SHERLOCK HOLMES

Robert Downey Jr, Jude Law, Mark Strong, Rachel McAdams

"Nothing escapes him"

Lido Cineplex, Shaw Center
Singapore

If he were alive today I wonder how Sir Arthur Conan Doyle, the author of the fictional detective character would have reacted to this film adaptation, which got the Guy Ritchie treatment. Ritchie's directorial style pretty much unfolds like a smorgasbord of violence coupled with witty dialogue, close up angles and slow motion sequences served with rapid action filled suspense.

Me? I liked the movie. Robert Downey, Jr did an excellent job in portraying the detective with all his eccentricities shining to the fore. He also had good rapport with Jude Law who played a much younger Watson. They complemented each other both in the movie as contrasting partners in crime sleuthing and as actors fielding their talents on each other. It was a good combination to watch. On the other hand, I couldn't care less for Rachel McAdams's character nor Rachel McAdams herself. She seems out of place in her role. She is more suited for romantic chick flicks. But I figure she will play a bigger role in the sequel since her character is the link to the famous Moriarty, the nemesis of Sherlock Holmes. That is if there is indeed a sequel and if she takes up the role again.

Anyways, authentic set design provided a realistic view of that era which history books have documented as a rather bleak period filled with grime and crime festering in the bowels of London. The soundtrack was good enough, a tad loud for some scenes but it added to the dramatic effect of the film.

Overall, I was pretty psyched about watching this film primarily due to Robert Downey, Jr. I am really glad he has cleaned up his act and back to performing good roles again. I hope it continues and I am certainly looking forward to the sequel. There is still alot of avenues to explore vis a vis his quite interesting and intriguing personality. And yes I am referring to both Robert Downey, Jr and Sherlock Holmes. We cannot separate them from each other now. He was born to play the part!

PRIDE AND GLORY

Edward Norton, Jon Voight, Colin Farrell, Noah Emmerich

"The last thing you want to uncover ... is the truth."

A multi-generation family of cops, rampant corruption in the police department, cops turning against fellow cops, drugs, violence and a plethora of curse words are really common in most action movies about what else but cops?

But the main draw for me to pick this film was the notable cast. You have Norton, Farrell, Voight, Emmerich all cast in prominent roles as the cops in the Tierney family. They all work together to give this predictable action suspense some much needed bite. I did notice though that women were relegated to minor supporting ones as the wives of cops without much character development to their personalities. But it is an action packed movie after all so I guess that's 'normal'.

Plot wise, after you figure out who the villains are, which cops are corrupt, how the family intends to survive this internal crisis and watch the dead bodies pile up in the dangerous streets of New York, you end up pretty immune and realize that is exactly what you wanted in the first place. Being under alot of stress lately, I didn't want to think too much about the plot. So I just sat there and surprisingly didn't fall asleep watching it even at such a late hour. Just being awed by the good acting prowess of Norton and Farrell giving their all in their roles, kept me awake.

The ending is as expected predictable with justice, personal redemption being reined in to give the characters some degree of salvation. But the cycle of violence continues to turn like a wheel, it is New York City, after all. Yet at least for the Tierney family there is a much delayed closure to their internal struggle.

ADORATION

Devon Bostick, Scott Speedman, Arsinee Khanjian, Rachel Blanchard

This latest offering from Canadian director, Atom Egoyan is a thought provoking suspense/drama about a myriad of subjects. It deals mostly with interracial relationships, terrorism, a clash of faith, bigotry and a secretive web of lies amidst a complex and intricate tale.

A simple project of translation for his French class turns into a complicated weave of lies as Simon (Devon Bostick) deceits his fellow students into believing that the couple in the article were his parents. Sabine (Arsinee Khanjian), his French/drama teacher even encourages Simon to continue the deceit as she had ulterior motives in her plan. Through the powerful reach of the Internet, the story goes viral and turns into a cause celebre. Clearly indicating that anything projected through the Web can be manipulated, twisted and things can turn ugly if not properly monitored.

Although the film unfolds through a series of flashbacks, narratives of truths and make believe scenarios, its cast remain focus in their roles. Mostly unknown actors except for Scott Speedman (Felicity) the acting is quite convincing and you are simply drawn and totally invested in the characters' flight.

The complex plot moves at a slow and very steady pace but you find yourself totally transfixed till the very end. It is a fascinating story which keeps your mind active as you feel like asking questions out loud at the screen. Yet as snippets of the truth are revealed, the hidden meaning behind the symbolism of certain objects suddenly becomes a lot clearer. Towards the end, there is a sense of liberation for the audience as well as for the main protagonist, Simon.

I've read about Atom Egoyan's penchant for integrating ethnic cultural inheritance in his body of work. But this is the first film by the Canadian director of Armenian descent that I've seen so I cannot really make a valid comparison. But I'm very interested in movies which explore cultural ethnicity, beliefs and faith so I enjoyed "Adoration", a lot!

AMELIA

Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston

"Defying the impossible. Living the dream."

Cinema 5, SM Megamall

The main problem with biopics is that 2 hours is not enough to correctly capture the major (and minor) details of a person's life. Usually the life story is crammed into snippets and vignettes about what the scriptwriter deems is important enough to deserve a scene or two to be presented to a keen audience.

Amelia Earhart lived a full life. A rather brief life yet she accomplished so much and pioneered in an industry that was dominated by rich men. She was neither wealthy nor a man for that matter yet she was ambitious and never let any hurdles stand in her soaring career as a woman pilot. She was blessed to have the loving support of her husband, publisher George Putnam, a man who not only believed in her ability but moved heaven and earth to get her the much needed funds to fuel her lofty ambitions.

Hilary Swank as the indomitable Amelia Earhart was charming to say the least. She has always been a good actress and essays all her roles with ease. I don't think it is her fault if some of the dialogue sounded quite lame especially when Amelia and George exchanged lovey dovey sweet nothings. Richard Gere was in his elements as George Putnam, the publishing magnate who was her personal cheering squad, her financial adviser, her partner and simply her everything. I just found the pairing a bit odd (although he was indeed 10 years older than Amelia) but the chemistry was palpable so I guess it works.

The film itself seemed like a smorgasbord of the many achievements in Earhart's amazing career presented through a myriad of on and off flashbacks, voice narration and stunning cinematography. The plot moved at a steady sometimes slow pace as it attempted to present her many crowning glories.

The exciting part comes towards the few remaining minutes of the film when Amelia embarks on her final and rather mysterious journey to circumnavigate the world. Everybody knows how that flight ended in tragedy yet it was interesting to watch what exactly went wrong during that fateful flight. I wish they concentrated more on her last epic flight yet as nobody knows what really happened during that flight, I guess they couldn't elaborate much on that scene. So her 'disappearance' will forever be part of an aviation myth. Sadly and unfortunately so!

TAKEN

Liam Neeson, Maggie Grace, Famke Janssen

"They took his daughter. He'll take their lives."

When you hear the word "taken" you assume it refers to an alien abduction. But this film isn't about UFOs although an abduction does occur.

Kim (Maggie Grace from "Lost"), a 17 year old girl and her companion travel to Paris for the first leg of the world tour of the group U2. Once there, they are kidnapped by an Albanian syndicate who deals in the flesh trade. Well they picked the wrong girl since her father would stop at nothing just to retrieve his daughter from the bad guys. Bryan Mills (Liam Neeson) is an overprotective (with good reason) father who used to work for the government (I assume the CIA) so he truly knows all the perils lurking in this world.

A thin Liam Neeson looking a big haggard proved himself a worthy action star. His stunts were amazing. His ability to defend himself was skillful. The fast paced car chases were quite credible too. A man driven by his love for his daughter, he was truly relentless in his pursuit. Good acting!

This film is full of thrilling action sequences. As well as some violent scenes which I believe were necessary to depict an authentic picture of the bleak criminal world. It is set in gorgeous Paris yet it clearly exposes the dark side of the city of lights. A murky world of criminal elements, innocent minors trapped in the lucrative flesh trade, colluding policemen and the high rollers who wheel and deal in high class prostitution.

I admit the plot is a bit far fetched. Even though Bryan has all his connections/contacts at his disposal, it is highly improbable (in the real world) for him to have found his daughter just in time to save her from misery. Anyway, the suspense and thrill more than made up for this slight oversight.

So from the film, I was able to gather that one needs to be always alert and vigilant especially when traveling abroad. Plus if you do find yourself in deep trouble while overseas, you'd wish that Liam Neeson (with all his espionage skills) would be the one who will come barging down just to save you from a hellish existence! Hehe

VALKYRIE

Tom Cruise, Kenneth Branagh, Bill Nighy, Tom Wilkinson, Eddie Izzard, Thomas Kretschmann

"Many saw evil. They dared to stop it."

Star Movies

This film based on actual events unveils a plot to assassinate Hitler at the height of the second World War. It is a gripping suspenseful thriller about an operation hatched by top ranking members of Hitler's Third Reich.

The movie delved straight into the rigors of the operation. It showed the intricate planning, the roles each character played in the plot, the actual execution of Operation Valkyrie as well as the aftermath after its dismal failure. Although it is teeming with too many characters for my coherent comprehension and most of them portrayed by British actors with British accents, it still succeeded in narrating a chapter in history not often told. It still conveyed through dramatic sequences along with loud blaring music for maximum effect, the main aim of the plot - to kill Hitler.

