush on her but staying true to her married vows.

Eventually, an event leads Carol into Chris's arms and although we want to cheer them on, it isn't the happy ending we all long for. Or is it? I am not spoiling the fluid ending. It is up to the audience to formulate their own conclusion(s), alright?

Jay Duplass is a familiar face if you watched the eccentric yet amusingly entertaining TV show "Transparent". His characterization of Chris is subdued. A stoic outward appearance yet deep inside he is very conflicted with his feelings. There is nothing much to say about Edie Falco's brilliant acting talent. She is fantastic in any role and as Carol, she is in true form. 

"Outside In" (#81 in the best 250 films on Netflix) proves that even though it may be a small budget movie, it still kicks in a lot of punch in its narrative. A compassionate and absorbing story set in a small town with great performances from its two main leads.

P.S.

RIP to its director, Lynn Shelton who died recently. Gone too soon, just 54.

1922

Thomas Jane, Molly Parker,
Dylan Schmid

"Your Darkest secrets Never stay Buried"

NETFLIX

This is based on a short story by Stephen King. The horror king, himself. If you are a regular follower of this blog, all three of you :D  You would know I am not a horror movies fan, at all. Yet this was #167 on the Netflix best 250 films article so I was naturally curious. 

Set on a farm in Nebraska in the year 1922, the story is told through the eyes of farmer Wilfred James (Thomas Jane). In a letter, he confessed while he was staying at a hotel that he killed his wife, Arlette (Molly Parker) with the help of his teenage son Henry.

The scenes flick back and forth to his stay in the hotel completely paranoid and also to the time when we get the back story before the murder. Their farm isn't making money at all so Arlette wants to sell her share to another farmer. But Wilfred is a proud man and doesn't approve of her plan. While Arlette was sleeping, Henry holds down his mother as Wilfred tries to decapitate her. Yet she naturally struggles so they end up stabbing her to death. Blood is everywhere. On the bed. Their clothes. The floor. It is a bloody mess, indeed.

Next, they dispose of her body in an old well. The following day as Wilfred peeks into the well, he disgustingly discovers huge rats feasting on Arlette's decomposing body. Together with his son Hank, they decide to push a big cow into the well to cover the stench. 

Bad luck continues as the farm still doesn't make any money. Hank is disillusioned and gets his girlfriend pregnant. They run away as his girlfriend's father is furious. Resorting to a life of crime, the young runaways are miserable. While Wilfred is now haunted by big rats which find their way into the now decrepit house. He sees visions of his dead decomposing wife everywhere. Suffice to say, the film ends on a bleak note with no redemption for the doomed characters. yet I believe they deserved their fate.

So while there are very disturbing scenes of rats infestation and rats feeding on a corpse, 1922 was intriguing enough for me to keep watching. Yet, I cringed every time, those scenes appeared.   The setting is as bleak as the dark and twisted plot. Great performance though from Thomas Jane as the weary farmer. His physical appearance clearly depicted exhaustion from his gravely voice to his wrinkled, fatigued face. As much as the film tried to turn into a psychological thriller, it lacked some depth to fully transform into one. 

Just make sure, you don't watch it before bedtime or else you might have nightmares of rats infesting your bed. Trust me, I did so be warned.

Blue Jay

Sarah Paulson, Mark Duplass

NETFLIX

On May 1, a Rotten Tomatoes article listed the 250 best movies on Netflix, it was a rather interesting mix of original Netflix movies as well as those which were released in cinema theaters. I tend to navigate towards small, independent movies which may have limited budget costs yet are still quality films that pull no punches. 

Blue Jay, # 188 in the list stars Mark Duplass as Jim who is based in Arizona and works in construction. Upon his mother's death,  he returns to his hometown in California to sort out her affairs. While at the grocery, he runs into his former long time girlfriend Amanda (Sarah Paulson) who is visiting her pregnant sister. 

At first, it was awkward and a bit of a shock for the both of them. Over coffee, they get re-acquainted as it has been 20 years since they kept in touch. As night falls, they continue to reminisce at Jim's ancestral house. They embark on a very nostalgic trip, even re-enacting their little make believe skit complete with a Annie Lennox song, "No More, I Love You's", a 1990s classic.

While going through some items in Jim's former room, Amanda discovers a letter in a sealed envelope addressed to her. This letter plays a pivotal role in their relationship, eons ago. It is opened in the final few minutes of the film and it is like a Pandora box of past regrets. A painful yet significant event in their past which I believed shaped their lives, without them fully realizing it.

This film is entirely in black and white, and was shot over the course of 7 days in Crestline, California. A small town in the San Bernardino mountains which we don't really see much of since the leads are mostly indoors. Mark Duplass along with his older brother,  actor Jay have a film production company which mostly roll out independent movies.

Sarah Paulson has a very refreshing face even though Blue Jay is in black and white, her striking features still shine through. Mark Duplass tend to portray lonely, good guys in most of his films and as Jim, he is in true character form. Together, Amanda and Jim's chemistry is palpable. It feels like one is eavesdropping on a couple who were in a deeply pure relationship in their teenage years until an unplanned incident led to their separation. Even if they haven't kept in touch, they seem to pick off from the time they were in their teens, albeit in a guarded position.

