TWILIGHT

TWILIGHT
Kristen Stewart, Robert Pattinson, Billy Burke, Peter Facinelli, Cam Gigandet, Taylor Lautner

"When you can live forever what do you live for?"

I'm not into vampires whether in any works of fiction or movies. Let's just say they hardly figure into my realm of interests. I've also haven't read any of the Twilight books for the precise reason I've stated in the first sentence. Besides all the information I needed to know about the film or the first book for that matter can be concisely found in the FAQ portion for the Imdb entry of Twilight!

Having said that I did manage to grab a copy of the movie and watched it on Christmas day of all days. After a hearty dinner of Noche Buena leftovers, the viewing fare was a teenage love story between a human and a vampire, go figure!

It was fairly entertaining, I'd say. Nothing too serious to merit a tons of questions but neither did the movie take a simplistic approach to narrate the romance. Side plots were laid out in a comprehensive non threatening (meaning they don't intrude into the main storyline) manner. The main characters all had good personality developments. The setting was appropriately bleak befitting a town where vampires felt "safe" to inhabit without drawing too much attention to themselves. Even the makeup was good enough to distinguish the 'others' from the humans. There was enough dramatic moments spliced with special effects in action riddled scenes. I especially liked the thunderous baseball game the Cullens played in that vast field.

I guess my 'only' complaint is that I felt the chemistry between Bella and Edward wasn't as intense as I expected it to be. I figure that Kristen Steward might have been miscast as Bella Swan. In my opinion she came across as too anemic and a bit indifferent as opposed to someone who was willing to give up her 'human' form just to be with Edward Cullen. Oh well let's see if she can add more life into her character in the next film installment of the saga.

In conclusion, I figure for a non Twilight fan the movie was fairly amusing and was an entertaining viewing experience.

WAITRESS

Keri Russell, Adrienne Shelly,Nathan Fillion, Jeremy Sisto, Cheryl Hines, Andy Griffith

"If only life were as easy as pie"

Star Movies

A delightful little movie with the right dose of quirky yet endearing characters, witty lines and life altering moments. It recounts the story of a waitress named Jenna (Keri Russell) who works in a little diner which serves delicious pies which she bakes daily. She also comes up with funny names for her pies like "I hate my husband pie", "Pregnant miserable self pitying loser pie". However poor Jenna is stuck in a miserable marriage to an awful guy, Earl (Jeremy Sisto) and she is pregnant with his baby.

The film is a cutesy take on her life. How she deals with the diners customers, her selfish husband and an unwanted baby on the way. Despite her miserable life, Jenna herself exudes so much positive vibes which she conveys through straightforward dialogue. She writes letters from her heart to her unborn child, expressing in colorful terms how she truly feels about everything. She also has a good support system through her friends, Dawn (Adrienne Shelly) and Becky (Cheryl Hines) her co workers at the diner. As well as from Joe (Andy Griffith), the owner of the diner who dispenses unsolicited yet very helpful pieces of advice to Jenna.

The cast all had warm personalities and they blended together well. The dialogue was witty and crisply delivered. The plot though sometimes a bit disconnected flowed effortlessly. The setting had a homey cozy ambiance to it.

A heartwarming movie that makes us aware of just how precious life is. That we shouldn't waste it, being unhappy. That despite being stuck in a hopeless situation there is still a silver lining at the end of the rainbow. That a dead ended life is made more 'bearable' with good friends who mean well and truly hope the best for you.

It should be mentioned that Adrienne Shelly who wrote, directed and starred as Dawn (one of Jenna's friends) was murdered shortly before the film was released to a wider audience. A really tragic event but nevertheless we will always remember her through this authentically poignant film.

Friendsation

Friendsation

There is another free community website that promotes social networking. Friendsation is an interactive website that facilitates live Chat through Live Chat available in multiple mediums.

You can sign up for free and send instant messages to other members. You can Chat live in their online chat room and they also offer live Phone Chat for free for its members within the United States. Their hip and friendly website features personals and blogging facilities. You can give your personal opinions on their surveys and read up on the hottest blogs, online. Or listen to pod casts of an upbeat radio show which showcases the dating milieu for the young generation.

Friendsation is still in its early stages yet it continues to grow with its focus on various forms of live chat by building up a Dating networking database for its members. Sign up for free and join Friendsation now!

FOUR CHRISTMASES

Reese Witherspoon, Vince Vaughn, Jon Voight, Robert Duvall, Mary Steenburgen, Sissy Spacek, Jon Favreau, Tim McGraw, Kristin Chenoweth, Dwight Yoakam

"His father, her mother, his mother and her father all in one day."

Cinema 1, Shang Cineplex

The stellar cast of this film couldn't do much to uplift the dismal story line nor my fading Christmas spirits. What was supposed to be a Holiday movie turned out to be a taxing test on my patience.

The premise of the story seemed interesting enough, on paper. A new age modern couple, Brad and Kate (Vince Vaughn and Reese Witherspoon) seem to think outside the box. They don't believe in marriage, in having kids, nor celebrating Christmases with their families. Their original plan to vacation in Fiji is thwarted by the cancellation of flights due to fog. Then they are interviewed and caught red handed on TV by their families thus they are suddenly forced to spend 4 Christmases in one day. The rest of the film is focused on their mishaps during these visits to their folks. Relatives from different spectrum of society welcoming the couple into their homes as they celebrate Christmas.

First - I cannot fanthom the idea of visiting 4 different houses in just one day. Secondly - I couldn't feel the chemistry between Brad and Kate. Brad was funny and quite animated while Kate seemed rather standoffish and aloof. Thirdly - I expected it to be a "Christmasy" movie so I was hugely disappointed when it didn't exude that Yuletide vibe. The 'plot crisis' in the movie was rather predictable and the ending was well for lack of a better word, very predictable as well.

It is such a pity to watch good supporting roles given to talented actors like Robert Duvall and Sissy Spacek go to waste. They unfortunately cannot do much to show their artistic range with the below average script. Vince Vaughn though still has great comedic timing and he was a hoot to watch. I can't say the same for Reese Witherspoon who was ill matched for Vaughn in every aspect from height, comedic interludes and romantic chemistry.

Movies like these are best viewed either on cable one nothing.to.watch.on.Tv night or rented on days when.you.have.seen.every.single.film.at.the.videostore.

THE NANNY DIARIES

THE NANNY DIARIES
Scarlett Johansson, Laura Linney, Paul Giamatti, Donna Murphy, Nicholas Art, Alicia Keys, Chris Evans

"A comedy about life at the top, as seen from the bottom"

Star Movies

For someone who isn't into chick lit or chick lit turned into movies, I was surprisingly quite amused with this film.

The film is accompanied by a witty and sometimes funny narrative about the observations of the main character, Annie (Scarlett Johansson). She is a fresh-out-of-college Jersey girl who is uncertain of her future. Her mother is eager for her to join the corporate world but Annie is more interested in anthropology. She ends up accepting a job from Mrs. X to work as a nanny. Annie decides to approach the job like an anthropologist in the field, and she is alternately fascinated and appalled by her observations of the artificial lifestyle of the upper end of society. A life camouflaged with luxurious houses, designer brands yet devoid of any genuine emotional attachments.

The film is filled with Annie's adventures both as a nanny and as an observer of life in general. The cast is endearingly humane despite their character's stoic nature. Laura Linney is perfect as the Stepford wife like Mrs. X. Paul Giamatti delivers a perfectly smarmy performance as the philandering Mr. X. Scarlett Johannson as Annie was refreshing to watch and her narrative about the hypocrisy of Manhattan's upper-crust was spot on. The kid was bratty as expected and how WASPy to name your son, Grayer of all names. But I noticed that the love interest angle seemed a bit forced. As if it was imperative for Annie to meet some guy and fall in love with him. Never mind if he was portrayed by the attractive Chris Evans addressed in the movie as Harvard Hottie. Alicia Keys as Annie's best friend Lynette was a revelation, she essayed her role with an ethereal vibe.

Overall the film was amusingly entertaining and lighthearted with clever nuances about life on the upper end of the spectrum as narrated by a naive yet smart nanny!

Car Connection

Car Connection

Buying a car is a major investment. There are several factors to consider before you reach deep into your pockets for such a pricey purchase. The type of vehicle, its functionality, its mileage. The list is endless.

But at The Carconnection.com website they present a comprehensive list of the latest models of Suv available in the current auto market.

Luxurious vehicles like the 2010 Honda Insight, the 2010 range of Lexus to name a few are included in their extensive and impressive list. Their auto experts also test drove the vehicles and offer their first hand experience by reviewing them based on several criterion. A reliable ratings system is also enforced by taking into account the performance, the style, the comfort and quality as well as the features and the safety factor of each listed SUV.

A photo gallery showcases the different angles of the vehicles. There are also links which enumerate the various specifications of each SUV. You may also get a free price quote, check insurance rates, financing rates and local classifieds for each vehicle. They also provide a comments section where consumers can post their opinions.

It pays to be well informed after all these purchases are worthy investments.

THE GOOD GERMAN

THE GOOD GERMAN
George Clooney, Cate Blanchett, Tobey Macguire

"If war is hell then what comes after?"