Before this film, I didn't know that there were several attempts to kill one of the most hated men in history. Then to find out through this film that a plot was orchestrated by disgruntled members of his inner circle was quite a revelation. It completely changed my view about the Germans. For years I've often wondered how the citizens of Germany could tolerate such atrocities to be committed against the Jews, now I know better.

One of the central characters involved in the plot uttered: "We have to show the world that not all of us are like him. Otherwise, this will always be Hitler's Germany." So this film restored my firm belief in the good nature of mankind. In particular, that not all Germans wholeheartedly and blindly supported the Fuhrer and what he vilely stood for as documented in the annals of history books.

THE WRESTLER

Mickey Rourke, Marisa Tomei, Evan Rachel Wood

"Love. Pain. Glory"

Mickey Rourke has always been one of those actors you hardly notice in films or maybe you did but for his 'bad boy' image. Except for a few 'lead' roles, he would usually portray supporting parts as some villain out to get the main star. But he would essay these roles in such convincing manner that you tend to believe that he was indeed a bad person in real life. So I was really glad that he was given a meatier role for his comeback film. For someone whose career has spanned for decades now, it is about time he proved himself in a role that I believe was tailor made to fit his personality.

In this poignant film, he is Randy "The Ram" Robinson who is an aging professional wrestler. After he is suddenly forced to retire (for health reasons) from the wrestling world, Randy struggles to come to terms to a life outside the ring. With hardly any savings, no meaningful social relationships, it is a pretty lonely and sad existence.

I admit it was painful to watch, sometimes. This film really tugged at my heart strings. It was filled with really miserably sad scenes of a man's painful attempt at rebuilding his life. As well as desperately trying to reconnect with people who mattered to him like his estranged daughter and his 'love interest'.

But the film also gave interesting insights into the world of wrestling. Of course, we all know that most of the 'stunts' are rehearsed or scripted yet it doesn't mean the wrestlers don't get hurt. I actually cringed during those violent wrestling sequences.

Mickey Rourke and Marisa Tomei were brilliant in their roles as they both convincingly perform down on their luck individuals past their prime. A film that is buoyed on with a soundtrack of mostly 80s tunes with the likes of Guns n Roses blaring out loud, it serves as an excellent comeback vehicle for Mickey Rourke.

No wonder it got noticed by critics, it is a simple film but quite soulful in its presentation of the harsh reality in the life of an aging wrestler.

Zenni Optical

Zenni Optical the shop that offers $8 Prescription Zenni Glasses is pleased to present their New Arrivals. Their Holiday Fun Eyeglasses are just in time for the merriest of all seasons. They are modern, funky and trendy eyewear that caters to everyone's taste.

Personally, I prefer my glasses to be basic, functional and trimmings free. I wonder if an eye wear with a funkier design like this would suit me?

JULIE AND JULIA

Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina

"Passion. Ambition. Butter.
Do you have what it takes?"

Cinema 1, Shang Cineplex

The numerous reviews on this film came with a specific warning - watch it on a full stomach. Well, I just had lunch and the 'free' ticket (the Citibank reel promo) came with a meal coupon which entitled me to free popcorn and soft drinks so my stomach was indeed full. But the recipes shown in the film had so much butter, eggs and unhealthy ingredients - it made me lose my appetite. Heh!

Nonetheless, I applaud the film for showcasing the lives of two extraordinary women and the men who supported them through thick and thin. Julia Child was a pioneer in the food industry. She met a lot of hurdles and obstacles since back then it was a field dominated by men. Yet she persevered at it and through the unwavering support of her diplomat husband Paul, she became a connoisseur in the culinary world. Meryl Streep was excellent as Julia Child. Her cheery disposition, her accent even her appearance was totally credible. I especially like how the film portrayed Paul and Julia's relationship. I admire them for having such a healthy and solid marriage despite being childless. Being a former diplobrat, I could easily relate to Paul's (Stanley Tucci) apprehensions at being relocated to another posting in his career. It can really be quite stressful when you keep changing residences every few years.

Julie Powell's task to cook Julia Child's 500+ recipes from her groundbreaking cook book in a year's time while documenting the whole process in her blog was ambitiously daunting! But she succeeded and got a book (published) and a movie out of her project. I figure Amy Adams was rather subdued in her portrayal of the blogger because if you read her interesting blog, she does come across as being quite feisty especially in her 'flowery' language. Yet again as in the case of Julia, Julie had the loving support of her kind husband Eric who pushed her to continue her project whenever she felt like giving up.

The film was fun to watch as it juxtaposed the stories of both women alternately. They showed scenes from different locations (Paris and New York) and different time frames but the editing was quite good. An interesting scene is where they showed both Julia and Julia in different time zones. Julia was whisking away manually while Julie was using a blender. Then you see Julia using a manual typewriter to record her recipes (with carbon paper to boot!) while Julie was blogging her entry on her computer keyboard.

The movie had a good cast and a plot filled with humor, drama and romance. Plus it was a visual feast of gastronomic delights so you won't be disappointed ... maybe just get hungry!

MY LIFE IN RUINS

Nia Vardalos, Richard Dreyfuss, Alexi Georgoulis

"Falling in love ... in all the wrong places"

Cinema 4, Greenbelt 3

A much slimmer Nia Vardalos of "My Big Fat Greek Wedding" fame is back with another amusing romantic comedy. The film is set in enchanting and beguiling Greece so the cinematography unfolds like a travelogue for Greece's tourism bureau.

Yet at the same time, it's an unflattering expose on Greek culture. It presents both the beauty as well as the 'flaws' of Greece and its citizens through a light narrative and funny sequences so it doesn't have an insulting tone.

A good supporting ensemble cast portray the stereotypes of the numerous tourists who visit the Greek isles, every year. Georgia (Nia Vardalos) is a tour guide so she gets to mingle with different nationalities of various personalities. So much so that she can already predict those tourists' habits and eccentricities based solely on their nationality. Special mention goes to the intriguing American tourist played with aplomb by the always reliable Richard Dreyfuss. His poignant character added some heart and soul to the movie. Otherwise the film would have turned into a parody of the ubiquitous tourists who visit Greece. Those who care more about shopping for souvenirs instead of listening to Georgia's spiel about the historical sights.

The characterization of the different types of tourists was an interesting highlight of "My Life in Ruins". In my many travels, I've certainly come across some let's say 'strange' characters/tourists whose questionable behaviors can ruin one's perfect holiday. Especially if you join a package group tour where you are herded from one tourist site to another like sheep. I could tell a few stories or two but that merits an entirely new blog entry.

Of course, a romantic comedy needs to have a love story angle so predictably Georgia (Nia Vardalos) finds inspiration from the last person she expected to hook up with. Frankly, I couldn't sense any sparkling chemistry between Poupi (Alexi Georgoulis) and Georgia (Nia Vardalos) no matter how hard I tried to focus on their budding relationship. I was probably put off by the rather rigid acting style of the brooding Greek actor.

Nevertheless, the movie was a delight to watch and it made me want to return to Greece once again to explore its vast historical sights and experience the fascinating Greek culture with gusto!

DIETA MEDITERRANEA (MEDITERRANEAN DIET)

Pelicula: 8th Spanish Film Festival
Cinema 1, Greenbelt 3

A wacky romantic comedy about Sofia, a chef. She has a really interesting life due to the presence of two men - Toni and Frank. Sofia is married to Toni. While Frank is her lover. They have what the French call a menage a trois or a threesome.

The film was presented by a somewhat funny narration that tells Sofia's tale from the time she was born to her rise in the culinary world. So true enough, there were a lot of scenes set in all sorts of kitchens and restaurants to highlight the cooking part. Yet don't expect this film to feed your gastronomical appetites or make you hungry in any way.

It focused more on the very unique relationship of the 3 main characters. So expect sequences of gratuitous nudity to help the audience better understand Sofia's strange yet fond attachment to two men, equally. But they are well edited and not vulgar in any way.

Mostly though it is a funny and provocative film that is entertaining and amusing while it lasts. Just don't take it too seriously.

LA BUENA NUEVA(THE GOOD NEWS)

Pelicula: 8th Spanish Film Festival
Cinema 1, Greenbelt 3

It is 1936 and Father Miguel has been newly assigned to the town of Navarre. A working class village in the north of Spain with Socialist leaning tendencies. Based on a true story, we witness as the town becomes a battleground between the Falangists (right wing supporters of the dictator Franco), the Carlists (supporters of the monarchy in exile) and the Socialists (Communists).

In the midst of the raging revolt, Father Miguel is exorcising his own demons as he questions the Catholic Church's support for the dictatorship. A support which the Vatican equates to a Holy Crusade against 'evil'. Father Miguel desperately tries to stick to the teachings of the Church by protecting his parishioners in a timeless, passionate appeal against injustice. His only refuge in this lonely battle is his close friendship with a young school teacher whose husband (a Socialist doctor) was killed by the Fascists.

A powerful history based film that doesn't exploit nor condone the Revolt of 1936 which led to 3 years of civil war in Spain. It presents how a small town changes from a peaceful community to a place marred by executions and mistrust among its population as it veers towards a right wing stance. However, it does put the Catholic Church in a bad light as it openly ignored the atrocities (the persecution of Communists) committed supposedly on behalf of the Gospel during this volatile period in Spain's colorful history.