The last few minutes was intense with the revelation of the contents of the letter coming to the fore. It begs the questions: if the letter was read when they were still together, would they be a happily married couple now? Or it won't make much difference and they would still break up?

So yes I was left with more questions than answers. But allow me to merit a guess - I believe it made Amanda stronger and wiser to face life head on because as much as I hate to admit it, Jim will always be happier in a small town setting. The fact that he remained single proves he is not that mature to handle what life throws at him. Amanda married a much older guy and this just proves she needed maturity and guidance in her life.

I'm not a psychologist nor a psychiatrist but merely a keen observer of human behaviors and patterns. So I'm glad I chanced upon this gem of an independent movie because it had depth, passion and more drama therefore the need to put my thinking hat on - which in my book is a good thing. =)

Phantom Thread

Daniel Day Lewis, Vicky Krieps

Leslie Manville

NETFLIX

I'm grateful for Netflix, it has a wide selection of films which were first shown on the big screen. I've been meaning to see Daniel Day Lewis' final film but due to time constraints, I missed its run by just a day.

Director Paul Thomas Anderson and Daniel Day Lewis worked together in the award winning movie "There will be blood", a grand tale about the rise of a ruthless oil tycoon. 

Their second collaboration is a post-war narration, set in London about a famous fashion designer named Reynolds Woodcock. His stylish attires/gowns are sought after by royalty members, stars from tinsel town and the affluent sector of society. Together with his sister Cyril (Leslie Manville), a Mrs Danvers type and his business partner, the atelier is thriving.

After Cyril "rids" (no, she was not killed)  Reynolds of his lonely  girlfriend or wife (not sure if they were married); he drives at top speed in his sports car to his regular vacation spot.  There he meets Alma, a meek and shy waitress at the inn he frequents, who takes his order of a very hearty breakfast.

Alma (Vicky Krieps) is a bumpkin but Reynolds is totally smitten and brings her back to his atelier in London. At first, her role is ambiguous. She is assigned to help the other seamstresses yet she also shares his bed. They are polar opposites as she is awkwardly clumsy while Reynolds is refined and demure befitting his status in high society. 

But they are a good tandem as she's his inspiration, his muse, his everything. Things get  a bit bizarre when Alma commits some macabre deed so Reynolds is totally dependent on her. A side plot which I honestly didn't see coming. Soon enough, her 'gesture' works, so they seal their bond with matrimonial vows. Now official married, Reynolds lighten up a bit without losing his essence while Alma also tries desperately not to lose herself. Without compromising who they really are, their marriage is successful, even being blessed with a child. 

Newcomer Vicky Krieps was a revelation. Her Alma was able to evolve from an awe stricken shy waitress to a woman with a strong personality especially when it comes to "manipulating" her husband. Although she does have a morbid streak which manifests itself on some occasion, she is no longer the long suffering heroine. She has come into own person, a good thing for women during that decade when they were supposed to merely be decorative pieces.

Daniel Day Lewis doesn't disappoint at all. As Reynolds, he is in his best elements. Sans make up, salt & pepper hair slick and combed back, his face weary but distinguished, delivering his lines effortlessly. Totally imbibing this complex character with ease. At first, a stubborn snob but eventually submitting to a lifestyle completely different from his very uptight upbringing.

The Anglo-Irish actor has come a long way from "The Last of the Mohicans" (1992) as a swashbuckling hero rescuing a damsel in distress. He has had a flourishing career. Even though "Phantom Thread" is quite a 'minor' film compared to his other much celebrated movies, it was a fitting vehicle to capture his brilliant acting skills making him a great thespian. I will miss seeing him on the big screen but I also understand his reason for retirement. 

God speed, Daniel Day Lewis!

Private Life

Paul Giamatti, Kathryn Hanh

Molly Shannon, Emily Robinson

NETFLIX

This drama tinged with some dry humor is set in New York and deals with a couple struggling with infertility problems. Richard Grimes (Paul Giamatti) and Rachel Biegler (Kathryn Hanh) are a typical couple, probably in their 40s. Richard teaches while Rachel is an author, their flat is surrounded with books, they live comfortably but their inability to conceive the natural way is taking a heavy toll on their marriage as well as their physical health and mental state.

Countless blood tests, retrieval of eggs, artificial insemination and the tortuous IVF (In Vitro Fertilization) are very strenuous for couples. Rachel and Richard though have this relentless spirit, they don't give up. Failure after failure doesn't slow them down. 

Soon enough, their niece Sadie who is taking a 'break' from studying at college (because she is lost and wants "to find herself") is more comfortable staying with them than with her parents.  They agree because it feels nice to have someone else in their house, sort of a distraction from their tedious "task".

By this time, Richard & Rachel are exploring other means of being parents. They decide on hiring a surrogate to carry their baby for them. They make a bold move by asking Sadie if she is willing to be their surrogate. She agrees because it was the  least she could do for them, her favorite persons in the whole world.