This whodunit film noir does remind me of those Humphrey Bogart movies. You have a suave, dashingly handsome hero in the personification of the delectable George Clooney. Not that I found/find Bogart really dashing, mind you but you get my drift. A mysterious love interest portrayed by the seductive Cate Blanchett. An assortment of shady villains among them a sleazy Tobey Maguire in a brief role. It is set in a place where an important historic event (in this case the Potsdam conference) is unfolding. The phasing of the entire movie can be a bit slow but there is enough loud music to highlight the dramatic parts and convey a sense of intrigue.

Except this Steven Soderbergh directed movie was shot in the 21st century where shaky hand held digital camera is the way to go. So to be thrown into a film where your eyes strain from the lack of color can be a bit overwhelming at first. Then eventually as the film progresses, you try to make sense of the intriguing plot. A plot laden with enough intrigue and mystery to merit several questions which start with the word "W" - "why", "who", "when" and most certainly "what"! So while you run a gamut of questions in your mind, you can't help but swoon over George Clooney. Even saying to yourself how delectably fine he looks in black and white celluloid as well as technicolored movies.

Then you go back to the movie's plot and wish there were more movies of this genre (whodunit thrillers) made! A big let up from the numerous explosive yet insignificant car chases scenes which simply appeal to the (male) audience. Or the yawn inducing romantic comedies with unbelievable love stories to titillate the (female) audience. Oh what the heck, better yet just rope in George Clooney and I'm sure I will be hooked, no matter what genre.

RingTones

RingTones

Nowadays everyone has a cellular phone. It is handy. It comes in different shapes and sizes. It is really a necessity. But aside from having the latest features like camera and being able to access your emails, it is equally important to have a catchy ring tone.

World Ringtones is a one stop guide to the latest Ringtones available online to download. They provide links to several ringtones downloads for most major cellular service providers in the world. You can also download wallpapers and java games for your cell phone.

MATCH POINT

Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode, Brian Cox

"Passion Temptation Obsession"

Star Movies

I've always been a fan of Woody Allen films. He has a way of presenting human relationships in its most vulnerable state through complex characters with varying degrees of personalities. They are also usually set in his native New York, a vibrant complex city inhabited by angst ridden people.

"Match Point" though is his first venture out of his comfort zone. This film is set in London and it focuses on the fanciful lifestyle of the British upper class. The story of how a wily tennis instructor (Jonathan Rhys Meyers) manages to entangle himself into this specific clique of society by marrying a girl of landed means. Thus he is able to elevate his status from a tennis instructor to working for his father in law's company. Everything is well set until he has an affair with Nola Rice (Scarlett Johannson) . A struggling American actress in London who seduces him into her snare. It is safe to say that demanding mistress eventually hounds philandering husband to leave his wife (Emily Mortimer) for her. Yet at the same time, it isn't as predictable as one expects from a movie about adultery because of a sudden twist towards the end. But then again, since when did Woody Allen movies have a predictable ending?

A good solid cast composed of mostly young British actors revves up the coherently developed plot line. It is further buoyed on by loud operatic arias for major dramatic effect. It was interesting to watch the evolution of Meyer's character as he dug his own grave, so to speak. Then with a stroke of good luck presented in a vital scene towards the end, he manages to exonerate himself brilliantly to carry on his cushy life.

I end by writing the quote which best describes this film or rather the main character in "Match Point":

"The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose. "

Online Resources

Online Resources

Help me to is a useful website that contains interesting articles about almost anything you ever needed to know about the Internet. For example, Help me to: create a web page insert content using Dreamweaver or help me to: use video and audio on Gmail. They offer valuable and very helpful tips contained in different categories on various topics like advertising, Google, blog services, SEO tips, hard wares, tutorials and gadgets among others.

From online buzz to technology news, the articles are presented in a user friendly, content rich website. Their easily navigable interface is presented in a neat, orderly manner. They also offer a chance for you to get all the info through your inbox by subscribing to their newsletter.

So whether you are a novice or an expert, you have come to the right place. Helpmeto.info is the one stop website to browse through for all your queries!

I DREAMED OF AFRICA

I DREAMED OF AFRICA
Kim Basinger, Vincent Perez, Liam Aiken, Eva Marie Saint, Daniel Craig, Garrett Strommen

"Sometimes the adventure of a lifetime becomes life itself"

Star Movies

More often than not, most movies about Africa have this ethereal vibe to them. Well I'm talking about films about white people happily settling down in Africa not those depressing movies about poverty, genocide and oppression.

Therefore "I dreamed of Africa" is no exception. It traces the story of Kuki Gallman, a divorced Italian socialite who upon her second marriage to a rugged adventurous guy named Paolo settles down in Kenya, Africa. She learns to adjust to the completely different lifestyle, new surroundings and her husband's never ending passion for the great outdoors. She has had to endure sandstorms, encounter wild animals and face fierce poachers trespassing on their property. Yet despite all these setbacks, she still manages to look as refreshing as ever in her cotton tunics, her wavy blond hair and her smooth skin. She hardly seems to break out in sweat, swat away pesky mosquitoes and faint from the harsh climate. Well perhaps it helps that she is portrayed by the gorgeous Kim Basinger, an actress who manages to look beautiful even without make up. Aside from the attractive Kim Basinger, do watch out for a pre Bond Daniel Craig in all his rugged, scruffy glory as one of the white settlers in Africa.

This poignant and touching human drama succeeds in making us sympathetic to the plight of a strong woman who chose to accept her fate in a strange land. A fate marred by several tragedies so her life wasn't simply a bed of roses. An interesting enough film filled with emotional moments (I actually cried a few times!) and dramatic encounters amidst a scenic cinematography of the vast African continent.

THE KINGDOM

Jaime Foxx, Jennifer Garner, Jason Bateman, Jeremy Piven, Chris Cooper, Ashraf Barhom, Ali Suliman

"Under fire. Under pressure. Out of Time."

HBO

This film potentially started out on the right tone. Its opening credits showed images tracing the history of the Saudi kingdom vis a vis its relations with the USA. Then a lapse in security causes an explosion at the compound housing Americans working in the kingdom. This incident sends ripples all the way to the State Department in Washington. The FBI, the lead agency that investigates criminal activities involving American subjects abroad is keen to dispatch an investigative team as soon as possible. But their trip isn't officially sanctioned by the US government nor the Saudi government. Somehow they still 'force' their way into the kingdom. Once there, they are placed under tight security and their every move is closely monitored by the Saudi authorities. They are given only 5 days to 'gather' evidence, inspect the bombing site and try to catch the 'bad guys'. Is that enough? Hardly so. Because what ensues during the rest of the film is a test on the FBI team's patience in dealing with the Saudi authorities, their limited time as well as the growing threat from extremists out to annihilate every American in the kingdom.

I noticed two glaring flaws in the way they presented the characters in this film. (1) No one in the team sent to investigate the housing complex bombing in Riyadh spoke Arabic (2) The only woman in the team didn't wear the appropriate abaya to cover up. Alright given that the mission was assembled in a hurry yet still these important concessions are not to be taken lightly especially since they are intruding on foreign land. A country steeped in traditional values that need to be respected in all aspects.

Other than that, the film is loaded with enough action scenes (gunfights, explosive car chases), some dramatic moments tinged with the portrayal of humane characters to guarantee a big plus in the entertainment factor. Just try to ignore the political ramifications this film implies on the failure of the US to effectively implement its brand of democracy in the Middle East.

QUANTUM OF SOLACE

Daniel Craig, Olga Kurylenko, Dame Judi Dench, Mathieu Amalric, Giancarlo Giannini, Jeffrey Wright.

Cinema 2, Shang Cineplex

Bond. James Bond is back with a vengeance!

This time in an intensity filled, action packed movie with a strange title, Quantum of Solace. A fitting continuation to the previous offer, "Casino Royale", it kicks off with an exciting high speed car chase through the narrow, winding streets of Italy.

His main motivation is to avenge the death of Vesper Lynd. The woman who doublecrossed him and paid dearly for it with her life. The woman, he fell utterly in love with, so much so that he tendered his letter of resignation from the British intelligence agency! In "Quantum of Solace", he puts up a tough exterior to show that he has moved on with his life yet we all know he is still deeply hurt by the deceit as well as the death of his lady love.

His quest to trace the organization who manipulated her leads him to the most exotic places on earth. From the narrow streets of Tuscany, the villas in Italy, the chaotic Haiti, the charming Austria to the vibrant South American cities. He is relentless in his pursuit as he figures in all types of races from boat, high speed cars to bikes. He is also constantly fending off attacks from his assailants that "M" berates him for killing everyone since they need them alive to be interrogated. Yet Bond is still ably guided by the indomitable "M" who has the latest technology at her disposal.

Yet you somehow get the impression that you aren't watching a Bond movie. There are no fancy gadgets, no worldwide threat, no political intrigues, no shaken not stirred martinis, no maniacal villain, no memorable one liners and he doesn't even get to bed the official Bond girl.

Nevertheless I thoroughly enjoyed this second installment of Daniel Craig as 007. I even prefer it to "Casino Royale" with its boring casino sessions. In "Quantum of Solace", he is more believable with just the right blend of ruggedness, maturity and wisdom mixed together for a modern day spy dealing with relevant current issues like environmentalism, covert conglomerates and corruption at the highest level.