A story that deals with love, war and religion as seen through the eyes of a young man of deep faith and deeper moral convictions. It deserves to be told!

LA BUENA VIDA(THE GOOD LIFE)

Pelicula: 8th Spanish Film Festival
Cinema 1, Greenbelt 3

Set in Santiago, Chile this film which was inspired by real events narrates the story of 4 people from different walks in life. Although it is titled "The Good Life" , the characters aren't exactly having it good in any sense.

You have Edmundo, a hairdresser with financial problems. Teresa is a social worker/therapist that advocates safe sex among prostitutes yet learns her own 15 year old daughter is pregnant. Mario a talented musician (he plays the clarinet) who having failed to make it to the Philharmonic Orchestra joins the army band instead. And lastly Patricia, a sickly prostitute struggling to feed her baby. All of them don't know each other. Yet they are bonded by a common thread - the failure to achieve their dreams due to the pitfalls of life.

The film is presented in bleak shades, no glossing over to sugarcoat harsh reality. It tends to have a depressing tone as scenes after scenes we are subjected to the hardships of the characters. Yet interestingly enough, you can't get enough of the misery. It helps that all the characters are well developed and the acting from the talented ensemble cast is convincingly realistic.

Plus you get a glimpse of Santiago, Chile. It is a good opportunity to observe the lifestyles of people half way across the globe and reassure yourself that no matter where we call home, we all share and experience similar trials (whether financial, emotional, psychological and/or moral) day in and day out.

UNA PALABRA TUYA(ONE WORD FROM YOU)

Pelicula: 8th Spanish Film Festival
Cinema 1, Greenbelt 3

A film that highlights the bond of friendship between two blue collar workers. It provides a good perspective into the nuances of life. Rosario and Milagros were high school classmates who meet again and end up working as street sweepers in the city of Madrid. They have different personalities yet somehow their volatile friendship strives amidst numerous trials which beset their humble existence.

Rosario is the more sensible and independent minded one. She is always guarding her feelings against possible disappointments while Milagros is more of a risk taker with a carefree attitude. Although I do sense a certain mental imbalance to Milagros free spirit vibe.

The film excels in presenting well developed characters and we can't help but be invested in their compelling lives. A plausible storyline devoid of exaggerated melodrama, the plot is interspersed with flashbacks that are non intrusive yet vital in better understanding the intriguing personalities of its characters. It vividly focuses on two contrasting personas who dream of a better future yet don't know how to attain their desire.

"Una Palabra Tuya" is an ironic and poignant tragicomedy that explores delusion, extreme loneliness, fear and a starkly harsh reality that invades the lives of these ordinary women who start to believe that perhaps they don't deserve to be happy.

Yet amazingly the film does end on a happier stance. A move towards a redeemed life with an uncertain future yet still tinged with so much hope. What more can we really expect from life?

53 DIAS DE INVIERNO (53 WINTER DAYS)

Pelicula: 8th Spanish Film Festival
Cinema 1, Greenbelt 3

An abandoned dog triggers the plot of this social awareness tale which delves into the lives of 3 individuals. One cold winter night, 3 complete strangers waiting in a bus stop witness a dog being left behind by its 'owner' who drives off in his car.

Mila is a middle aged teacher recovering from a traumatic experience. It is her first day back at school after a year sabbatical. An unassuming yet attractive woman with a kind heart, she tries to find the strength and courage to forget the disturbing incident. An attack by a student which has scarred her for life.

Valeria is a young musician (cellist) who is having an affair with the instructor/conductor of the quartet. A guy old enough to be her father. Her volatile relationship is heightened as her own mother has lost her joie de vivre after Valeria's father leaves her for a much younger woman.

Celso is a security guard at a department store in a big mall who finds out his wife is pregnant with twins. Hardly able to make ends meet with his meager salary, he resorts to drastic measures which consequently turns his life up side down.

The film alternates between presenting the lives of the 3 strangers without overlapping each other. Each day is introduced on the screen as Monday, Tuesday until Sunday. But I'm not really sure they all amounted to 53 days. I assume it does. I was more concerned with the abrupt editing as some scenes just ended inconclusively. Suddenly the scene says February mid way during the film and resumes with Monday, Tuesday etc yet again.

Despite its simplistic approach, the film had a rather powerful effect. It touched on the subjects of loneliness, sadness, fear, courage and desperation - sometimes all rolled into one in just one scene. At the core of these human interest stories is how different people cope with the obstacles and struggles one faces in life.

Filmed entirely in Spanish with English subtitles, this poignant movie doesn't aim to judge its characters for their course of action but rather makes one wonder what would we do if we found ourselves in their situations? A question that begs to be answered without prejudice nor pride hampering our decisions because after all when it comes to real life, the adage "one size fits all" doesn't apply.

Pelicula: 8th Spanish Film Festival

The Spanish Film Festival returns on its 8th year. It runs from October 1 to October 11. The 41 films to be shown will be divided into three venues.

Por ejemplo, to be shown at the Greenbelt 3 cinemas are contemporary and award-winning films. The official selection of films will run from October 1 to October 11,2009. Ticket prices are P65.

From October 7 - 11, 2009 at the Tanghalang Manuel Conde, CCP Dream Theater, a selection of Filipino and Spanish documentaries will be shown. Admission is free. Seats are on a first come, first served basis.


While at the DLSU-CSB (De la Salle University - College of Saint Benilde), there will be eight classic Spanish films and some works-in-progress by indie directors from the 21 Spanish-speaking countries. They will be shown on October 13-15, 20 & 22.
Admission is free. Seats are on a first come, first served basis.

For the complete schedule of activities, check out the official website at www.pelikula.ph or call the Instituto Cervantes de Manila at 532-1482.

THE DUCHESS

Cine Europa
Cinema 1, Shang Cineplex

Period films usually give out this light and breezy vibe since most of them are about damsels with corsets frolicking in decadent lifestyles and obsessing over frivolities. While others are about strong feisty and independent women who unfortunately are stuck in the wrong era. An era where women have no rights, they are not educated, cannot vote and are often married off to older boorish men who don't make them feel special.

This biopic traces the true story of Lady Georgiana Spencer. She (Keira Knightley) is married off to the Duke of Devonshire (Ralph Fiennes) and finds herself trapped in a loveless marriage. Her sole purpose is to bear a male heir for the lineage to flourish. Her husband openly ignores her for failing to bear a son and seeks solace in the arms of Lady Bess Forster (Hayley Atwell) who happens to be the BFF of Gee (as she was fondly called). Quite typical storyline as far as period pieces go but interesting enough to hold your attention span for almost 2 hours.

Authentic costumes depicting the era coupled with realistic cinematography of lavish scenes of the vast English countryside and the ornate balls reminiscent of the times add to the appeal of the film.

Keira Knightley is surely in her elements as she totally immersed herself in her role. Her chiseled facial features complete with stuffy ballgowns and elaborate hair pieces can be described as a "classic" beauty and it all projects well on screen. Her somewhat subdued acting style was quite forceful and believable. Her characterization of Gee as an independent minded avant guarde 'feminist' was sympathetic in nature. You can't help but feel sorry for her miserable life yet at the same time admire her for her feisty spirit and her radical political views.

As usual Ralph Fiennes can do no wrong. Here as the boorish Duke of Devonshire his brooding style of acting did wonders. To the point that despite being such an insufferable man you couldn't really tag him as a villain. In fact, there was a pivotal scene where the Duke expressed to Gee his regrets on causing her so much misery. He wasn't a bad person and felt as much pressure as Gee into producing a son as it was the dictates of society back then.

This was the UK's entry to the Cine Europa so it was the only film where I didn't have to read subtitles. Although sometimes I wish it did because there were some parts of the dialogue I couldn't hear properly due to the pesky moviegoer who kept talking on his cellphone. Ugh.

GRABBEN I GRAVEN BREDVID (THE GUY IN THE GRAVE NEXT DOOR)

Cine Europa
Cinema 1 Shang Cineplex

Well don't let the title deceive you into thinking this is a horror flick. This Swedish movie is an odd couple romantic love story about Benny and Desiree. Desiree is a sophisticated librarian who is into music and the arts. While Benny is a farmer who has 24 milking cows and let's say he isn't really into the finer things in life. One day their paths cross at the cemetery of all places. Desiree is visiting the grave of her husband while Benny is (as the title suggests) the guy in the grave next door. Well not literally! He is visiting the tombs of his parents.

The rest of the film presents their whirlwind romance. Their different cultural backgrounds and contrasting life styles posing major hindrance to their blooming relationship. As well as the prejudices they face from their respective friends. Clearly they are poles apart in more ways than one. Yet their relationship is passionate and works to a certain degree. As expected no love story can have a happy ending unless there is some crisis/conflict to complicate matters. But do not despair because eventually they dramatically do end up in each other's arms. I didn't mean to spoil the ending but it was quite predictable from the get go.

A cutesy chick film Swedish style complete with funny lines, tense dramatic moments and the feel good factor reminiscent of most love stories. Dialogue is entirely in Swede with English subtitles. This film proves that yes love is possible even between two contrasting personalities and yes they live happily ever after.