Here are issues I had with Sadie's agreement: First, she is only 18 years old, too young to be responsible. She can't even commit to finishing her studies. I know she won't be the mother, but still it was a huge responsibility to ask of a 'child'. Second, they didn't even check her medical history. Does she have any underlying conditions or can she even carry a baby to term? Third, Sadie is too close to them. She is their blood relation. 

I won't reveal, if they were successful or not in their attempts to conceive.

Director Tamara Jenkins does a great job in showcasing their journey towards parenthood. Paul Giamatti and Kathryn Hanh were perfect in their roles, relying solely on their great acting skills and their palpable chemistry. They really imbibed the true nature of couples dealing with infertility. From their physical appearance, the endless talks about their options, to the heavy toll the constant pressures and stress took on their marriage.

I absolutely felt each of their heartaches, their pains, their feeling of being incomplete. Because, me too I struggled with infertility.  I was already 41 years old when we tried to conceive.  I had to spend 3 days a week at the hospital for TVS (ultrasounds), numerous blood tests. I also had to drink several fertility medicines daily, until it got to the point where I needed to be injected with HCG for follicles production, every other day. 

It was a vicious cycle of hospital visits and painful injections. It took a huge toll on my mental well being. I would cry to sleep every time I had 'negative' results in the pregnancy tests. I would easily cry whenever I saw babies, anywhere. I was an extremely troubled chapter in my married life.

After two years of trying, we simply quit and accepted that we are not meant to be parents. The sooner I accepted it, the better I felt. I have no regrets though. At least we tried until our bodies and our bank account surrendered to God's almighty will.

So "Private Life" felt so raw and genuine because there aren't many movies which tackle infertility problems with such precision. I like that the film wasn't too technical and instead focused on the journey of two wonderful persons who are willing to do anything to be parents. That, for me is the true measure of  L.O.V.E.

Fractured

Sam Worthington, Lily Rabe,

Lucy Capri, Stephen Tobolowsky

"Finding His family Means Facing the Truth"

NETFLIX

With this Enhanced Community Quarantine (ECQ) aka Lockdown passing the one month mark in my neck of the woods, Netflix is now my best friend! =)

With a wide variety of genres available, one can get quickly overwhelmed. Normally, I stick to stand up comedies for a laugh here ... a laugh there. Often though, I end up falling asleep with earphones and laptop still on. Until the hubby wakes me up so he can switch off the lights.

But this movie kept me up, my eyes wide glued to the laptop screen because I had to put my thinking hat on to get into the main character's  frame of mind. "Fractured" not to be mistaken for "Fracture" (the Anthony Hopkins, Ryan Gosling starrer) is a suspense thriller of one family's road trip, gone terribly wrong. 

Ray Monroe (Sam Worthington) and his wife Joanne and daughter Peri are on their way home after Thanksgiving. They stop by a gas station to refuel, and buy some snacks. Peri, his 6 year old daughter goes off wandering and accidentally falls into a construction pit. Frantically, they rush to a hospital's ER to have Peri examined. She needs surgery so she is taken to the OR. From sheer exhaustion, Ray falls asleep in the waiting room. Upon awakening, he inquires about his injured daughter.

Yet no one in the hospital knows where she is. In fact, they claim there isn't any patient by that name. In his stupor, he roams the halls of the hospital searching for his family. In the end, causing so much chaotic disruption, it affected the normal operations of the facility. 

This part evolves into a maudlin tale of a father desperate to know what really happened to his wife and daughter. It morphs into a who.is.indeed.telling.the.truth? sequence of events. Filmed in a mostly dim and dreamlike setting, it is hard to tell what is really happening with the doctors,  and police officers hovering over the already very confused and distraught Ray.

At this point, I was still fully invested in Ray's plight. The desperation and frustration visibly imbibed in his whole being. From sweating, his walking almost running pace, the fear etched on his troubled face. Until the very last scene, when the whole family is back in the car, all smiles, and singing with his daughter in the backseat, none the worse for wear.

Or are they?

It is in this  scene where the truth shockingly unfolds. Specifically in the back seat and the trunk of the vehicle Ray is driving on the highway.

The film is mostly average in nature. From the acting - almost all the scenes are focused on Sam Worthington who I first saw in James Cameron's "Avatar". I find it strange, that he has not really attained film star status despite appearing in one of the most highest grossing blockbusters of all time. To the cinematography which had mostly dim and dreary shots - the bleak climate, the menacing  construction pit complete with an aggressive barking dog to the muddled hospital scenes.

But if there is one thing I'd say going for "Fractured" which more or less captured the audience's my short attention span is the twist towards the end, in the car scene when everything seemed to have calmed down. Just when you finally catch your breath from all that frenzy in the hospital, boom it hits you!

I have to admit I didn't see it coming. Maybe, I was sleepy even though I did not doze off. Or perhaps all the mayhem in the hospital scenes masked some or several clues which would have offered me a better grasp of the eerie ending. Either way, the twist(ed) conclusion is the only + point I can confer to this psychological thriller/drama.