My only misgivings are the dizzying action sequences. Since they were filmed using hand held cameras it gave me headaches. And I was disappointed with the lousy theme song. Alicia Keyes was shouting at the top of her lungs and the song itself is utterly forgettable. Anyways inspite and despite these distractions, I was one very satisfied Bond fan!

CUBAN FILM WEEK

CUBAN FILM WEEK

The Cultural Center of the Philippines in cooperation with the Embassy of Cuba, Manila and the Department of Foreign Affairs present: CUBAN FILM WEEK 2008 from October 28 to October 31, 2008.

Screenings are free on a first come first served basis.
Venue is the CCP Dream Theater.
For more information call 832-1125 locals 1702/1704/1705.

Pict.com

Pict.com

In this age of multi-featured digicams, taking pictures is really easy. We all like to take pictures to capture happy moments during special occasions. In the same manner that we record these snapshots for memory's sake, it is equally important we make sure they are stored properly. Pict.com allows users to upload JPG (JPEG), GIF or PNG files, no other formats are supported. You may upload any amount of files up to 3mb each for an unlimited period of time. You can upload from a URL address and you are given the option to upload several pictures at the same time. Then you can save them all to your verified email address for easy access. That way you are sure your pictures are well preserved.

BODY OF LIES

BODY OF LIES
Leonardo di Caprio, Russell Crowe, Mark Strong

"Trust no one. Deceive everyone."

Cinema 9, Robinson's Galleria Movieworld

This latest Ridley Scott picture pretty much had everything going on for it to be quite believable. 2 serious actors (Leonardo di Caprio, Russell Crowe) known in the industry for their dedication to their craft. Here I have to add that having a strong screen presence from one of the supporting characters (Mark Strong) was a revelation, in a good way. A solid well paced plot devoid of complicated politically nuanced side plots. Various settings all over the world adding much needed authenticity to the nature of the characters lives. Throw in a somehow forced romantic angle and you surely can't go wrong.

I have to stress out though that there are 2 main points I observed in this action packed film.
1. That the US through its central intelligence agency in all its mighty glory as the vanguard of democracy is willing to fabricate a story to draw out their standard terrorist du jour was revolting, to say the least. They actually played God by controlling a person's life, an innocent bystander at that in their hands.
2. Thankfully these tactics don't always work to their advantage. In the movie, it plays out pretty well in the form of their main agent, Ferris (Leonardo di Caprio) on the field finding himself in a pretty tight spot. Then miraculously being rescued in the nick of time by the person he least trusted.

Well I guess we can all sleep better at nights knowing that these 'tactics' only happen in the movies. But somehow I doubt it.

SWEENEY TODD: THE DEMON BARBER OF FLEET STREET

Johnny Depp, Alan Rickman, Helena Bonham Carter, Sacha Baron Cohen, Timothy Spall

"Never Forget. Never Forgive."

From the actor who gave us memorable celluloid characters such as Edward Scissorhands, Willy Wonka, Ed Wood and Jack Sparrow, Johnny Depp is back to regale us with yet another fascinating character. This time he is Sweeney Todd. A barber who returns after years of imprisonment to exact revenge on his perpetrators. Plus he sings too!

How's that for versatility?

Ably directed by Tim Burton who gathers the same stars (Johnny Depp and Burton's wife Helena Bonham Carter) from his previous animated movie, "The Corpse Bride", this dark horror musical is set in London during the Victorian era. Under such bleak setting, the catchy yet sinister songs of Sondheim permeates throughout the film. Lending their voices as well as their brilliant performances in supporting roles are Alan Rickman, Sacha Baron Cohen and Timothy Spall. Surprisingly all of them can carry a tune despite having no musical/vocal training.

The plot line is understandably dark with violent scenes of Sweeney Todd's hapless victims yet since most of the dialogue is sung, you don't cringe that much. The crisp cinematography of squalid surroundings was very authentic. I, especially like the effect where Burton would add color to his scenes depicting happy moments. A good contrast against the bleak, almost caricature like sequences of squalor. Another masterful effect was the way the blood spurted from the slashed necks of the victims. It seemed like someone had accidentally burst open a can of red paint. It certainly heightened the gory effect of the scenes.

Overall, it is an entertainingly good movie with 'quirky' characters and a dark plot buoyed by equally sinister songs which only a wicked mind like Tim Burton can deliver.

Shopwiki

ShopWiki

Online shopping has never been easier with ShopWiki.com. Its main feature is it finds every store on the Internet through its crawling method. For an online shopper, this means you will find anything and everything for sale on the web. A wider range of products from more stores guarantees better deals and savings for budget conscious shoppers.

Why not start shopping early for Christmas gifts? For the ladies, cosmetics are great gift items. ShopWiki's comprehensive shopping guides offers you all the basic facts about beauty products available on the market nowadays. You can shop for cosmetics based on your budget or according to brand name. Their extensive website also provide valuable makeup tips like what cosmetic items are permitted through airport security when you travel. Their fashion trends and techniques tips such as how to achieve that smoky eyes effect are very interesting to read.

So next time you need to shop online don't forget to drop by ShopWiki.com!

CINEMANILA

10th CINEMANILA

The 10th Cinemanila International Film Festival runs from October 16-29 at Gateway Cineplex 10, Araneta Center. Aptly so, the biggest draw this edition are the films themselves. Cinemanila has put together an impressive line-up that boasts of the toast of Cannes, the much heralded in Venice and the grand winners from some of the major international film festivals. The best films from over 35 countries all over the world are also in full force.

Dekada Cinemanila will run from October 16-29 at Gateway Cineplex 10, Araneta Center, Quezon City. The admission price is P151. Click here for the schedule of the films.

FUERA DE CARTA

FUERA DE CARTA
(CHEF'S SPECIAL)

Javier Camara, Lola Duenas, Fernando Tejero, Benjamin Vicuna

Pelikula: Spanish Film Festival

A delightful comedy that dwells on a myriad of topics among them cooking, romance and family bonding moments. A fitting way to end this year's 7th Spanish Film Festival as it was voted the audience choice film. I was lucky I was able to get tickets for three just in the nick of time before it was fully booked!

The film centers around Maxi, an ebullient gay chef whose main obsession is to get a star rating for his restaurant Xantarella from the Michelin group. Complications arise when his kids (15 year old son and 6 year old daughter) from his previous scam marriage show up at his door upon the sudden death of their mother. Maxi's life is turned upside down as he tries to run a successful restaurant, be a good father/mother to his children as well as jump start his budding love life.

A realistic portrayal about the ups and downs of a stressed out person leading a hectic lifestyle. His precious time is stretched out way thin from all angles. The taxing demands of his business, his futile attempt to be a nurturing parent as well as his passionate desire to follow the dictates of his heart.

An engagingly fun movie filled with its fair share of drama, comedy and everything else in between. The quirky plot was commendable in the way it deals with homosexuality in a mature manner. It was made more so endearing by its well developed characters with their multi-dimensional personalities. A highly entertaining film entirely in Spanish with English subtitles.

STELLET LICHT

STELLET LICHT
(SILENT LIGHT)

Cornelio Wall, Maria Pankratz, Miriam Toews

Pelikula: Spanish Film Festival

Let's see now - here's a film directed by a Mexican director, Carlos Reygadas which is set in rural Mexico. But it focuses on a married Mennonite farmer with 7 children who is having a passionate affair with another woman. They speak in a dialect called Plattdeutsch which is of German/Russian origin. But there are English subtitles so you won't get lost in translation. Because there is a tendency for one to simply tune off from sheer frustration while watching daily life slowly unfold in this unique film. Minimal dialogue in a strange language with scenes of wasted footage of nothing and anything thrives through out the movie. Then you have blaring sounds like the crunching of feet on snow, the stillness of the sun as it rises or crickets at night which can drill your brain into numbness. Well that's just the physical/technical aspect of the film.

In essence it dwells on the conflicted soul of Johann who is deeply troubled for being unfaithful. He talks to his father and his friends about it. They all offer different opinions but mostly tell him he is doomed. He is torn between his wife and the other woman. He is filled with regret and guilt. Just as he decides to turn a new leaf, a life shattering event occurs which further catapults him into remorseful moments. A certain scene towards the end merits further scrutiny and discussion as to what really occurred. There are several and different interpretations regarding that scene. Talks of reincarnation, deep slumber and reawakening come to my mind.

I admit that this film won't appeal to the mainstream. It takes a certain type of audience to appreciate this sort of movie. An audience intelligent and patient enough to sit through scene after scene of nothingness without getting bored. An artistic work of seemingly nothingness yet infringed with deeply spiritual tones. My advice just be open minded and don't expect too much from this film. Or else you will end up hugely disappointed.

CONCURSANTE

EL CONCURSANTE
(THE CONTESTANT)

Leonardo Sbaraglia, Chete Lera, Miryam Gallego, Fernando Cayo

Pelikula: Spanish Film Festival
Cinema 1, Greenbelt 3

Martin Circo Martin is filthy rich. He just won the top prize in the most lucrative game show on TV. 3 million Euros worth of prizes NOT cash!

But he is miserable.