DIE WELLE (THE WAVE)

Cine Europa
Cinema 1, Shang Cineplex

Of all the films showing at Cine Europa this year, I was really looking forward to watching this German movie. Based on a true story, it delves on fascism and dictatorship. It narrates how a simple experiment for project week conceptualized by a teacher in a high school spins out of control and takes over the lives of his students.

During an open discussion in his autocracy class, Rainer Wenger is intrigued by a statement from one of his students that dictatorship would never thrive again in Germany. He then devices a plan to prove them wrong. From letting his students wear a uniform for class, designing a logo and calling themselves members of The Wave - the concept evolves from a simple class experiment into a form of supremacy for its members who adopt a superiority complex against outsiders (the other students who aren't part of their group).

A compelling and highly provocative film that makes an effective point. The propensity of the youth to be easily swayed by any higher authority into extremist political views. The unruly bunch of students were at first hesitant and even skeptical about the experiment which started on a Monday. But by the end of the week, their zealous enthusiasm took over with some of them even claiming that "The Wave" gave more meaning to their otherwise boring life. Unfortunately, the experiment goes horribly wrong with tragic consequences.

The movie is entirely in German with English subtitles and it runs for about 1 hour and 4o minutes. Almost 2 hours filed with enough tension amidst dramatic sequences yet it doesn't appear to adopt a preachy tone. It simply and effectively explores human nature. It makes us see how easy it is to create the conditions that appeal especially to the weak, the disenfranchised, the unloved by giving them a sense of being empowered and how their resentment can become a deadly weapon.

MANAGEMENT

Jennifer Aniston, Steve Zahn, Fred Ward, Woody Harrelson

"A touching comedy"

Cinema 3, Shang Cineplex

Sue (Jennifer Aniston) is a sales rep of a company that sells motel art. In short she sells those paintings you find in rooms at cheap inns/motels. Mike (Steve Zahn) on the other hand is the son of a married couple who manage a road side motel. A little mom and pop business, so to speak.

Mike who doesn't really have much of a life aside from helping out in the family business, somehow manages to find the courage to be 'friendly' with Sue who happens to be a guest in the motel. Mike develops an instant attraction to Sue and pursues her in some stalker like behavior which I found a bit disturbing. Yet it is in this pursuit where the film draws its character.

You see in my opinion, Mike isn't really a stalker, per se. He is just a simple guy without any major plans in life who suddenly develops some direction and a sense of meaningful purpose once he meets Sue. He doesn't have a threatening personality neither is he isn't the violent type. I figure it helps a lot that Steve Zahn portrays Mike as a naive, innocently cute character. As cute as a love sick puppy who follows his object of desire everywhere she goes. It is a far more mature role for him instead of his usual sidekick for comic relief supporting roles in his previous films.

Jennifer Aniston's portrayal of Sue was averagely alright. She didn't come across as particularly interesting though she has this pragmatic vibe to her personality. A girl who doesn't have a lot of friends to hang out with. She has her job which permits to travel regionally from time to time. She has practical type of personality with a heart of gold. Her one true wish is to put up a homeless shelter where the residents can play midnight basketball.

Interesting enough, the odd pairing of Aniston and Zahn works. They have good chemistry together in this quirky and off beat romantic comedy. For some strange reason, the song by Air Supply "Two less lonely people in the world" kept creeping into my mind while watching this eccentric rom com! Heh!

TOI ET MOI(YOU AND ME)

Cine Europa
Cinema 1, Shang Cineplex

France's 'entry' to this year's Cine Europa is a schmaltzy romantic comedy. Basically a chick flick about two sisters who have different ideas and notions about romance. Lena, a musician (Marion Cotillard) is level headed while Ariane (Julie Depardieu), an editor of photo novels (a magazine type novel with illustrations and dialogue) tends to over romanticize her relationships.

The film explores the ups and downs of relationships presented in realistic tones. That is if you include love affairs with men other than your boyfriend/partner. The steady plot is coupled with certain dream like/animated sequences which depicts Ariane's fairy tale like love stories for the magazine.

The characters are well developed and portrayed convincingly by good actors. Most of the comedy comes from the dialogue (which is entirely in French with English subtitles) as well as funny situations which mostly involve Ariane's pathetic antics vis a vis her relationship with Farid, her commitment phobe partner.

I was surprised to learn that it was only about an hour and a half because it seemed like this rom com dragged on forever. Only to conclude with a somewhat predictable ending, not necessarily a happy one at that. It was probably not really worth lining up for but hey it was shown for free (all the films in Cine Europa were shown on a first come, first served basis) and it gave me a rare chance to 'practice' my French. That is for me to find out if I could still understand the language without necessarily reading the English subtitles. I'd like to say I managed fairly well!

Cine Europa

A total of 18 European films will be shown at the Shangri-La Plaza Mall Cineplex from September 11 to 20. The festival moves to Cebu City and Cagayan de Oro City for screenings in October.

The featured films come from Austria, Belgium, the Czech Republic, Denmark, Finland, France, Germany, Italy, the Netherlands, Romania, Spain, Sweden, Switzerland and the United Kingdom.

At this year’s Cine Europa 12, you will get the chance to win a free trip to London, courtesy of KLM Royal Dutch Airlines and Rajah Travel Corp.

Cine Europa 12 is supported by KLM Royal Dutch Airlines, Rajah Travel Corp., Yo Card and Click the City.

Admission to screenings is free on a first-come, first-served basis.

Click here for film screening schedules.

For inquiries, please contact the Shangri-La Plaza Cineplex at 633-7851.

UP

Cinema 5, SM Megamall

I don't normally watch animated feature films at the cinemas because I don't feel I would get my money's worth. But this time I made an exception. I did watch it at a cheaper price though but nonetheless it was within the comforts of a cinema. Luckily there weren't any noisy kids in the theater so I was able to absorb the story with delight.

The main reason I watched this 'cartoon' are its main characters. They are human beings and not some talking animal. Carl & Ellie are an adorable couple. They remind me so much of my parents! The first part which chronicles their life together was very poignant even sans dialogue. It was beautifully put together and it summarized their love story gracefully. I totally loved Ellie. She had a beautiful spirit. I was crashed when poor Carl was left alone to fend for himself after her death. So when he ventured on his little adventure in his house lifted by a thousand balloons. You can't help but cheer for his success after all he was fulfilling Ellie's life long wish to visit Paradise Falls.

Then those nasty talking dogs show up and I somehow lost interest. But I knew their purpose was to serve as obstacles for Carl and Russell which is a naturally effective way to convey conflict in a movie, animated or otherwise. Another 'flaw' in this film is how come Charles Muntz didn't age that much given that he was already in his prime when Carl was still a young boy.

Having said that "Up" is truly an uplifting tale. It teaches us to never give up in pursuing our dreams (no matter how old we are!). That obstacles and adversities will surely surface but it must not stop us from venturing on our little adventures.

Before I forget, there was an added bonus before the main feature. A very short animated film about babies of all sorts and shapes being manufactured in the sky by big clouds then delivered by storks to their mothers. It was the cutest film clip I've seen in ages.

BURN AFTER READING

Brad Pitt, George Clooney, Frances McDormand, Tilda Swinton, John Malkovich, Richard Jenkins

"Intelligence is only their job"

Trust the Coen brothers to come up with a full length film about a bunch of idiots. Basically, the story stems from a disk that is discovered by two gym employees Chad (Brad Pitt) and Linda (Frances McDormand) who believe it contains top secret intelligence data. They try to blackmail Osbourne Cox (John Malkovich) the owner for money. But little do they know that it is merely his inconsequential memoirs. A side plot involves a paranoid spook Harry (George Clooney) having an affair with Katie Cox (Tilda Swinton), Osbourne's wife.

This well edited film is a sequences of situational comedies abound with hilarious moments. Often times, you find yourself laughing out loud at just how ridiculous everyone and everything is in the movie. A bunch of idiots who think highly of themselves getting into silly situations yet you can't help but think they truly deserve their moronic fates.

The cast is peppered with good actors. Frances McDormand and John Malkovich's characters drew the most laughs from me. Her portrayal of Linda, the gym employee obsessed with cosmetic surgery was really funny in a pathetic and silly kind of way. While Malkovich as Osbourne Cox was a blast, especially when he starts flaring up in anger and starts swearing like crazy. Brad Pitt in a nonsensical comedic role was ridiculously hilarious. I like how he is willing to shed his 'matinee idol' status to portray a stupidly lame gym employee named Chad. For that matter, George Clooney another lead actor had great comedic timing in this film.

A typical Coen brothers masterpiece that never fails to entertain even the most cynic or especially the most cynic among us. It was fun to watch!

THE TIME TRAVELERS' WIFE

Eric Bana, Rachel McAdams, Arliss Howard, Ron Livingstone

Cinema 3, Shang Cineplex

There are movies based on novels which you can watch without reading the book and still understand the main storyline. Well, sad to say this film isn't one of them. Even though the book was quite popular on the best sellers list, I wasn't particularly interested in the time travel premise so I didn't buy it. Now I wish I did.

Having said that it doesn't mean I didn't appreciate this uniquely intriguing love story. Once you get past the mind boggling premise of Henry's constant time travels (for instance how can there be two Henrys in the same time period? How come an older Alba gets to play with her younger self?), you simply take it for what it is - a beautiful yet complex romance between two people who were destined for each other. In that sense, the film spoke to the hopeless romantic in me.