The Good Liar

Helen Mirren, Ian McKellan
Russell Tovey, Jim Carter

"Read between the Lies"

In this age of online connectivity, lonely senior citizens have also jumped into the bandwagon of online dating. Some apps are developed to cater to people of a certain age who seek romance, companionship or both. Deceitful scams are the common pitfalls of online dating because you have no idea if the person you are chatting with is real. 

Con artist Ron Courtnay's (Ian McKellan) next target is a wealthy widow named Betty (Helen Mirren) whom he met online. After meeting in a restaurant, they hit if off, and start hanging out together. Stephen (Russell Tovey) is Betty's grandson and he often drops in to check on her. While Vincent (Jim Carter) is Ron's 'sidekick' who would often pose as an attorney when they would scam people into investing in ghost projects. But not so innocent Betty has something up her sleeves and we beg to ask the question: Who is conning who? 

In the beginning, we are invested in the two main characters' lives. It had the potential of being a senior citizen love story but it takes on a very different angle. Stephen takes us on an adventure across Germany, revealing Ron's nefarious life of fraud, identify theft, going far back to his youth as a Nazi soldier. Betty is also hiding a painful, sordid past which comes to fore and completely unravels the direction of the film.

Set in London and its suburbs, with flashbacks to a war torn Germany, the pace is a bit slow as it runs for almost 2 hours. The characters deliver their dialogue clearly. The film is based on a novel and sometimes it felt like I was watching a play at the theater. This isn't necessarily a bad thing but we need more to satisfy our short attention span. Unfortunately, this evolves through side plots which sprout like mushrooms towards the ending. So we are still spinning from the revelation and before we know it, the end credits come up. 

Helen Mirren and Ian McKellan, both great thespians can only do so much given the limiting nature of the plot. Yet they still shine, and they are be the only reason to watch "The Good Liar"  Their experience in this film further enhances the notion that it isn't safe to meet someone online, either for dating, for business or for any other purposes. 

P.S.

I did *meet* my hubby online. 12 years and counting, we are still going strong. No deceit, bribery,  nor fraud was involved. I guess we were,  are lucky. =)

Ad Astra

Brad Pitt, Tommy Lee Jones

Donald Sutherland, Ruth Negga

"The Answers we Seek are Just outside our Reach"

Mysterious power surges wreak havoc on earth so the powers that be summon Astronaut Roy McBride (Brad Pitt) to go on a top secret mission to Neptune. Apparently, 30 years ago an exploration (looking for other AI) mission called the Lima Project headed by Clifford McBride (Tommy Lee Jones), yes Roy's father - vanished and everyone in the main ship are believed to be dead.

Roy must maintain the secrecy of his mission. He must also find out if the Lima Project ship is causing the power surges, accept that the crew might still be alive. A stoic yet fearless Roy must prepare himself both physically and most especially mentally - just in case he comes face to face with his missing father. 30 years have passed since Clifford left for Neptune. Space.com, the space agency hailed him a hero, even as they covered up the real intention (to discover other forms of life) of the Lima Project.

Roy's innermost thoughts are expressed in a voice over which is consistent through out the entire movie. Among his suppressed feelings are muted scenes of his married life (suggesting a failed marriage)  as well as his profound longing for his dad. A man built up as a hero yet was mostly an absent and distant parent.

The sci fi scenes are clearly impressive. Hollywood's version and vision of Mars as being a dangerous place with pirates attacking and pilfering from astronauts is very surreal and dare I say, realistic. Commercialism also invading the red planet with booths selling t-shirts and soft drinks. Cinematography is brilliant with wide shots of outer space, the rotating on its axis earth as seen from Mars, and  the desert and menacing vibe of Mars. 

A scene which really touched me is when Clifford tells Roy that he never wanted to be a father and abandoning his family for the Lima Project mission was the best thing he ever did in his life. Heartbreaking and cruel yet it was exactly what the young McBride truly needed to hear. Roy could finally escape from his spiraling out of control, orbit less trajectory of a life. In the end, he was able to move on. Be the best version of himself. Now that is what I call, closure. 

For the simple reason that Quentin Tarantino's films don't interest me at all, I could not bring myself to watch Brad Pitt in his award winning role in "Once Upon a Time in Hollywood". Maybe, some other time when nothing else interests me. Highly doubtful. Heh!
But Brad Pitt does relatively well in this slow burn science fiction adventure. His reflective contemplation about meeting his father again, of idolizing him only to be washed with disappointment and contempt when he learns the painful truth bring out a soulful performance from the actor. 

"Ad Astra" unfolds like a therapeutic encounter which persuades humanity to be more expressive instead of keeping it all inside. Why do we spend too much time, effort and money searching for other forms of intelligence? When right here on planet Earth we are becoming more distant from each other. Point taken!