His life has been jolted into a chaotic mess. Because you see now he has to find the funds to pay for the tons of extra expenses. For instance, the insurance for the two cars, the yacht as well as the mansion which are among the numerous prizes he won. As if he isn't stressed enough, he decides to take out a loan based on the ill advice of a unscrupulous lawyer to pay for the said incurred expenses.

This film flows by through the narration of Martin who recounts his fateful stroke of (bad) luck. It tackles the issue of consumerism as well as the inner trappings of greedy financial institutions. Basically it felt like a long and winded lecture on economics presented in a non linear manner. It is mostly a hodge podge of fast paced scenes which fuels the already chaotic storyline. It is peppered with a bunch of colorful characters who combine to provide dry humor, angst and dramatic sequences guaranteed to keep you on the edge of your seat. It all builds up to a climatic and explosive ending.

Given the current economic meltdown plaguing the world today, El Concursante is an appropriately themed 'educational' film about the consuming pitfalls of maintaining a lifestyle where material wealth takes precedence over anything else.

Savoy Autos

Savoy Autos

It is always wise to read up on a product before you purchase it. Especially expensive items like electronic gadgets, appliances and vehicles. You have to pay attention to every nitty gritty detail to ensure you get your money's worth.

If you are scouting for a sturdy SUV/truck type of vehicle, the dodge ram 1500 is a good choice. The Carconnection.com website provides an extensive review of the vehicle. Their auto experts test drove the vehicle then provided their opinion by comparing it with similar vehicles in the market. Their reliable ratings system took into account the performance, the style, the comfort and quality as well as the features and the safety factor of the 2009 Dodge 1500.

There is also a photo gallery as well as links which enumerate the various specifications. There are reviews from other auto experts. There is a section where consumers can post their opinions as well as links to related news on the vehicle. You may arrange for a free test drive and/or get free price quotes by comparing prices from local dealer ratings for the 2009 Dodge Ram 1500 by submitting your zip code. For instant reactions, you can write your own comments on their interactive website.

LA TORRE DE SUSO

LA TORRE DE SUSO
(SUSO'S TOWER)

Javier Camara, Gonzalo de Castro, Cesar Vea,
Jose Luis Alconbendas, Fanny Gautier, Malena Alterio

Pelikula: Spanish Film Festival
Cinema 1, Greenbelt 3

A touching drama complemented with light comedic moments that deals with long lasting friendships, coping with loss as well as coming to terms with one's limitations.

After ten years, Cundo comes home for the funeral of his friend,Suso. He reunites with his childhood friends who never left the small mining town. Cundo discovers that Suso had a final wish - to have a tower built on his property so he can see the world from above. So despite some opposition from his friends, Cundo decides to pay tribute to Suso by fulfilling his intriguing last wish. In the process, the friends expose their vulnerable sides as well as deal with their frustrations both within themselves and with each other.

Buoyed by a narration from Suso himself, this film is set in a clean little town surrounded by luscious mountains. The endearing ensemble cast all gel well together. Individually, their different and unique personalities depict characters who reflect genuine human emotions. Interestingly enough though we are not given a glimpse of Suso not even in a photograph. We merely learn of his life through his friends who all react differently to his sudden demise. But ultimately his death serves as the unifying force among his childhood friends. Friends whose journey in life have been saddled with all sort of upheavals.

This well developed film is fraught with laughter filled moments, dramatic situations and poignant snippets - just like life itself!

MIGUEL Y WILLIAM

MIGUEL Y WILLIAM
(MIGUEL AND WILLIAM)

Will Kemp, Elena Anaya, Josep Maria Pou, Juan Luis Galiardo, Geraldine Chaplin

Pelikula: Spanish Film Festival
Cinema 1, Greenbelt 3

This farcical comedy operates on the premise that famous authors Miguel de Cervantes and William Shakepeare are vying for the attention of one woman, Leonor. She is a struggling actress living in London who has fallen in love with William Shakespeare. But she is bethroned to the Duke of Obanto so her father sends her back to her native Spain. There she meets Miguel de Cervantes, who has lost his inspiration to write. William travels to Spain to pursue Leonor and suddenly faces both his rivals, Miguel and the Duke. Both Miguel and William are then commissioned by Leonor to write a play which will be presented at her wedding to the Duke. A comedy of errors ensues in this period drama set in a small Spanish town.

A rather ridiculous plot which prevails with some comedic scenes, mostly courtesy of dear old William Shakepeare's romps. He mostly speaks in English given that he is British, after all. Miguel de Cervantes is portrayed as a tax collector who has developed mental block and therefore lost his ability to write his novels. Both authors collaborate to come up with a comedy that lambasted the Duke and his family. A clash of ideas unfolds between the two great writers. Mostly drawing their inspiration from the beautiful Leonor. The characters in their books are based on real people like Sancho, a hired help in the castle of the Castillian Duke. He turns out to be Sancho Panza (Panza meaning fat)!

It is really a whimsical comedy which doesn't really take itself too seriously. The characters are mostly caricatures types. It succeeds in turning a hypothetical situation into a situational comedy which never really makes much sense but it was entertaining enough to take one's mind off more pressing matter like this global economic crisis. Heh!

MADE OF HONOR

MADE OF HONOR
Patrick Dempsey, Michelle Monaghan, Kevin McKidd, Sydney Pollack

"It takes a real man to become a maid of honor"

Truth be told, this film has nothing much going for it except for the charming presence of Patrick Dempsey. It is predictably obvious that Hannah (Michelle Monaghan) would end up with Tom (Patrick Dempsey) because come on did you notice any chemistry between her and Colin, her (old) Scottish fiance? Zilch! Even the panoramic Scottish backdrop couldn't salvage this mismatched couple.

Does this film prove that men and women cannot really be 'just friends'? I guess so. They had a good 10 year old friendship as a solid foundation for their relationship. Besides I believe you are much better off marrying someone who is your best friend than some stranger you barely know. A foreigner with a completely different culture and upbringing at that! So there is definitely no contest at all.

Except that they chose to stretch this premise into a full length movie. A movie not entirely bad simply because you choose to gloss over its shortcomings by swooning over Patrick Dempsey the entire time. He was in his elements by simply doing what he does best. Being funny, charming and oh so likable even though he tried hard to make the audience dislike his philandering ways. Sorry Patrick it simply didn't work. Hehe

A pleasant light romantic comedy movie that deals with friendship, wedding preparations and a fairy tale romantic ending. A winning formula which will work any time.

LO MEJOR DE MI

LO MEJOR DE MI
(THE BEST OF ME)

Marian Alvarez, Juan Sanz

Pelikula: Spanish Film Festival
Cinema 1, Greenbelt 3

This film is the story of Raquel and Tomas. She works the night shift at a radio station as a newscaster while her boyfriend, Tomas is a professional athlete. Due to their conflicting schedules, they decide to live in together. The boxes have barely been unpacked when Tomas gets sick during a training session. It turns out he has developed a form of hepatitis and is in need of an urgent liver transplant to survive. Raquel wants to donate part of her liver to Tomas. He refuses her offer.

This film centers mostly around the conflict between Raquel and Tomas. Their different priorities in life has put a wedge on their relationship. As Tomas lies restlessly in bed waiting for a suitable liver transplant donor, he gets to re-examine his life. In the process, Raquel also goes through a period of self discovery vis a vis her relationship with Tomas as well as her life in general.

Certain scenes were obviously filmed using a hand held camera ascertained by the shaky grainy texture of the sequences. It is set mostly in the hospital room where Tomas is confined. As well as the radio station where Raquel works. This film explores the different emotions involved in making life altering decisions. His sudden illness puts their relationship under intense scrutiny as the couple learn to adjust to each other's flaws and imperfections.

An interesting change of heart towards the end of the film sort of sneaks up on you. Befitting the vague and conflicted nature of its characters, the last few minutes of the film is literally cast in darkness. You can barely make out a shadow of Raquel and Tomas discussing their scars on the rooftop of their apartment as the sun fades. I figure it is a dramatic and unique way to end a film to signify the uncertainty of their future together. But unfortunately, it gave me a throbbing headache from straining my eyes. Ouch!

LA CAJA

LA CAJA
(THE WOODEN BOX)

Antonia San Juan, Angela Molina, Mari Carmen Sanchez, Elvira Minguez

Pelikula: Spanish Film Festival
Cinema 1, Greenbelt 3

The opening scene of this film is set in a hospital where Don Lucio has just died. His widow, Eloisa take his body home in order to prepare it for the wake and funeral. One by one his neighbors drop by to pay their last respects to Don Lucio, a man who was much hated for his despicable personality. The inhabitants of the small fishing town finally get to settle old scores and in the process heal their wounds.

A dark comedy based on a novel by Victor Ramirez, this film was mostly populated with fascinatingly strong female characters. Each of them portrayed by good Spanish character actresses with interestingly colorful personalities.

The movie had a cohesive plot with its fair share of funny moments tinged with dry humor. It was very interesting to watch the way certain shocking details of Don Lucio's life were revealed by his neighbors reaction to his death. In certain scenes, the disclosure were spilled through the dialogue. While other times it was disclosed through visual effects. The pacing of the film was well developed so as not to shock the audience in just one sitting.