I admit the main draw for me was Eric Bana. He has always been this good actor who can churn out solidly believable performances in his movies. Here as Henry he is sturdy and non threatening even though he has to live with such a strange disorder. Rachel McAdams played Claire as a very sympathetic character. You could feel her frustrations as the very patient wife yet at the same time you could also sense her profound love for Henry. When she tried several times to conceive well that's when my tear ducts just flowed. It was such a sensitive and highly poignant moment for me.

I like the fact that the film didn't use some scientific and technical method to portray Henry's disappearing act. Or else it would have been like some superhero flick. Instead they chose to focus on the love aspect and in that sense the film works for me. Ultimately, The Time Traveler's Wife is about living life to the fullest without any regrets. Claire made it totally clear towards the ending when she uttered "I won't change one second of our life, together".

MILK

Sean Penn, James Franco, Josh Brolin, Emile Hirsh, Diego Luna

"His life changed history. His courage changed lives."

Sean Penn shines in his role as Harvey Milk in this biopic about the first openly gay person to be elected to public office in the US. The film traces the last few years in the life of Harvey Milk. His personal upheavals as well as his struggles in championing the gay rights movement. The film is set in the tumultuous 70s in San Francisco, the city where the gay rights movement was born.

The film uses flashbacks as it shows important snippets of his short life. Footage of actual TV interviews of personalities who made headlines during those volatile times are also featured. The end credits show pictures of the real persons with a short description about their current life.

Sean Penn is ably supported by a good cast of actors who all convincingly portray real people. James Brolin as fellow supervisor Dan White, Milk's main nemesis in the political arena. Emile Hirsch as Cleve Jones, an impassioned fighter for gay rights. Diego Luna as Jack Lira, the troubled partner. But I was impressed by James Franco's brilliant performance as Scott Smith. The loyal lover of Milk who stood by him through thick and thin. A faithful supporter till the end.

A well developed film about an inspirational character who usually begins his fiery speeches with "Hello, I'm Harvey Milk and I am here to recruit you" and his passionate battle to champion gay rights.

Movies Planet

Movies Planet is a movie-related social network. It is the perfect venue for its users to watch movies online. It is also the place to follow the full episodes of your favorite TV shows and read detailed biographies of actors and actresses.

Their interactive website is filled with informative sub sections. You have the popular movies and shows which are categorized according to their genre. Upcoming films like Just Wrong 2009 are also featured. Each film has its own dedicated page filled with interesting tidbits. They present the movie details, the movie plot, the cast and crew and its trailer. The movie meter displays the ratings and the number of users who recently watched the film online. You can also add your comments regarding the film. I am looking forward to seeing Julie & Julia, the biopic of Julia Child starring Meryl Streep.

Their extensive search lets you choose from their wide database of movies and current full length episodes of several TV shows based on your preference as well as recommendations from other members. Their user friendly interactive website is easily navigable and easy to use.

The Movies Planet poll lets you participate in interesting surveys. A featured Movies Planet members section highlights users profiles, the films they watched and their film ratings.

It allows its members to customize their profile, rate films, create personal "watched movies" list. You can also contact other movie fans and read about their favorite movies. You can exchange private notes, participate in polls, forums and chat with other members in their instant messaging facility. In fact interaction between members is highly recommended in this vibrant community of film lovers.

So join now ... registration is free!

THE PROPOSAL

Sandra Bullock, Ryan Reynolds, Betty White,
Mary Steenburgen, Craig T. Nelson

"Here comes the bride ..."

Cinema 5, SM Megamall

When book editor Margaret (Sandra Bullock) faces deportation to her native Canada, she suddenly declares that she’s actually engaged to her unsuspecting assistant Andrew (Ryan Reynolds). The tormented but faithful Andrew agrees to participate in the charade, but he has set a few conditions. The unlikely couple heads to scenic Alaska to meet his family for the weekend. With an impromptu wedding in the works and an immigration official on their tails, Margaret and Andrew reluctantly vow to stick to the plan despite certain consequences.

This romantic comedy works because its two main stars have good chemistry and perfect comedic rapport with each other. Despite the visible age difference, they look good together as a couple. Next to Meg Ryan, Sandra Bullock has I believe captured the top spot in the romantic comedy leading lady roles. She is in her true elements when she portrays heroines who are partly impish, partly adorable all in the same breath. She is funny, talented and can definitely hold her own fort in the rom com genre. I also like how Ryan Reynolds has progressed from irritatingly annoying immature roles to dashing leading men with hearts of gold. Plus he's got a killer body to boot - that is an extra bonus. Hehe

The plot had its funny har har moments as well as some dragging scenes (those with the totally not funny Ramone!) but it all unfolds in stunningly panoramic Alaska that you can't help but admire the amazing scenery. A tad bit predictable despite their efforts to throw in a 'crisis' towards the end, it nonetheless was fun to watch. Bullock and Reynolds are ably supported by a talented cast (Mary Steenburgen, Craig T. Nelson) who do their share in spreading the cheerful nature of the film. Most notably Betty White who as Andrew's grandmother was a hoot to watch and generated most of the laughs from the audience.

A nice light and breezy romantic comedy with a talented pool of actors set in a breathtaking environment. Plus you get to see a great shot of a naked (but not in a vulgar way) Ryan Reynolds and Sandra Bullock too for that matter - whatever suits your fancy!

MY SISTER'S KEEPER

Cameron Diaz, Abigail Breslin, Jason Patrick, Sofia Vassilieva, Alec Baldwin, Joan Cusack

Cinema 7, SM Megamall

Although I never read Jodi Picoult's novel, I've heard rave reviews about it. At first I thought the film would focus on the legal battle about medical emancipation. I'm glad it didn't. Instead, this film was a family drama filled with warmth, compassion and utterly heart wrecking moments. I cried several times during the film. I thought I was going to drown in my tears. Hehe.

I like the fact that the main characters narrate their innermost thoughts during certain parts of the film. It is much more expressive. The cast all played their roles with gusto. I never thought much of Cameron Diaz before but here she essayed the stoic mother role, poignantly. It was heart breaking during the highly emotional hospital scene where she finally breaks down in the arms of her dying daughter. It was her way of coming to terms with her daughter's desire to stop fighting her illness and simply let go. Abigail Breslin as Anna, the daughter genetically conceived to help her older sister never fails to amaze me with her acting talent. For someone so young, I wonder where she draws her strength in portraying such anguished characters. Sofia Vassilieva as Kate was such a beautiful character inside and out. Despite her sickly demeanor, whenever she smiled she simply lit up the hospital room and the movie itself. She had a radiant spirit and a beautiful soul. I simply fell in love with her portrayal of Kate.

The film was interspersed with a few flashback scenes of happier times. The plot was coherent and well played out. Although sometimes the sappy mushy music tend to over dramatize the situations. I read that the scriptwriters changed the ending for the movie. If you ask me, I figure the film's ending is much more realistic. The movie addresses the issues of life (a child conceived for medical purposes) and death in a light and sensitive manner without bordering too much on the legal implications of medical emancipation. But nonetheless it is a feel good family movie just remember to load up on tissue paper and hankies to wipe those tears away!

3rd International Silent Film Festival

The festival that brings together Philippine music with classic international silent films is back!

Set aside all your Thursday nights from July 30 to August 27.

This year’s festival features films from France, Germany, Italy, Japan and Spain, to be scored live by the likes of Corporate Lo-fi, Nyko Maca + Playground, Caliph8, Kalayo and Johnny Alegre Affinity.

The festival opens on July 30 with a screening of the Japanese 1931 film “Jirokichi the Rat (Oatsurae Jirokichi Koshi)”.

Director Daisuke Ito adapted the story from a novel by Furukawa Eiji. It is based on the life of Nezumi Kozo (The Rat), a notorious burglar active during the early 1800's who won great fame for his daring adventures stealing from the homes of wealthy people late at night.

On August 6, catch the 1921 ultra-rare film “The Mechanical Man (L’uomo meccanico)”.

The film is directed by André Deed, a protégé of Georges Melies. In it, a city is gripped in terror as a colossal robot runs rampant in an unstoppable crime spree. The police are powerless in the face of the frightening carnage and destruction, but the remotely controlled menace may soon meet its match - a second mechanical man is sent to confront it in a horrific showdown at the local opera house. The film will be accompanied by the music of Caliph8, who will be joined by Kalila Aguilos, Malek Lopez, Pasta Groove and Tad Ermitaño in a special aural and visual collaboration.

The 1929/30 German film “People on Sunday (Menschen am Sonntag)”, directed by Robert Siodmak, will be screened on August 13.

With unpretentious humor, this astonishing first film by artists who were soon to become Berlin exiles deals with how the working class spends its precious leisure time. Berlin is as empty as a ghost town, everyone flees to the countryside, and the train stations are packed. Erwin, a taxi driver, meets up with a young traveling salesman and his female companions, who are on their way to a nearby lake for a day of swimming, snoozing, and flirting, leaving the cabbie’s wife to sleep away her Sunday. The film is the early collaboration of five young Berlin-based filmmakers - Robert and Curt Siodmak, Billy Wilder, Edgar G Ulmer, Eugen Schuefftan and Fred Zinneman - who would all go on to great international success. Providing the live score will be Nyko Maca + Playground.