21 Bridges

Chadwick Boseman. Sienna Miller, 

Stephan James, Taylor Kitsch,

J.K Simmons

"The Only way Out is Through him"

The first scene is the funeral service for a cop who died in the line of duty. His wife and son are distraught. Next scene, his son Andre Davis (Chadwick Boseman) is now a detective and is under investigation by Internal Affairs for being trigger happy against criminals. He is remorseless and maintains they were all clean shots. 

Meanwhile, two bad guys, Michael and Ray are hired to steal 30 kilos of packed cocaine from the vault of a fancy restaurant. To their surprise, they see 300 packs not just 30 kilos but before they can put it all into their bags, uniformed cops are knocking on the door. A gun fight breaks out leaving the manager of the restaurant and 8 cops dead with the criminals on the lam. 

Detective Davis arrives at the scene, along with the main brass of the NYPD, headed by Captain McKenna (J.K Simmons). They are shocked and saddened at the high number of fatalities, and are dead set on capturing their killers. Davis, together with the vice mayor decide to close all the 21 bridges in New York for the night to prevent the criminals from escaping. With the clock ticking because the lock down will be lifted at 5 A.M, Davis team up with Narcotics Detective Frankie Burns (Sienna Miller) to go on a manhunt for the cop killers. 

The criminals are always one step ahead yet as the pursuit continues into the dead of the night, Davis is getting suspicious. He is wary of the NYPD cops who also seem to show up at the crime scenes ahead of him as carnage ensues wherever Michael and Ray go. The suspects also want answers from their dealer about their discovery of the huge stash of cocaine in the restaurant.

Action filled scenes, gun fights, bloody and violent confrontations, along with slow paced scenes pack this rather mediocre crime drama. The rogue cops premise has been done more times than necessary and unfortunately "21 Bridges" fails to offer anything new. 

Chadwick Boseman as Detective Andre Davis is a far cry from his splendid performance as the Black Panther. Here, he is a sad caricature of the righteous detective trying to fight the corrupt system. Sadly, he could not rub off on his Black Panther powers to save this average movie from falling into an abyss.

1917

Dean-Charles Chapman, George MacKay,

Colin Firth, Andrew Scott, Mark Strong,

Benedict Cumberbatch, Richard Madden

"Time is the Enemy"

As far as war movies go, this Sam Mendes film has to be one of the simplest I've watched, so far. Yet it doesn't take away the fact that war is still an armed conflict between nations, innocent soldiers just following orders had to bear arms and heroically fight for their countries.  

As the title suggests, it focuses on the first World War in France where British troops are preparing to go on an offensive attack against the Germans. General Erinmore (Colin Firth) receives news that the Nazis (Germans) are planning to ambush the British contingent. Yet there is no way, General Erinmore can warn them as their communication equipment are down from a night of endless fighting. He then orders two soldiers, Lance Cpl Blake and Lance Cpl Schofield to race against time, cross enemy territories, to convey this message to save an entire troop from being slaughtered. Among them, Blake's own older brother.

It is a daunting task and an impossible mission yet they have no choice but to follow General Erinmore's very urgent orders. Blake (Dean-Charles Chapman) and Schofield set off in broad daylight, making their way through the now abandoned enemy trenches, through no man's land, rotting with dead bodies, dead horses with rats feasting on the corpses. Yet after a tragic incident, Lance Cpl Schofield (George MacKay) is now alone to carry out the message. Does he make it on time? Is he able to shield his fellow 1,600 comrades from the trap?  I won't reveal any more spoilers, better watch till the end.

The main cast is composed of two young actors whose inspiring performances will certainly boost their career. George MacKay layered his character with depth by his ashen faced, stoic demeanor. It also has cameo roles from well known British actors who gave some star quality to the movie.

This war drama is filled with intense sequences, as we follow the two soldiers journey into the unknown. Great aerial shots of monochromatic emptiness, of destruction and lost lives. You can almost smell the decaying flesh. Ewww. Some of the scenes were shot with a single frame, not the entire movie because that would be impossible. But these one shot sequences are visually attractive and added much appeal of this otherwise rather simple yet complex tale. A story of a relentless soldier whose tenacious fervor, never say die attitude lent a needed air of gravitas, saving "1917" from becoming just another war movie.

We tend to condemn wars but we also tend to forget soldiers fought valiantly, even losing their lives so we, the present and future generation would enjoy the freedom, we often take for granted. Kudos to Sam Mendes for giving us an emotionally well crafted and passionate chronicle which was narrated to him by his grandfather who fought in the first World War.

Parasite(Gisaengchung)

"Misplaced Familyhood"

I don't watch Korean movies or their TV dramas which are all over the boob tube, or online. 

BUT.

With all the fuss about "Parasite", not to mention it winning all the best movie awards from Europe to America, I got curious! 

It is only now that the world is opening up to Director Bong Joon Ho but it seems he has been actively making movies in his native land, South Korea. This tale of two families from very different spectrum of society tackles class conflict and discrimination which the audience no matter our social standing, can totally relate with on many levels.