The Filipino audience could very well relate to some of the shenanigans of the Spanish characters, their personalities, their way of thinking as well as their way of life. Familiar rituals like holding a wake, inviting people to recite the rosary for the soul of the deceased are now very much ingrained in Filipino society.

This quirky comedy was a delight to watch. I strongly recommend it for its view on the way we live our life as well as how we want to be remembered by our peers when we reach the end of our existence on earth.

iLasik Technology

iLasik Technology

It is important for people with high risk jobs to have perfect vision. The U.S military through the Department of Defense (DOD) and NASA have undertaken an important mission to correct the eye problems of its personnel. These two agencies have adopted the reliable LASIK technology to improve the vision of their highly trained personnel.

“The DOD and NASA have validated the fact that today’s LASIK exceeds all established standards of safety and effectiveness,” said Steven Schallhorn, M.D., a retired U.S. Navy captain. A pioneer in clinical research who has studied LASIK information for the DOD about the use of LASIK.

The iLASIK Procedure also known as Modern LASIK uses 2 lasers instead of just one. The first stage of iLASIK consists of analysing the characteristics of the person's eye with the use of wave-front technology. An ultra fast, computer-guided laser creates a corneal flap. This procedure replaces the handheld microkeratome blade used in former forms of LASIK. After the flap is created, the wave-front mapping data guides a second laser for vision correction. Together these two laser technologies ensures a safe procedure which guarantees reliable visual results.

So far the results have proven that 95% of the 100 military personnel who underwent modern LASIK are now rewarded with 20/20 vision. Dr. Schallhorn further states “technologically speaking, there is no better time than now to join the over 12 million Americans who have benefited from LASIK."

Pelikula: 7th Spanish Film Festival

Pelikula: 7th Spanish Film Festival

Since 2002, the Instituto Cervantes in Manila has been organizing PELIKULA, the annual Spanish and Latin American Film Festival.

The Seventh Edition will be celebrated from October 1 to 12, 2008, in the cinemas of the Greenbelt theatre complex in Makati City, one of the most popular and prominent screening venues in the Philippines.

The Festival, which has screened 21 films the last year, has become the most important and most celebrated Spanish-language film festival in Southeast Asia.

*Press release from Instituto Cervantes*


Click here for the film schedule at the Greenbelt cinemas.

Jokes Galore

Jokes Galore

My husband likes to tell a lot of jokes and/or funny anecdotes. Now there is a website I can visit to read jokes and probably share some with him. Lotsofjokes.com has been collecting and posting jokes online for many years.

They have an extensive range of jokes, funny pictures , comics and alot more. Their selection includes among others blond jokes, dirty jokes, Redneck jokes, computer jokes and many more.

They also have specified sections like Rules For Women, Signs Of Insanity, Self Evaluation, Horror Movie Survival, Bathroom Wisdom which are guaranteed to make you laugh like crazy.

You can find more jokes at its sister sites 101FunJokes.com and JackAssJokes.com where there are jokes on many common topics.

UN FRANCO, 14 PESETAS

UN FRANCO, 14 PESETAS
(Spain)

Carlos Iglesias, Isabel Blanco, Javier Gutierrez,
Nieve de Medina, Eloisa Vargas

CineEuropa
Cinema 1, Shang Cineplex

I'm still too busy to come up with a review so in the meantime, read this article I got from the Internet on Eye for Film website.

Un Franco, 14 Pesetas
Reviewed By: Amber Wilkinson

Based on the real life story of writer/director and star Carlos Iglesias, Un Franco, 14 Pesetas lifts the lid on migrant workers, fleeing Franco's Spain for a better life in Switzerland in the 1960s, which has a resonance in the Europe of today.

Iglesias plays Martin a downtrodden Madrilleno, whose marriage to Pilar (Nieve de Medina) is solid but grim as they, along with their son Pablo (Ivan Martin) eke out an existence in a basement room at his parents'. Pilar is a feisty femme and, in a bid to escape the inlaws, saves up enough cash to put a deposit down on a house, only to lose the lot when Martin loses his job.


Martin, like many of his countrymen decides the only answer is to head north to Switzerland, where, though the streets aren't paved with gold, they are pretty close to it, in that a franc is equal to 14 pesetas. He and his pal Marcos (Javier Guitterez) are soon on the train, ready to pose as tourists to enter Switzerland, since they don't have work visas.

Once in, the film takes proceeds with a gentle charm as the emphasis falls on 'strangers in a strange land' comedy, which sees scruffy wideboy Marcos and dapper gent Martin find a room at an inn in a picture postcard village and work at the local factory. The inn's proprieter is, naturally, a buxom blonde - Hannah (Isabel Blanco) - but just as liaisons between she and he look as though they may become dangerous, Pilar and Pablo turn up.

This sounds like an awful lot of plot but, in fact, there's plenty more to come as the family try to adapt to their new life. Cleverly the German-speaking Swiss aren't subtitled initially, leading to us sharing the migrants' perspective and confusion.

Although, occasionally resorting to stereotypes and cliche to find a laugh, by and large Iglesias script is intelligent and witty. He isn't afraid of the downbeat - and has a very serious point to make about the nature of migration and life in Spain in the Sixties, which has implications today. The Spain of today is a far cry from the Franco era and is now on the receiving end of migrant workers from elsewhere. This tale that shows the difficult choices these workers face and invites us to understand and respect them.

AND WHEN DID YOU LAST SEE YOUR FATHER?

Colin Firth, Jim Broadbent, Juliet Stevenson, Matthew Beard

"Between every father and his son there is a story to be told."

Cine Europa
Cinema 1, Shang Cineplex

This poignant tale is based on the autobiographical novel by Blake Morrison. It recounts his conflicted relationship with his father. Blake is portrayed by the Colin Firth. While Jim Broadbent plays his father, Arthur who is stricken with cancer. When I first read the synopsis about the film on the CineEuropa pamphlet, I immediately thought of Mitch Alboom's Tuesdays with Morrie.

The film skips from scenes with Blake's childhood to scenes of him visiting his ailing father. It spans through 30 years of their lives. It deals with the typical complex relationship between a father and his son. A father who always teases his son for his shortcomings. A son who grows to resent his overbearing father for interfering with his life's choices.

The film progresses at a slow pace, taking its time to really develop the characters. The treatment of certain issues involving the characters lives was a bit cautious. The director or should I say the scriptwriter didn't want to reveal too much details. He left it to the audience to ponder about what really happened. It was neatly edited and well polished. Not too sentimentally sickening nor too sanitized either. The two lead actors were perfect for the roles. Colin Firth with his forlorn gaze gave a solid performance. Jim Broadbent was consistently good. His portrayal of the sometimes annoying to the point of being obnoxious father was fascinating to watch. He had a wide range of expressions to depict Arthur's different moods.

The question in the title isn't literal. It begs to ask you the question when was the last time you really saw your father? Not for what he stands for but who he really is. A complex human being at his most vulnerable self exposed to the pitfalls of life. A person who isn't perfect yet continues to love you unconditionally despite your own imperfections.

So I conclude by asking you "and when did you last see your father?"

I CENTO PASSI

ONE HUNDRED STEPS
(Italy)

Luigo Lo Cascio, Tony Sperandeo, Luigi Maria Burruano

CineEuropa
Cinema 1, Shang Cineplex

One hundred steps was the distance between the Impastatos' house and the house of Tano Badalamenti, the local Mafia boss, in the small Sicilian town of Cinisi.

This Italian movie is the true story of Peppino Impastato, a young left-wing activist in the late 70s who repeatedly denounced Badalamenti for his crimes and the whole Mafia system using a small local radio station. At the age of 30 he was killed in a gruesome manner. His body (or what remained of it) was found tied to the railways after it was torn apart by explosives. The police deemed the case as suicide and an accident. A few sentences at the end of the film reveal that 20 years after Peppino's death, the case was re-opened and Gaetano Badalamenti was convicted for the crime. He was also convicted on charges of drug traffic in the US.

The film was well developed. It also focused on personal relationships, friendships and the progressive development of a small town in Italy. Although the film expounds on the feisty Peppino lambasting the local mob boss to high heavens through his radio show, we the audience are not privy to the actual machinations of the so called Mafiosi. We are never shown instances of violence or the actual commitment of a criminal act. It is all merely implied in Peppino's daily ramblings against Tano. In the same manner during that period in Sicily's rich history, the Mafia word was taboo to mention in public. People knew of their existence, yet merely accepted it as part of the cultural setting in the milieu of small towns. It took a brave young lad like Peppino to bring forth to his listeners the true nature of the Mafia system. It was a bit ironic since his own father, Luigi (a distant relative of Tano) was involved in some ways with the system.

This is a powerful contemporary history film which depicted the life of a young man who wanted to make a difference in this world. Yet sadly he had to pay for it with his life.

LES CHANSONS D'AMOUR

(France)

Louie Garrel, Ludivine Sagnier, Chiara Mastroianni,
Yannick Renier, Clotilde Hesme

CineEuropa
Cinema 1, Shang Cineplex

If you are not into films where the characters suddenly burst into song then I suggest you find something else to watch. This French movie tells the story of of 3 young people in Paris who are involved in a complex relationship -a menage a trois.