The 1930 Florián Rey drama “The Cursed Village/La aldea maldita” will be accompanied by the music of Johnny Alegre AFFINITY on August 20.

The film presents a story about poverty, honor and forgiveness in a small Castilian village, during a time when women had no rights at all to live their own life without the protection of men. Juan Castilla is imprisoned after quarrelling with a local political tyrant and usurer, leaving behind his wife Acacia, their child, and the boy’s blind grandfather, Martin. The neighbor Magdalena convinces Acacia to leave the impoverished town that seems to have a curse on it. Three years later, Juan finds his wife working in a pub, and obliges her to return home and serve the family until the death of Martin.

The last screening will be on August 27. The 1913 French classic “Fantomas: Under the Shadow of the Guillotine (Fantomas: A l’ombre de la guillotine”, directed by Louis Feuillade.

The film presents to us the character of Fantomas through a series of dramatic episodes: the robbery of the Royal palace Hotel, the successive transformations of Fantomas, and the substitution of the actor Valgrand. The masked hero is presented as a cruel being. We discover the mistress, Lady Beltham, accomplice and victim of Fantomas, then the obsessive inspector Juve introduced as her best enemy. Providing the music will be Corporate Lo-fi.

All the above screenings are at 8 pm at Cinema 1of Shang Cineplex, Shangri-la Plaza. Tickets are P75.

GONE BABY GONE

Casey Affleck, Michelle Monaghan, Ed Harris, Amy Madigan, Morgan Freeman, Amy Ryan, John Ashton

"Everyone wants the truth ... until they find it"

Star Movies

This movie adaptation of Dennis Lahane's novel was the directorial debut of actor Ben Affleck. It dealt with pretty heavy subject matters like child abduction, pedophilia and the proliferation of drugs set in one of Boston's toughest neighborhoods.

Affleck directs his brother Casey Affleck in a significant role as Patrick Kenzie, a private detective hired by the relatives of a missing child. Along with his partner/girlfriend Angie (Michelle Monaghan) they find themselves embroiled in a murky web filled with shady characters as well as corrupt law enforcers out to protect themselves at all cost.

The film much like the investigation progresses at a good pace. It starts with a frantic frenzy as we are introduced to the numerous characters and the circumstances of the abduction. Then it slows down a bit as several futile side plots are zeroed into the storyline. Thankfully, it picks up towards end when revelations are unveiled. It ends though on a pivotal turning point of moral dilemma proportions.

Casey Affleck who I'd dare say is a much better actor than Ben carries the entire film on his bony shoulders. His subdued style of acting worked wonders and he essayed his role with flying colors. He is ably supported by a neat ensemble cast of good actors like Amy Ryan, Ed Harris, Morgan Freeman and Amy Madigan.

Clint Eastwood previously tackled another Dennis Lehane novel, Mystic River with a good cast, solid plot and it received good reviews. Although Ben Affleck is certainly no Eastwood (as an actor and director), he did considerably well in his directorial debut. In fact, I was pretty impressed that he was able to present a good film adaptation of a complex story. He must stick to directing from now on. Let Casey (The Assassination of Jesse James by the Coward Robert Ford, Ocean's 11, 12 and 13) reap in the acting awards! Heh.

PUBLIC ENEMIES

Johnny Depp, Christian Bale, Marion Cotillard, David Wenham, James Russo,Billy Crudup, Stephen Lang, Stephen Dorff

"America's most wanted"

Cinema 2, Shang Cineplex

Chicago in the early 1930s was hit with a series of crime waves. Bank robberies, gangsters, illegal gambling made the headlines in the newspapers. It was also the period when the Federal Bureau of Investigation (FBI) under the staunch leadership of J. Edgar Hoover (Billy Cudrup) was being tested for its mettle.

Taking center stage in this Michael Mann film are the enigmatic bank robber John Dillinger (Johnny Depp) and his nemesis, FBI Agent Melvin Purvis (Christian Bale). Yet it merely presented a short episode in the lives of its main characters. It basically lacked an in depth characterization about their true personalities. Perhaps they could have mentioned what drove Dillinger to commit bank robberies or how Purvis's relentless pursuit affected his family. But I guess that would take 2 separate full length autobiographical movies in some sort of semi-documentary format to further explore their psyches.

Nevertheless, the roles were well portrayed by Depp and Bale. Depp fashionably dressed for the part in his long black coat and fedora hat was brilliant to watch. He portrayed Dillinger a hardened bank robber in a sympathetic light. A gangster prone to extreme violence yet he also reveals a soft side when it comes to romance. As well as telling people at the banks he robbed that he only took the bank's money and not the people's loose change. Or something to that effect. The newspapers back then tend to glorify criminals and society developed a strange celebrity fascination towards them. I guess some sense of escape during the harsh Depression times.

Bale as Agent Melvin Purvis was a character driven with reckless imprudence. A dedicated law enforcer who would stop at nothing to capture his prey. Yet at the same time he was incorruptible and strictly adhered to the rules of the agency he willingly served.

It was difficult to focus on some scenes (it made me dizzy) as Mann used a hand held digital technique. Extreme close up shots to wide angle views of the Chicago landscape contributed to the realistic cinematography. Lavish set designs and authentic wardrobe did transport you back to the Depression era of the early 1930s. The film also had its vast array of well executed action scenes. There were intricate car chases, loads of gunfights and bloody encounters in true grand Hollywood production style. But it is well balanced with some romantic sequences between Dillinger and his lady love Billie Frechette (Marion Cotillard) so it isn't just merely a bang bang bang film.

Overall the film despite lacking some profound character analysis was coherent and well paced with a good ensemble cast. It exuded an old Hollywood vibe reminiscent of those old Cary Grant and Humphrey Bogart movies. For me, it was worth watching if only to see Johnny Depp weave his artistic skill into yet another meaty role as John Dillinger.

HARRY POTTER AND THE HALF BLOOD PRINCE

Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, Jim Broadbent, Alan Rickman, Helena Bonham Carter

"Dark secrets revealed"

Cinema 1, Shang Cineplex

It is strange that the movies I've watched lately don't truly fit in the realm of my favorite movie genre. But my sister who was visiting for a brief period specifically had one request - I accompany her to see magic unfold on screen. So it was night filled with spells, potions and sorcery galore as we watched the latest installment of the Harry Potter franchise. Of course, admittedly I haven't read any of J.K Rowlings books but surprisingly though I have watched all of the movie adaptations, purely to be entertained.

Main draw for me is Alan Rickman. I've been a long time fan of this talented British actor whose portrayal of Professor Snape is brilliant in every sense of the word. Professor Snape is a man of few words yet he eloquently delivers his lines with steely flair and aplomb. Perfectly combined with a somber wardrobe that lacks any fashion sense, his icy gaze can melt a lesser mortal. It was interesting for me to note that the Half Blood Prince in the title refers to him. A little bit trivia my sister whispered to me since I am totally clueless about the background of the numerous characters that keep popping in and out in Hogwarts.

The set designs depicting Hogwarts are all very grand and majestic in scale. Computer generated imagery at its best. My favorite part are the Quidditch game sequences. A very engrossing game that is well executed on the screen.

The good ensemble of renowned British actors like Michael Gambon, Jim Broadbent, Helena Bonham Carter still ably support the 3 main characters. Harry, Hermione and Ron have literally grown up right in front of our eyes. Their acting skills thankfully have also grown and they seem more relaxed in their performances. I've observed that Hermione is no longer the precociously irritating kid she was in the past movies/books. Kudos to Emma Watson for a subtle yet more mature performance.

Although the plot for the film had a dark theme with tragic consequences, it was the romantic angles which registered the most impact for me. It was realistic to watch the 3 main characters behaving as normal teenagers with puberty angst to the core.

OVerall the film had a good mix of action, cutesy romantic sequences and the ever present dark and somber yet quite intriguing storyline.

It is always exciting to watch a Harry Potter film for its masterful presentation of a matured sorcery tale. For a few hours, you can get lost in a world of sublime fantasy and wizardry. Time well spent, if you ask me!

TRANSFORMERS: REVENGE OF THE FALLEN

Shia LaBeouf, Megan Fox, Josh Duhamel, John Turturro

"Revenge is coming"

Cinema 11, SM Megamall

Sci-fi themed movies are not my cup of tea. So I didn't watch the first installment of this very noisy film. So those Decepticons, Autobots and all those other machines transforming themselves into ermm talking robots all seemed the same to me. My sister was kind enough to explain whether the machines were Decepticons or Autobots yet I wasn't particularly invested in the film. So much so that despite the high level of deafening audio decibel with all those metals clashing against each other, I fell asleep during certain parts of the film. Heh. I was probably tired after all that shopping and it didn't help that it was the last full show.

But I was able to more or less decipher the fact that the Decepticons were out for a showdown with the Autobots after their side was defeated in the battle to take over Earth in the previous film. Sam (Shia LaBeouf) who just started college once again finds himself right smack in the center of the main battle. He is still ably supported by his gorgeous girlfriend Mikaela (Megan Fox) who can still look attractive under extremely stressful situations. Not fair!