The Kim family are bottom dwellers, for lack of a better word but they embody it in every sense of the word. The family of 4 - middle aged parents, Ki-woo, their son and their daughter Ki-jung - live in a sub basement of an apartment, getting 'free' pest control (even if they are bathed in toxic chemicals), leeching off the wifi connection of their neighbors, yet they do earn from folding pizza boxes for a small company.

Ki-woo's friend will be studying in the US so he asks Ki-woo to replace him as the English tutor of Da-hye. She is the naive yet smart daughter of the Park couple. She, together with her younger "troubled" brother and parents live in this beautiful house which was designed by Namgoong, a famous architect. The builder of the house had a housekeeper Moon gwang who now works for the Park family. Through a conniving plan, the entire Kim family are also employed by the affluent family as their art therapy tutor, driver and housekeeper.

One rainy night when the Parks are out of town, their former housekeeper shows up at the residence and all hell breaks loose. This occurs about one hour into the film, a twist is revealed through very clever film editing. This otherwise ordinary film suddenly evolves into a morbid and violent tale, a twist of fate which adds more layers to an already complex story line. In this regard, I believe this twist + the "did.it.happen.or.did.not.happen?" ending sets the perfect stage for "Parasite" getting all its accolades, and deservedly so.

It was filmed in some Seoul shanty town depicting the very bare existence of the Kim family. Yet the luxurious mansion of the Park family was built from scratch in the studio. Great visually vibrant sets (the poor district & the upscale neighborhood hidden behind high walls) that highlights the huge social and economic divide between the two families. 

To end - if you ask me, who does the title refer to? I believe, all of them are parasites. The Kim family conniving their way into the household and the good graces of the Parks. The wealthy yet lonely and snobby employers looking down on their 'servants' like insulting their smell. The real bottom dwellers, 3rd part of the equation, yes there are more characters. They are also free loading off the totally clueless Park family. So yes, I get where Bong Joon Ho got the idea behind his award winning critique on the socio-economic barriers between the haves and the have-nots.

The Two Popes

Anthony Hopkins, Jonathan Pryce

"Inspired by True Events"

NETFLIX

As a now practicing Catholic, I say 'practicing' because it was in 2008, the year I got married that I truly became a Catholic in every sense of the word. But this post is not about my Catholicism, it is about a heartwarming movie. "The Two Popes" captures an imagined yet intimate scenario between two very different Cardinals who are tasked with the daunting job of steering the Catholic Church of 1.2 billion people into these 'modern' times. 

It starts in 2005 when Pope John Paul II dies, and Cardinals from all over the world are summoned to Rome to elect a new Pope. German Cardinal Ratzinger is elected and now known as Pope Benedict XVI, while Cardinal Bergoglio of Argentina came in second. Then in 2012, the Catholic Church under Pope Benedict is besieged with numerous issues (Vatican Bank bankruptcy, priests embroiled in scandals, close aide of the Pope releasing a book revealing Vatican State secrets) which rock the very fabric of the religious institution. 

Meanwhile, Cardinal Bergoglio (Jonathan Pryce) wants to retire and is summoned to Rome. At the papal summer house located in the beautiful Italian countryside, the two start an introspection. They clash over their differing preaching styles, and intently discuss opposing views about what should be the priorities of  the Church. In the process, they both realize, they are just human and are susceptible to misgivings, and shortcomings. Pope Benedict (Anthony Hopkins) keeps ignoring Cardinal Bergoglio's request letter to retire, as we shortly find out, he has his own plan of leaving the papacy. Much to the chagrin of Cardinal Bergoglio, who must now be the one to convince the Pope to reconsider his shocking plan.

The Vatican scenes were shot in the studio, replicating the breathtaking Sistine Chapel as the backdrop for the election of a new Pope. One of the highlights is a visually stunning sequence showing the procedure of counting the votes cast by the Cardinals, then adding something to the burning votes so it can emit either a black or white smoke from the chimney. The color of the smoke signifies whether, we, Catholics have a new Pope or not.

Another highlight is the excellent casting of Hopkins and Pryce. Both veteran actors in their elements, playing off each other. Brilliant portrayal of opposing yet equally formidable figures each setting their unique mark as head of the Catholic Church. 

In some parts, it is a biography of Cardinal Bergoglio through flashback scenes, some in black and white, in his native Argentina. How he even had a girlfriend before becoming a priest, how he answered his priesthood calling, his guilt in not condoning the brutalities under a ruthless military regime. His style of preaching among the impoverished masses, preferring to bike to be more accessible to his flock, shunning the trappings of a Cardinal - a very down to earth cleric.

Yet there are no flashback scenes depicting Pope Benedict's past. But it is well known that he is a radically conservative, traditional priest/Cardinal who would spend hours reading dogmas, encyclicals and doctrines. In fact, he introduced several changes in some of the prayers we recite during the Holy Eucharist or the Mass and it is still in effect, today. Pope Benedict's 'retirement' was a very big, drastically shocking move but watching this movie made me better understand his painfully valid and difficult reason to 'quit' the papacy. 