The characters are endearingly flawed and complicated. Each of them with their own anguished angst to decipher. The songs (all of them in French, of course!) are not intrusive at all. After a while you forget they are actually singing instead of merely talking their lines.

The film's treatment of sensitive themes was dealt in a very mature and dare I say very French/European way. Although the fact that they would sing out their emotions to express themselves to the audience might give it a semblance of lightheartedness, it is still a film which caters to open minded adults. An audience who doesn't get shock easily nor would cringe at certain "taboo" matters. Nor would they seek to be politically correct all the time. The fact that almost everyone smokes in the movie is a case in point. It is just being realistic.

Another thing I noticed in French movies is that not everyone is an actor. I mean since they are shot in the streets of Paris and the area isn't cordoned off, you can see people in the background actually staring at the actors/actresses as they essay their roles.

In essence, the film succeeds in getting its point (however vague it was!)across through a series of musical sequences, realistic visuals and ok acting.

AFTER THE WEDDING

AFTER THE WEDDING
(Denmark)

Mads Mikkelsen, Rolf Lassgard, Sidse Babett Knudsen

"Champagne is poured. Secrets are spilled."

CineEuropa
Cinema 1, Shang Cineplex

This Danish film tells the story of Jacob Petersen who heads an orphanage in India. A generous benefactor wants to make a huge donation to the orphanage but his offer has some really heavy strings attached. Jacob has to return to Denmark to present his projected plans for the orphanage. Once there he suddenly finds himself embroiled in a maze involving controversial aspects from his past. Secrets are revealed, dilemmas abound and life altering decisions are fraught in this melodramatic film.

People might recognize Mads Mikkelsen who portrays the main character in this film. He was cast as the villain "Le Chiffre" in Casino Royale. That James Bond movie starring Daniel Craig. Here he is brilliant as the hapless Jacob. His stoic portrayal of a man who has to reckon for his past shortcomings was fascinating to watch.

Parts of this movie was filmed in India while the rest is featured in the pristine surroundings of Copenhagen and its environs. The dialogue is a mix of English, Hindi and Danish. Complex characters with glaring flaws and deeply human emotions are well developed. I also noticed that the director had this penchant for focusing on the eyes of the characters whenever surprises were revealed. An effective technique to draw the audience into the 'moment' as it unfolded.

The story line flows effortlessly even as several conflicts are entrusted both on the characters as well as on the viewer. You can't help but be totally absorbed in their fate. But there are also light moments which can tug at your heart strings. As is the norm in most European movies, you aren't bombarded with vital information. You leave the theater wondering if certain events in the film were merely coincidental or done on purpose. Well, this film definitely didn't disappoint in that aspect.

Great American Seafood Cook off Recipe Contest

Great American Seafood Cook off Recipe Contest

We all love to eat seafood, right? Most especially if they are cooked with really fresh sea food and authentic ingredients.

Here's your chance to win a trip to New Orleans for two inclusive of air fare and hotel accommodations for a delicious dining experience. It is a place renowned all over the world for its excellent sea food cuisine served in rows of restaurant.

It is easy, you simply visit http://www.greatamericanseafoodcookoff.com. Then select one of the five finalists recipes featured in the Great American Seafood cook off and enter your vote. This will guarantee you an entry for this recipe contest.

I voted for the Texas Gulf Shrimp by Chef Mark Holley from Texas. You can imagine the flavorful blend of spices simply by looking at the picture. The authentic and fresh ingredients enhanced the delectable taste of that giant shrimp! The colorful ingredients embellished the presentation of his dish. It is a pity that some of those ingredients are not available locally. I would have taken the opportunity to cook this dish.

This year, Chef John Currence from Mississippi won the contest. His dish, the Redfish Courtboullion with Seafood Dirty Rice was voted the best. A complete meal cooked with the most unique ingredients and the freshest local seafood available in the market. The judges may have already picked their winner for this year, but you can still vote for your favorite recipe. The online contest is open for voting until November 2008.

So head on over to the website to cast your vote!

BECAUSE I SAID SO

BECAUSE I SAID SO
Diane Keaton, Mandy Moore, Lauren Graham, Gabriel Macht, Tom Everett Scott, Piper Perabo, Stephen Collins

"She's just your normal, overprotective, overbearing, over the top mother"

Boy oh boy Daphne Wilder (Diane Keaton) was a really overbearing mother, indeed! Gosh. She puts an ad online seeking guys to date her youngest daughter, Milly. Because she was afraid Milly would end up just like her. Lonely and alone. Then she rejects Johnny because he is not worthy enough for her daughter. While she orchestrates a chance meeting for Jason, her choice to bump into Milly. On the other hand Milly meets a guy on her own who turns out to be Johnny, the one rejected by her mother. So she ends up dating two guys at the same time. Guys with contrasting personalities in every sense of the word. It sounds complicated but it isn't. It is just pretty lame, if you ask me.

An average romantic comedy (with several not so funny moments) that doesn't quite fare well in my books. The plot was pretty daft and predictable with no major conflicts to throw you off the path.

Diane Keaton has unfortunately stumbled into motherly roles where she tends to exaggerate, over act and gets quite annoying. The rest of the cast like Lauren Graham, Stephen Collins merely acted as decorative pieces on a Christmas tree. Mandy Moore is probably miscast because I'm sure with her looks, she won't have trouble finding guys on her own.

I was quite disappointed with this film because I expected an intelligent mother daughter bonding moment flick. Instead we were subjected to Diane Keaton's pathetic antics. Now I'm thankful I didn't catch it at the cinema, I would have wasted money for a film best seen on TV. Or better yet not seen at all!

AMERICAN GANGSTER

AMERICAN GANGSTER
Denzel Washington, Russell Crowe, Chiwetel Eijofor, Josh Brolin, John Hawkes

"There are two sides to the American dream"

This film is the biopic of Frank Lucas (Denzel Washington), an African American drug lord. He rose to be a powerful player in the dirty narcotics trade during a tumultuous period in time. An era marred by the Vietnam war and the chaotic volatile situation in the US fueled by anti war protests. As well as the proliferation of heroine in the streets of Harlem in New York. It is also the story of Richie Roberts (Russell Crowe), an honest cop who vowed to stop at nothing to eradicate the menace.

Ridley Scott took his sweet time establishing the background of his main characters. He took the liberty of stretching the story to depict Frank Lucas's family, his connections with his rivals as well as how he was able to export his 'wares' to the streets. His ability to become a top drug kingpin without drawing attention to his trade is what kept Lucas thriving in the business. It is also only towards the last part of the film when his manner of transporting the 'goods' is revealed. Although we are aware that they were being exported from a South East Asian country.

In the same manner, Scott also focuses on the comings and goings of Detective Roberts. His quest to remain as incorruptible as possible in his profession amidst many temptations and distractions. His custody battle with his wife over their young son further aggravates Roberts stressful job.

It is only when the path of these two characters cross that things start to pick up. A cat and mouse game begins. Then eventually with a strange twist of fate, the mouse ends up helping the cat in his quest to rid the streets of the deadly narcotics he propagated himself.

Denzel Washington, as usual gave a good performance as Frank Lucas. Never going overboard with his acting. Russell Crowe was equally good in his supporting role. The setting was authentic with its depiction of New York city in the early 70s where disco and bell bottoms reign supreme. Overall, it was an interesting biopic of a man whose story had to be told lest it fades away in the annals of oblivion.

Skype at the Cannes Film Festival

Skype at the Cannes Film Festival

The recently concluded Cannes Film Festival was a resounding success. It presented films from all over the world who participated in showcasing the art of cinema at the festival.

This year, Skype was at the forefront by making it possible for actors and directors around the world to take part in live interviews at the Cannes Film Festival via Skype video calls.

Partnering with the Festival's American Pavilion, Skype the leading company in Internet communications was able to link video calls and discussions with the rest of the world.

The Skype video call integration was the first such use of video calling technology at Cannes, a movie-industry event that attracts approximately 30,000 industry insiders and media to the French Riviera each May.

The American Pavilion used Skype video calling in its "In Conversation" and "Industry In Focus" series. An event where respected filmmakers and industry insiders offered audiences their opinions and insights, in moderated panel discussions. The discussions happened nearly daily during the 12-day Festival.

"In Conversation" and "Industry in Focus" discussion participants were linked via Skype. They saw and heard live on computer screens and speakers set up on the panels in which they are taking part. They were be able to see and hear the activity in the Pavilion - and speak to the audience and other panelists - through computers equipped with Web cams, microphones, speakers and Skype software from their locations.

Don Albert, General Manager of Skype North America said "Being part of this year's Cannes Film Festival, through our relationship with the American Pavilion, demonstrates the benefits Skype can provide the international film industry."

The American Pavilion celebrated its 20th Anniversary at the Cannes Film Festival. An annual major event in the film industry which was founded in 1939, it is famous for its star-studded red-carpet premieres and its Palme d'Or award, the highest prize given to any competing film. The 2008 Cannes Film Festival took place from May 14 to 25 at the Palais des Festivals et des Congres in Cannes, France.