Well despite my non interest in the machines battle for supremacy, there were simply too many of them for me to absorb. I'd have to say the computer effects were top notch. Big production sets and wide angled shots of beautiful scenery was the norm. The dialogue had its share of funny lines courtesy of John Turturro, a talented actor. The plot had a good blend of loud action sequences, a tinge of romance and very well choreographed battle scenes (even though most of them were computer generated) in panoramic settings. I also like how they presented the history of the machines from eons of years ago till modern times. The narration about their origin sort of made sense for the sake of the movie. Although it is really a preposterous idea for reality's sake. Thankfully it is just a movie!

So yes, I did enjoy this film purely for its entertainment value in true Hollywood blockbuster style.

UNTRACEABLE

Diane Lane, Colin Hanks, Billy Burke, Owen Reilly

"A cyber killer has finally found the perfect accomplice: You."

Star Movies

This thriller about a FBI agent (Diane Lane) in the cyber crime division who has to track down a serial killer (Joseph Cross) who posts his gruesome crimes on the Internet was scary. Well scary enough for me who isn't a big fan of horror flicks. But this isn't a horror film per se, more like a slow paced yet intriguing thriller that keeps you on the edge of your sofa.

Although a bit predictable in the who gets killed next department, the film nevertheless featured some of the most graphically revolting torture scenes I've seen in the movies. The main premise behind the criminally insane mind of the killer is revenge. Yet the fact that he actually sets up a web cam for the whole wide world to be a witness to his evil mind is quite disturbing. The scenes were well presented and well executed (pun intended). It was for me, the main highlights of the otherwise predictable film. Yes I might have a sadistic tendency lurking in my psyche. His acts of violence is seemingly untraceable (thus the title!) even with the most current technology in place. A preposterous idea if you ask me but well that is how the film kept its audience glued till the end.

Diane Lane as always delivers a good performance. While Colin Hanks (yes Tom Hanks' son) despite a brief role made a significant impact in the thriller. Most of the cinematography was bleak and somber as befitting those cops and killers themed movies.

Although it pales in comparison with other serial killer films, it is still a good enough movie with an intriguing plot to keep one entertained for a few hours.

Eiga Sai 2009 Japanese Contemporary Film Festival

In celebration of Philippines–Japan Friendship Month, The Japan Foundation, Manila, in cooperation with the Embassy of Japan, the Shangri-La Plaza Mall, and the UP Film Institute proudly presents a Japanese Contemporary Film Festival, titled “Eigasai ‘09” (literally means ‘film festival’ in Japanese).

An invitational screening of Always – Sunset on Third Street (Always San-chome no yuhi, 2005) by director Yamazaki Takashi will be held on July 2, 2009 (Thursday) at 7:00 p.m. at the Shangri-La Plaza Cinema 3, Edsa, Mandaluyong City.

This year’s offering brings together 7 contemporary films and 1 anime film in 35mm format.

Other films to be featured are Memories of Matsuko (Kiraware Matsuko no issho, 2006) directed by Nakashima Tetsuya, Kamome Diner (Kamome shokudo, 2006) directed by Ogigami Naoko, Memories of Tomorrow (Ashita no kioku, 2006) directed by Tsutsumi Yukihiko, The Milkwoman (Itsuka dokusho suru hi, 2005) directed by Ogata Akira, Turn Over - An Angel Is Coming on a Bicycle (Futari biyori, 2004) directed by Nomura Keiichi, Tony Takitani (Toni Takitani, 2004) directed by Ichikawa Jun, and the sole anime film Mind Game (Mind Game, 2004) directed by Masaaki Yuasa.

Screening venues are at the Shangri-La Plaza Cinema 3 from July 2 to 12.

All films will be shown with English subtitles.

Admission is free.

Click here for the screening schedules.

RENDITION

Reese Witherspoon, Jake Gyllenhaal, Meryl Streep,
Adam Arkin, Omar Metwally, Peter Sarsgaard

"What if someone you love ... just disappeared?"

HBO

Extraordinary Rendition is the official term that refers to the transporting to a secret detention cell in a foreign country of anyone suspected of being a terrorist. The suspect is then subject to extreme forms of interrogation like torture to extricate any vital intelligence to secure the protection of the citizens of the United States. But when confronted by anybody who demands about it, the government naturally denies everything. Even claiming that they don't sanction torture of any kind.

In the film, Anwar (Omar Metwally) an American of Egyptian heritage is 'abducted' and flown to an unknown destination. His wife (Reese Witherspoon) isn't informed of his whereabouts and seeks the help of Adam (Peter Sarsgaard) her ex-classmate who now works for a Senator (Adam Arkin).

The setting of the film flip flops between Washington D.C and an unnamed city in Northern Africa. There is a developing side plot about a pair of young teenagers caught in the struggle of Mideast violence. The standard Arabic music irritatingly lingers wherever the setting was in the Middle East.

The pacing was varied. It was a bit dragging with scenes of a pleading wife. Peppered with violent scenes of torture and disturbing angles of young men being indoctrinated with the tenets of what it means to be a suicide bomber. It is only towards the end that the pace picks up. You realize you have been subject to flashbacks intertwined within the current development of the plot.

The cast were mostly subdued in their acting. Especially Reese Witherspoon who in my opinion seemed too stoic for someone whose husband has suddenly vanished. And Jake Gyllenhaal was a bit wooden in his portrayal of a novice CIA analyst assigned to assist in the torture of the suspected terrorist. But thankfully they are ably supported by Meryl Streep and Peter Sarsgaard in small yet significant roles.

This political themed film had a stellar cast yet the storyline didn't quite deliver. It had the feel of a TV film of the week. Another run of the mill movie that explains the clandestine methods the only remaining superpower nation would resort to for the protection of its citizens. I figure the only good thing that came about from this film is the fact that Jake Gyllenhaal met Reese Witherspoon and they are now a couple. Heh!

THE READER

Kate Winslet, Ralph Fiennes, David Kross

"How far would you go to protect a secret?"

This film evolves around secrets. A secret love affair between Michael Berg (David Kross), a 15 year old boy and Hanna Schmitz (Kate Winslet) a thirty something woman. The secret that ultimately seals Hanna's troubled fate. And Michael's (Ralph Fiennes as the older Michael) decision to conceal the said secret also ultimately affecting his guilt ridden life.

Yet although there are a lot of secrets hounding the film, the beauty lies in how these 'secrets' are slowly revealed. Powerful, dramatic yet also highly emotional scenes permeates throughout this poignant movie. A movie that a combination of a love story and war story that evolves around the two main characters.

Two uniquely different characters whose personalities are well developed and realistically portrayed by good actors. David Kross as the young Michael is refreshing to watch. His coming of age persona is characterized with his pleasantly smiley face. He was both innocently charming and brilliantly smart, at the same time in several scenes. A young German actor whose diction was flawless. He delivered his lines eloquently. His portrayal of the young Michael was memorable and registered well on screen. He also held his own when he acted opposite one of the most talented actresses in the film industry today, Kate Winslet.

This role will surely be one of the highlights of Kate Winslet's dazzling career. She was brilliant as Hanna and she truly deserved the best actress award at the Academy Awards, earlier this year. The audience will have a difficult time grasping Hanna's multi-layered but very intriguing personality. She essayed an aloof air when it comes to her affair with the young Michael. Yet in the next frame, she was also deeply emotional when he read aloud to her some of the best classic novels in literature. Then at a later stage, she exudes an air of naivete during the war crimes trial.

Ralph Fiennes as the older Michael was plausible. Michael's past indiscretions hugely affected his life. He was constantly trying to redeem himself. Towards the end, I like to believe that he indeed came clean and in some small manner was able to exorcise his personal demons.

There are several scenes of nudity but they were well executed nothing vulgar. There is a background music that lingers throughout the film without being intrusive. You hardly notice it is there unless you expressly seek it out. The setting spans through several decades in German cities like Heidelberg and Berlin. Cinematography was somewhat bleak with grainy tones. There were no disturbing images of the Holocaust yet the war crimes trial dialogue was pretty graphic.

Overall I do recommend this film for the artful way it presented a unique love story amidst a dark period in Europe's history without delving on the victims. It is more about the perpetrators of the Holocaust whose lives are also depressingly dark. In some sense they too are victims of an ugly war. But mostly watch the film for the brilliant performance of Kate Winslet and David Kross, it is worth it!

FLANDRES

14th French Film Festival
Cinema 3, Shang Cineplex

Geographically, Flanders is the region in parts of Belgium, France and the Netherlands where there is a thriving Flemings community. Flemings referring to the Dutch speaking population of Belgium. Historically, the Flanders fields was the venue for one of the fiercest battles ever fought in the First World War. It has even been immortalized in a Canadian poem by John McCrae entitled "In Flanders Fields" which paid tribute to the lives lost in war.

But this Bruno Dumont film isn't about the battles of the First World War. But it does feature a war nonetheless. A small town in Flanders is the home town of Andre and Barb. They both lead a monotonous existence on a farm. Andre enlists in the army and goes off to fight an unknown war. I say unknown because they don't really specify the exact location. It could be the Algerian war, the Iraq war or the one waged in the perilous region of Afghanistan. While Barb is left on her own to cope with her personal demons. A dangerous combination of depression and sex addiction.

The scenes juxtaposes between the bleak, morose setting in Flanders to the arid desert. There are really graphic violent images of war as well as gratuitous sex scenes which numb your senses.