Thus, we do have two Popes now and Brazilian director Fernando Meirelles (The Constant Gardener, City of God) does a great job in humanizing these two leaders of the Catholic Church. And as a Catholic, I am 100 percent confident in Pope Francis' ability to lead his flock in the right direction.  Amen.

The Irishman

Robert de Niro, Joe Pesci, Ray Romano,

Harvey Keitel, Al Pacino, Bobby Canavale,

Anna Paquin, Stephen Graham

"His story Changed history"

NETFLIX

Scorsese, De Niro, Pesci, Pacino - their surnames alone can draw in the crowds! But this mob thriller was released on Netflix, the streaming service. No need to head to the cinemas to see these film industry bigwigs acting flawlessly in a compelling film based on the nonfiction book "I Heard You Paint Houses" by Charles Brandt.  

The author interviewed Frank Sheeran, the Irish hitman for the Bufalino crime family who confessed in a series of interviews that he was the one who killed Jimmy Hoffa, the teamster and union leader who disappeared in 1975.

We are first introduced to Frank Sheeran (Robert de Niro) as a truck driver who delivers good quality meat to restaurants. Wanting to earn more money, he agrees to deliver his first grade steaks to Skinny Razor (Bobby Canavale), a mob boss who worked for Angelo Bruno (Harvey Keitel), the head of the Philadelphia crime family for two decades. Frank gets fired from his job and hires union lawyer Bill Bufalino (Ray Romano) to represent him. Sheeran is acquitted, then introduced to Bill's cousin Russell Bufalino (Joe Pesci), an upper state Pennsylvania mobster, who hires him to 'paint houses'. So begins the WWII veteran, former truck driver's life of criminal activities, working for both Bruno and Bufalino.  

Sheeran claims "I heard you paint houses?" was the first thing Hoffa asked him when they first spoke over the phone. A mob term which means "I heard you kill people". Russell Bufalino, sort of "loaned" Sheeran to Hoffa so Frank could take care of matters for the head of the Teamsters, from being a bodyguard, a thug to a traveling companion, following Hoffa around the country as he held local meetings, fortifying the labor union.  

Sheeran and Hoffa were two peas in a pod, their families were close, a symbiotic relationship that lead to a life long friendship. In fact, Hoffa trusted Frank so much that even at that instant when he entered that house in Detriot for an alleged meeting with some mobsters, he had no idea it was his last day on earth. Fell by two bullets behind his head, shot by his friend, Frank. Hoffa's body was taken and burnt in some oven pit. Well, is this true? Did Sheeran really kill his friend as ordered by several mob bosses? We can never know for sure but an old Frank claims, he did it. 

This well directed, well crafted epic movie rolls for 3 hours and 30 minutes. Thankfully, it is shown on Netflix so I could pause it for toilet breaks and get some snacks. I was totally engrossed in the story, I barely noticed the time. Told through the eyes of a much older and cancer stricken Sheeran in a wheelchair, waiting out his final days in a hospice - the non linear flashbacks complete with de-aging technology (which works wonderfully), adds much gravitas to this realistic mob story. Based on true mobsters, Scorsese would add snippets beside the characters's faces - notes on how they met their untimely (or timely) death. Sure there are violent scenes but it won't be a credible crime story without some brutality, right? 

For the supporting cast, we had Ray Romano doing a good job as the sly attorney, a far cry from his comedic days. Too bad, Harvey Keitel is given very few lines, in few scenes. He barely scratched the surface of an intriguing character as Angelo Bruno. The indefatigable Al Pacino is excellent as Jimmy Hoffa. Pacino can overact sometimes but in this case, it was a plus as he essayed a larger than life, colorful character, whose disappearance still remains one of life's greatest mysteries, as enigmatic as the Loch Ness monster saga. 

Lastly, I want to thank Scorsese for (1) bringing De Niro and Pesci together in movie. I read that Pesci turned down Scorsese's offer several times, preferring to enjoy his showbiz retirement in peace. I grew up watching their tandem in such classics as "Goodfellas" and "Casino". Even though they are already much older, their rapport never missed a beat. Both of them giving spectacular performances in roles which they can act out in their sleep. (2) For proving that good film making is still very much alive! Relying on a credible plot, hiring an ensemble cast of great actors, peppering the story line with just the right blend of action, adventure and drama - a cinematic feast. So you can take as much time as you want to regale us with your master storytelling, Mr Scorsese!

Judy

Renee Zellweger, Jessie Buckley,

Finn Wittrock, Rufus Sewell, Michael Gambon

"Judy Garland: The Legend behind the Rainbow"

This biopic depicts a brief period in the turbulent life of iconic star, Judy Garland - actress, singer par excellence. For 5 weeks, she performed in a London club, The Talk of the Town to mixed reviews - applause one day, heckles the next. A pattern which tore down the already fragile ego of a star who was slowly, losing her luster.

Judy was first hesitant to accept the London stint because she will be away from Lorna and Joey, her young children with her third ex-husband Sidney Luft. She was a devoted mother to her 3 children. Her eldest is actress/ singer Liza Minelli who just had a brief cameo in the film. Judy only accepted the London shows to provide a better life for her children, believing it (living with their father) was merely a temporary set up. Unfortunately, 6 months after her return from London, she died from a drug overdose in 1969, aged 47.