3:10 TO YUMA

Christian Bale, Russell Crowe, Ben Foster, Peter Fonda, Logan Lerman

"Time waits for one man"

Dan Evans (Christian Bale) is a rancher who has fallen on hard times. His land is about to be repossessed, he has huge debts and his son has lost faith in him. For a fee of US$ 200, he decides to be part of a group who will escort a recently captured outlaw (Ben Wade) to Contention (a town). A fair amount that will 'solve' all his problems.

Ben Wade (Russell Crowe) is the head of a robbery gang who has victimized several towns. He is a ruthless, psalms quoting murderer without any moral conviction. He is wily, charming in a menacing way and can easily outwit and outgun any of his rivals. He doesn't resist being captured and is now being escorted to a town where he will be put on the 3:10pm train to Yuma.

As the journey progresses through rough terrain, the two main characters engage in a repartee of wits. The beguiling Ben Wade always managing to draw out the silent type Dan Evans. Their exchange is compelling to watch. You are given a glimpse into their very core being without feeling the need to take sides. You are always aware of the fact that Evans is the 'good' guy and Wade is the villain. To further complicate matters, Dan's oldest son William took it upon himself to join the escorting party. The 'road trip' also serves as an eye opener for the young lad who begins to see his father in a completely different light.

The point of contention unfolds in Contention (the town) where all hell breaks loose in more ways than one. The script/plot suddenly implodes to an unbelievable stance. You can't help but pose a lot of questions as the last few minutes of the film explodes before your very eyes. The sudden change of heart in Ben Wade is questionable. The whole 'escape' sequences although thrilling to watch is reduced to a case of what.on.earth.is.going.on moments. The heroic ending is just too sappy for a film which extolled all along a never say die attitude. But nevertheless the good casting feat sort of salvages this Western.

Russell Crowe as usual delivers on the spot. And thank God for subtitles or else I won't be able to understand his lines. I never did, actually in any of his films. Ha! It is a bit odd to see Christian Bale in a father role but he essayed it with aplomb. His subtle way of acting best suits his character. His chemistry with Crowe was very good. Both of them were able to bring out the depth of their characters' soul even for a few minutes. Ben Foster as the relentless Charlie Prince one of Ben Wade's posse members was a revelation. He gave a solid believable performance. A good supporting part.

So give or take a few highly implausible scenes, this movie was on the average a good study of human behaviour of two well developed characters. Two contrasting figures who embark on a journey neither of them is compelled to take. An adventure fraught with tense dramatic moments, intrigue, psyching up each other's character as well as a period (however brief) of self discovery. This Western has its fair share of dialogue driven scenes as well as powerful gunpowder exchanges between the good and the bad guys, all the key ingredients to make it watchable enough.

Trade Show Displays

Shop for Exhibits

We have all been to a trade exhibit show at one point in our lives. I actually grew up visiting booths at exhibitions due to the nature of my father's job. I find it highly addictive to attend a trade show. I roam around gathering brochures. I get to see up close the different products the exhibitors offer. I know it is a major lucrative industry. Many exhibitors will be vying for the customers short attention span. It is imperative to have attractive displays to woo your target audience.

Over at ShopforExhibits.com they have quality displays at online prices. They cater to all your trade show exhibits requirements. Nowadays your trade show displays must reflect the latest technology enhanced paraphernalia to market your company's products and services. The current trend in trade show booths are innovative, artistic and very creatively designed stands that highlight your company's products. Laser enhanced graphics, pop up expression display booths are some of the latest trend which entice customers.

Shop for Exhibits.com is the leading trade show superstore with a reliable customer service staff to help in your inquiries. They can also customized a comprehensive exhibits/graphics program for you at very affordable prices. It pays to be trendy in a highly competitive world.

THE DARK KNIGHT

THE DARK KNIGHT
Christian Bale, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, Michael Caine, Morgan Freeman, eric Roberts

"Why so serious?"

Cinema 7, Robinson's Galleria

I was probably among the very few people who had not seen the winged crusader in action. But hey I've been busy. You know being a newly wed and adjusting to my new status. So after postponing it several times, I finally watched it this afternoon. I was quite impressed with the film.

The superior quality film making techniques, the strong character(s) development, coherent plot, some kick ass graphics coupled with incredible action scenes and may I add a few moral lessons tucked in between, the latest Batman movies ("Batman Begins" and "The Dark Knight") really have up the ante with regards to superhero films. They also made us totally forget the first few Batman movies with their amateurish, cartoon like almost comical plots saddled by caricature villains and distracting graphics.

In "The Dark Knight", Batman has on more than one occasion questioned his 'superhero' status. He has basically withdrawn into his reclusive mansion fully equipped with the best tools of his trade. Gotham City is back to its chaotic self with copycat Batmen acting as vigilantes in the name of justice. Bruce Wayne (Christian Bale) is still as wealthy as ever yet his personal life is pretty much an empty shell. His long lost love, Rachel (this time played by Maggie Gyllenhaal) has hooked up with the district attorney, Harvey Dent (Aaron Eckhart). A no nonsense tough lawyer who is the current toast of the town for strictly implementing the rule of the law. The ever stable and reliable Lt. Gordon (Gary Oldman) has his hands full trying to police the state. Cue in a soulless, demented anarchist! A villain who goes by the name of Joker (Heath Ledger). Then you pretty much have all the key ingredients to make this superhero film stand out in the grand scheme of all movie adaptations of comic books.

Many critics have raved about The Joker stealing Batman's thunder. Both in terms of acting technique as well as character development. But I maintain that he didn't. The Dark Knight is still no doubt a Batman movie. The Joker despite being in every scene of the film was merely the villain. He was certainly quite an influential character but it was a supporting role. An integral part of an ensemble cast. I figure the fact that Heath Ledger accidentally died after he made this film hyped up his portrayal. It didn't help that the media attributed the film as the cause of his distress. You know that he over internalized his role as the Joker. But based on interviews with his co stars who have praised his performance, they narrate how Heath was upbeat during the filming. He didn't show signs of depression. I figure he (Heath Ledger not the Joker) was dealing with some personal demons in his life. The dark nature of his character didn't contribute to his already troubled soul. Anyhow yes I admit he was fantastic as The Joker. He has always been a very credible actor in all of his past roles. He is eloquent, expressive, projects well and is 100 % believable. So plausible that you totally forget he is essaying a role, he simply becomes his character. In this case, he was this conniving, ruthless anarchist. You never quite find out who he really is, why he is bent on wrecking havoc, you don't get a sense of where all his wicked plan stems from. You simply absorb his mentally deranged persona in all its 'evil' glory as the scenes unfold.

Although Maggie Gyllenhaal is a fine actress in her own right. I believe as Rachel, she didn't have much chemistry going on both with Harvey Dent and Bruce Wayne. Not that Kate Holmes with her girlish features and juvenile acting did justice to the role either. I just expected much more from Rachel, that's all I'm trying to say.

The part which piqued my interest in this film is the complete turnabout of Harvey Dent. From a well loved authoritative figure into a cynical, deranged Two Faced villain. I admit I didn't see that coming at all. I was pretty shocked. The interesting part is that now that I've had time to reflect on it, I realize that there were already several subtle hints surfacing to lead us on the true moral fiber of Harvey Dent's character. Whereas you knew from the start that The Joker was a bad person, the emergence of Two Face was quite a revelation. I think Aaron Eckhart was totally underrated in this film. He probably deserves as much accolade as the praises heaped upon the late Heath Ledger.


Now let's go back to Batman. I like movies where the main character embarks on an existential journey. He struggles to question his purpose in life. He is troubled with his current life and begins to doubt his faith and his fate as well. And in this movie, Batman is going through an identity crisis of sorts. He is thinking of fading into oblivion. He feels that the world would be better off without him. So many events happen in the film which trigger his torn feelings. I almost cried towards the end of the film when you see it in his eyes (despite wearing the mask) how he suddenly realizes his main purpose. How the pieces of the puzzle simply fitted and he knew what he had to do. It was like an Aha moment for Batman. That made me a bit sad. Yet at the same time, I am eager to see how the next installment (assuming there will be one!) will flesh him out of his bat cave, both literally and figuratively.

So yes I'm glad I finally made the time to see this film. And in my own small way contributed to the millions this blockbuster film has already earned at the box office. It was worth every single centavo!

WE OWN THE NIGHT

WE OWN THE NIGHT
Joaquin Phoenix, Mark Wahlberg, Robert Duvall, Eva Mendes

"Two brothers on opposite sides of the law.
Beyond their differences lies loyalty"

A small movie that didn't cause much ripple in the waves of films churned out by Hollywood. Too bad because you would have missed out on watching a talented ensemble cast essaying a somewhat credible plot. The film is inspired by the motto ("We own the night") of the New York City police force. It is set in the late 80s when law enforcers battled the sudden influx of narcotics perpetrated by the Russians. A story of two brothers with opposite priorities in their respective lives. It made for an interesting character study of two contrasting individuals. Both driven by filial piety and lofty yet ambitious ideals of what makes the world a better place.

Both Wahlberg and Phoenix are good actors but clearly in this film, Joaquin Phoenix had the meatier role. He played it out effortlessly. Being a method actor, you have the tendency to believe that he is too serious when he acts but it makes for a good solid performance so I guess I shouldn't complain, huh? Interesting enough, things pick up after Mark Wahlberg's character suffers a setback so most of the film is carried on Joaquin Phoenix's broad shoulders. He lived up to the task. Eva Mendes had a significant but very brief role. I was always waiting for her character to be more 'involved' in the whole scheme of things. Robert Duvall is forceful in a non bearing way in any role and he doesn't disappoint in this film.

The plot/story line moves at a steady pace. Things pick up after a crisis occurs with thrilling and suspenseful scenes. Then it aptly settles down to a feel good, happy moment ending. It was filmed mostly in dark and bleak (it was always raining) environments but it was added to the overall gloomy atmosphere of the script. It focused on the internal conflict between the brothers. Their struggle to constantly live up to the expectations of their father as well as society in general.

For a movie that runs for 117 minutes, it wasn't dragging to watch. I guess that is mostly due to the presence of Joaquin Phoenix in every scene. Enough said.

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IRON MAN

Robert Downey Jr., Gwyneth Paltrow, Terrence Howard, Jeff Bridges, Shaun Toub

"Fully Charged"

I admit I have never heard of Iron Man. I didn't even know there was an Iron Man. So for a non comics viewer like me, this film did well in presenting to its audience who he is. It presented vividly how this 'superhero' came into existence as well as focused on the man behind the hero, the multi-millionaire Tony Stark.

It helps that the role was essayed by the impeccable Robert Downey Jr. A man with enough conflicts in his own personal life that he would understand such a complex character as Tony Stark and his alter ego Iron Man. This film provides an interesting entry into the Marvel superhero's universe. Tony Stark definitely fits the profile of a superhero - a wealthy loner with limited social contacts. An orphan with merely one close friend. Living a hermit like existence and finding his bliss/passion with his expensive toys/gadgets. Fortunately Tony Stark doesn't have a sidekick nor some dark sordid past. He does have some father figure issues but then most superheroes share this 'dilemma'. Tony Stark has a pretty comfortable lifestyle filled with opulence and debauchery. He heads a multi billion company that develops weapons of mass destruction - how current and relevant!

The interesting twist is the events which take place after Tony Stark undergoes a traumatic experience. He is kidnapped, tortured and forced to live in a dark cave for three months. He has to build his own weapon, a missile known as "the Jericho" by a bunch of rogue terrorists who want to use it to rule the world. Stark suddenly realizes his own foibles, has a complete turn of heart, literally. The sheer genius that he is he turns this 'trial' to his advantage by building out of scrap metal - the Iron Man - a hideous contraption which is his key to escape. Upon his 'release' he is bent on making up for his past mistakes by destroying every single weapon he has developed and thereby closing down his company. Well easier said than done! Naturally you cannot just shut down a multi-billion company. It just isn't done. Thus arises more conflicts both for Iron Man and Tony Stark! The fireworks simply come out of the wood works via action riddled fight scenes. Explosive ear piercing scenes of metal doing battle against an equally menacing villain. But honestly I didn't like this segment of the film that much. It was too noisy, for want of a simpler term to define those scenes.

Overall, Iron Man was hugely entertaining with enough action scenes, funny one liners coupled with some good repartee among the cast. It was mostly fueled on by a much buffed up Robert Downey Jr. His snide wise cracking remarks were spot on. Especially when he was talking with his 'assistant'/server Jarvis. A device/gadget voiced by Paul Bettany who sounded very British, as usual. That was fun to watch. Robert Downey, Jr. was funny when he needed to be and serious when it was required.

His rapport with his secretary (played by Gwyneth Paltrow), Pepper Potts (what a name!) was good. Nice flirtatious chemistry going on. I actually didn't recognize Jeff Bridges as Obadiah Shane with his bald head and bearded face! I do believe that Terrence Howard as Colonel Rhodes could have used more exposure. Such a pity that a fine actor like him would have such a brief inconsequential role. Hopefully in the sequel he will be given a 'meatier' part as the close friend of Tony Stark.

The best part for me about this film is how Tony Stark admits at the end of the film that he is indeed the Iron Man. So there you go. No more secrecy. No hiding behind a suit. No false pretenses.

I eagerly await the sequel!

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July is Cord Blood Awareness Month

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LOVE IN THE TIME OF CHOLERA

Javier Bardem, Benjamin Bratt, Giovanna Mezzogiorno, Hector Elizondo

"How long would you wait for love?"

This is the movie adaptation of Gabriel Garcia Marquez's intriguingly entitled novel. I've never read the book due to the superfluous wordings of the novel, it would take me forever to finish it.

But now I wish I did.

So I can have comprehensive insights into the 3 main characters whose lives unfold in this movie. The film which ran at more than 2 hours actually had some potential. It could have been one of the most celebrated love stories ever told on the big screen. Yet unfortunately it failed to convey what I assume is clearly evident in the novel - a love so strong it endures several decades.

Instead in the film, Florentino Ariza the guy whose love for Fermina knows no bounds was portrayed as an obsessive (to the point of being creepy) fool. It wasn't romantic at all. Javier Bardem (as Florentino Ariza) no doubt played his character with all the artistic talent he could muster. Yet his portrayal was mostly comical. Other times, he was more like an petulant brat who couldn't get his wish instead of a man deeply in love. I couldn't grasp where this profound love for Fermina stemmed from. It seemed a bit absurd, frankly.

Juvenal Urbino (Benjamin Bratt) on the other hand was my favorite character. His love for Fermina was genuine. He was a well mannered doctor, part of an oligarchy. He was educated, refined and his stature in society was respected. Benjamin Bratt was believable and projected well on screen with his chiseled features. He delivered his dialogue eloquently. Yet they should have focused more on his work as a doctor and his important role in curbing the cholera epidemic during that period.

Giovanna Mezzogiorno as Fermina struck me as being too indifferent and aloof. Her attractive features did nothing to disguise her rather rigid acting. Most of the time she had this her blank gaze. It made me wonder what Florentino saw in her and why his love for her lasted that long. Such a pity, really. The role would have been better suited by someone more mature both in acting skills as well as physical features. The biggest mistake was to have her portray the role as a young teenager when clearly she was already in her 30s. Then you have Florentino's character performed by a younger actor. So there was no chemistry at all.

Having said all that, the cinematography was the saving grace of this movie. Great panoramic shots of lush countryside and the hustle and bustle of city life of a long forgotten era were a visual threat. The wardrobe was appropriately authentic and it depicted the correct period. A time of great turmoil and struggles in that part of the world.

Then there is the argument that perhaps it would have been better if the dialogue was entirely in Spanish. It could have helped a bit. But I guess that isn't the point. The script itself lacked depth! The characters were not well developed. It focused too much on the dilly dalliances of Florentino Ariza. It should have focused more on the background of how the romance developed.

Because no matter what language it was filmed in you cannot really capture the true essence of a Gabriel Garcia Marquez novel. If I may say so myself, even though I haven't read a single book by this esteemed author.

MAMMA MIA!

MAMMA MIA!
Meryl Streep, Amanda Seyfried, Colin Firth, Pierce Brosnan, Stellan Skarsgard, Christine Baranski, Julie Walters, Dominic Cooper

"A mother. A daughter. Three possible fathers. Take a trip down the aisle you'll never forget."

Cinema 4, Shang Cineplex

I've always been very particular when it comes to movies based on musicals/plays. There are some I have avoided like the plague such as "Hairspray" and "Showgirls". While others like "The Phantom of the Opera", "Evita" I really loved and can't get enough of them.

The first time I heard about "Mamma Mia", I couldn't imagine a play/musical based entirely on Abba songs. It sounded like a preposterous idea. But I was still curious and was keen to watch it. I had the chance when it (the musical) was staged a few years ago in Singapore but due to budget constraints I wasn't able to experience it. So this weekend while it seems that every single person in Manila was lined up to see the winged crusader battle it out with the Joker, I was at a different cinema! I was soaking in the delightful, infectious songs of the famous 70s Swedish group.

Truth be told, the film is pretty mushy, alright. The cast can barely sing. Yes I'm talking about you, Pierce Brosnan. The plot is reminiscent of a Mexican telenovela.

But oh what the heck.

The Greek setting was absolutely postcard perfect. There was plenty of yummy eye candy in the specimens of Pierce Brosnan and Colin Firth. There was perfect comedic timing essayed by the funny 'sidekicks', Julie Walters (Ms Shirley Valentine, herself) and Christine Baranski. Meryl Streep was in her elements, even in hideously gaudy disco outfits and platform shoes. There was the luminous Amanda Seyfried, who was so refreshingly sweet. And naturally there were the songs of ABBA. The songs I grew up listening to while I was only this high. The songs I danced to when I didn't know any better. To this day, my father would tease me and my sister that we absolutely adored "Voulez Vous" and would sing and dance to it to our hearts' content with extreme glee. Gosh how embarrassing!

On the other hand, I was baffled about two points in the movie. Why does Sky (the groom) talk with a very distinct British accent? Won't it be more believable if his nationality was Greek? Then later in the movie Colin Firth's character suddenly ehem changed his genre. Now that's simply incredulous.


But anyways, "Mamma Mia!" is indeed a delightful theatrical experience one must not miss if only to draw in the nostalgic moments of our now very distant childhood. Don't be shy if you are caught singing along to the wonderful songs of ABBA. You won't be the only one!