The film had seamless periodic flashback scenes of a young Judy. It shows several instances when studio mogul Louis B. Mayer, co-owner of MGM, hired a 'handler' to supervise the 14 year old. A strict matronly type made sure that Judy  watched her weight, was also given very harmful pills for everything (to stay awake, sleeping pills, uppers & downers). Judy also 'dated' Mickey Rooney but it was mostly just a publicity stunt because they were the biggest stars of MGM during its glory days. 

Mayer is portrayed as this looming, chubby and tall fellow who was very manipulative. He convinced the poor young Judy into believing, there were always other more deserving young stars to play the role of a lifetime, Dorothy Hale in "The Wizard of Oz". 

This dominating, fiercely controlling period in her life eventually gave way to an insomniac, pill popping, anxiety ridden adult Garland who had commitment issues (married 5 times), and very low self esteem. A nervous wreck who needed other people's validation, needed people around to prep her up before her performances. Being a diva but understandably she was a very troubled soul, her childhood stolen from her. Quite miserable, somber and really dejected existence, true be told. Watching a woman in her prime on the brink of total physical and mental decline was very painful to watch. Heartbreaking, really.

Renee Zellweger was impeccable as Judy Garland. From her uncanny resemblance, her mannerisms to her singing Judy's famous songs. Renee carried the entire movie on her very able shoulders. Several times, it felt like it  was actually the real Judy Garland, acting in her own biopic. I hope Renee wins the Oscars for best actress award, this year.

The song "Somewhere Over the Rainbow" from "The Wizard of Oz" took on a very different meaning for me after watching her biography. It was also relevant that it was the last song, she performed at The Talk of the Town. She was fired for being very unprofessional and while singing this song, got very emotional and could not finish. The forgiving audience joined in, she finished it with their much needed encouragement & support. 

Someday I'll wish upon a star

and wake up where the clouds are far

behind me

where troubles melt like lemon drops

away above the chimney tops

that's where you'll find me

Somewhere over the rainbow

Bluebirds fly,

Birds fly over the rainbow,

Why then, oh why can't I??

Rocketman (2019)

Taron Egerton, Jamie Bell, 

Richard Madden, Bryce Dallas Howard

Gemma Jones, Steven Mackintosh

"The only Way to tell his Story

 is to Live his Fantasy"

The only way a biopic of a musician would be relevant is to pepper it with his well loved songs. Taron Egerton as Elton John is fantastic, from front teeth gap, glittery costumes, to enormous glasses. All this flamboyance masks a lost soul who only wanted to be hugged & loved, properly.

The opening scene starts with Elton John in full costume entering a rehab center to discuss his shortcomings to a circle of strangers, then it evolves into a musical number focusing on his much younger self. A young boy named Reginald Dwight living with a domineering mother, a gracious grandmother and an absentee father in every sense of the word.

He is briefly enrolled in the Royal Academy of Music, where his musical talent shines. We are introduced to adult Elton, as a struggling musician. His first job was playing piano in a back up band for American jazz singers performing in small clubs in London. He teams up with Bernie Taupin (Jamie Bell), who writes heartfelt lyrics which Elton sets to music. His rise to fame from Reginald Dwight to Elton John (Elton is the name of his band mate while John refers to John Lennon) is meteoric. 

Breaking barriers, he makes it big in the US, handled by a strict manager named John Reid (Richard Madden). A turbulent lifestyle characterized with wild parties, drugs and alcohol. His invincible self grappling with his sexuality, his constant quest for love amidst his larger than life stardom. 

A well crafted story line using fantasy, dream sequences and musical numbers but it won't have worked without these elements. Elton John was consulted on everything, from the costumes, the songs, his collaboration with Bernie Taupin, the difficult relationship with his mother, his decline into darkness to his life changing period in rehab centers to work on his sobriety. 

A vibrant cinematography added more glitter for lack of a better word. I grew up listening to his songs, the ones they picked were very symbolic for each of the scenes, they were added to. Classic, bouncy, dance-able tunes which still make sense, after all these years.

Taron Egerton was perfect! His nuanced, honestly raw portrayal of Elton John is heartfelt. From his appearance, wearing all those extravagant costumes, to actually singing all the songs - it is NOT easy to play a real life character, but he did an excellent job. Taron deserves all the awards he is getting for this once in a lifetime role.

It is good to know that a lost soul like Elton was able to 'redeem' himself. Now sober for 28 years and counting, still writing songs with Bernie Taupin, a philanthropist and finally finding love with David and their two adorable kids for 25 years now.

"Rocketman" is a great tribute to a true music icon who sings:

...  I'm still standing better than I ever did,
     looking like a true survivor,
     feeling like a little kid.
     I'm still standing, after all this time,
     picking up the pieces of my life,
     without you, on my mind
     I'm still standing ... yeah ... yeah .... yeah! ...