The director uses the minimalist approach. Dialogue however limited in entirely in French with English subtitles. There are wide shot angles of scenery, extreme facial close ups with nary a sound to break the silence. Yet despite the silence, there are certain nuances which are implied. It is up to the viewer to do his own analysis about the behavior and demeanor of the main characters.

I have to say that this type of film might not appeal to everyone. Especially given the disturbing violent scenes which can really jar your mind. Plus the long footage of scenery without any dialogue or music to 'occupy' your senses.

Yet maybe the main premise is that there are certain things best left unsaid. Or that actions speak louder than words. Towards the ending though when Andre expresses his true feelings (however odd it is) there is a sense of liberation both on the part of the characters involved as well as the audience. You sort of leave the theater with a sigh of relief. Relieved that despite the hardships both Andre and Barb experienced there is a small glimmer of hope that shines in their future. That however small it is ... it is still more than we can ever hope for!

CA BRULE (ON FIRE)

14th French Film Festival
Cinema 3, Shang Cineplex

Nothing much really happens in this film. It is about Livia, a 15 year old girl who gets infatuated with Jean, a volunteer fireman who saves her after she fell off her horse. Worse yet it is the start of the summer school holiday in this little provincial town so poor Livia has nothing better to do than trot aimlessly. Her 'affection' for her rescuer turns to obsession as she does her best to seek his attention with very tragic consequences. But sad to say this film doesn't even come close to "Fatal Attraction" and it drifts aimlessly just like Livia during the entire movie.

At least the cinematography is crisp with images of a quiet little town surrounded by mountainous terrain. The main 'draw' would be towards the ending where a massive forest fire consumes the small town. The footage seemed totally real in some semi documentary technique. It makes me wonder if they really set the fire for the movie or the fire occurred while they were shooting the film. Either way it was graphically and realistically portrayed.

The characters are mostly bored teenagers trying to amuse themselves during their summer break. They don't have endearing personalities so the audience couldn't really care less about their plight. Soon enough the boredom lingers and lingers you just wish they would actually get a life or at least some hobby to occupy themselves with.

I guess the morale of the story is if you play with fire you will definitely get burned. Enough said!

MARIE-JO ET SES DEUX AMOURS (MARIE-JO AND HER TWO LOVES)

14th French Film Festival
Cinema 3, Shang Cineplex

The title reveals it all, doesn't it? Marie-Jo is a middle aged woman who is happily married to Daniel yet she is also having a torrid affair with Marco.

The setting is the coastal town of Marseille. Cinematography is breathtaking with scenes of the Mediterranean sea. Thus giving the film an airy, breezy vibe. Even though the main premise is a complex love story.

The three main characters are well developed and they expressively conveyed a varied array of emotions. It is difficult to understand how a woman can equally love two men, at the same time. Yet in the film, Marie-Jo strangely enough does indeed love both her husband and her lover with the same intensity. I like to believe it is only in Europe or in the Western world where such a scenario is plausible without the two guys involved killing each other for the affections of one woman. Or maybe it only happens in the movies? I have no idea.

Nonetheless, this film is a good character study of three entirely different personalities. You cannot really blame her affair on a miserable marriage. Because on the contrary, Marie-Jo and Daniel still have an active sex life, their business is flourishing, their only daughter is successful, they have a comfortable home and they can afford some excesses like a small boat. In short, their life is 'almost' perfect.
On the other hand, Daniel's silent acceptance of the affair is mysterious. We never get to know for sure what he really feels about it yet we are led to believe he is definitely in pain and conflicted over his wife's betrayal.
As for Marco, well he is also an interesting character to watch. The silent brooding type who is well traveled, good mannered and culturally inclined.

But yes eventually Marie-Jo does confront her issues and in the end, she tragically made her final decision which for me raises a lot of questions. Questions about her actions, her decisions and her motives. So I agree that the film was well presented and well played out with a talented cast.

In my opinion it doesn't really aim to project a moral stance on the behaviors of its characters. It is entirely up to the audience to conjure up their own opinions, beliefs on Marie-Jo's shortcomings as a woman, as a mother and more importantly as an human being.

VAN GOGH

14th French Film Festival
Cinema 3, Shang Cineplex

Even though the lead actor (Jacques Dutronc) doesn't resemble the famous painter physically, he did a pretty good job in portraying the painter as a mentally conflicted soul. A man haunted by a sense of inadequacy regarding his paintings and ravaged with a strange mental illness (severe depression) yet he also lived his last days with so much vibrant passion and intoxicated vigor.

This film presented the last 2 months (67 days) of his life which he spent in the quiet and idyllic surroundings of Auvers sur Oise, a small suburb off Paris. The setting is in the late 1890s yet aside from the authentic wardrobe depicting the era, I somehow got the sense that the narrative could have been currently unfolding in some small French provincial town.

The biopic showed the various characters who interacted with Van Gogh were a diverse group. From the plain innocent daughter of Dr Gachet who falls in love with the painter, the worldly prostitutes in the brothels which Van Gogh regularly patronized to his immediate family consisting of his brother Theo, an art dealer and his wife, Joanna. They all offered a sense of what makes him tick as a painter and a person.

The cinematography naturally veered towards images of the vast luscious French countryside, the small town like setting to the visuals of the excesses of a Parisian brothel.

The dialogue is entirely in French with English subtitles.

The pacing of the film was a bit slow in the middle part of the biopic. Certain sequences were too long and seemed to drag on forever. While the significant parts (in my opinion) were rather brief and not too elaborate, unfortunately.

Overall though, I believe it is a realistic portrayal about the final days of Vincent Van Gogh. His personal demons eventually overwhelming his conflicted soul. After all, history does show that most of the greatest artists that ever existed indeed led very colorful, complex and melodramatic lives. So Van Gogh was in excellent company. Heh!

DUPLICITY

Julia Roberts, Clive Owen, Paul Giamatti, Tom Wilkinson

"Outwit. Outspy. Outsmart. Outplay.
Then get out."

Cinema 12, SM Megamall

OK so if it weren't for the two bankable stars playing the main characters in this spy themed drama (with some tinge of comedy), this film wouldn't really be successful. The time frame is confusing, there are many flashback sequences and you can develop a headache trying to get a sense of what is really going on. But the trick is to pay close attention as the story unfolds because eventually when you are back in the comfort of your couch and you got more time to piece the events together, you finally get the whole premise. Just bear in mind that the movie works on the theory that you simply cannot trust anyone especially when you are dealing with experts in the espionage business.

Claire (Julia Roberts) is a former CIA agent. While Ray (Clive Owen) used to work for the British Intelligence. After one steamy encounter, their paths are invariably intertwined as they both scheme to outdo, outwit each other this time in the intriguing and highly lucrative field of corporate espionage.

Their story unfolds in a sequence of never ending flashbacks peppered within the main plot. This is where you need to pay attention so you can get a semblance of exactly when the main premise of the film is hatched by the 'feuding' spies. Their numerous encounters take them to the most beautiful cities in the world like Dubai, Zurich and Rome. Therefore the slick cinematography is like a mini travelogue buoyed with a soundtrack reminiscent of an Ocean Eleven movie.

I admit the main reason I watched this movie is for Julia Roberts (I'm her avid fan) and Clive Owen (I believe he is a very talented actor). Their chemistry on screen is a brilliant collaboration of fine acting, good timing and well delivered dialogue. They have great rapport and it was a delight to watch them interact with each other. They are ably supported by a cast of minions who are at their beck and call and certainly do their share in complicating the already murky plot. Most notably Paul Giamatti and Tom Wilkinson in very small yet highly significant roles.

The thrilling moments in the first part of the film was fast paced and edgy. The mid section seem to falter a bit because at this point you either lose interest with the many subplots or you are on full mental alert trying to keep pace. Then the little twist in the ending seemed a bit anti-climatic yet played out really well in the unpredictability factor. But if anything, this film proves that big corporations would go to great lengths to protect their trade secrets.

So if you are in the mood for some espionage cum romantic comedy then this film should please you. If not then simply watch the film for the excellent rapport between Julia Roberts and Clive Owen. It is worth it, believe me!

FRENCH FILM FESTIVAL SCREENING SCHEDULE

FRENCH FILM FESTIVAL

Screening Schedule from June 5-14 Shang Cineplex, Cinema # 3

JUNE 6 (SATURDAY)
Un Secret 12:30 pm
Ca Brule 3:00 pm
Jean dela Fontaine 5:30pm
Van Gogh 8:00 pm

JUNE 7 (SUNDAY)
Home 12:30 pm
Marie-Jo et Ses Deux Amours 3:00 pm
Flandres 5:30 pm
Ma Saison Preferee 8:00pm

JUNE 8 (MONDAY)
Van Gogh 12:30 pm
Flandres 3:30 pm
Ca Brule 5:30 pm
Zim et Co 8:00 pm

JUNE 9 (TUESDAY)
Zim et Co 12:30 pm
Marie-Jo et Ses Deux Amours 3:00 pm
Flandres 5:30 pm
Jean dela Fontaine 8:00 pm

JUNE 10 (WEDNESDAY)
Ca Brule 12:30 pm
Home 3:00 pm
Van Gogh 5:30 pm
Un Secret 8:30 pm

June 11 (THURSDAY)
Dix-Sept Fois Cecile Cassard 12:30 pm
Les Quatre Cent Coups 3:00 pm
L ‘Esquive 5:30 pm
La Pianiste 8:00 pm

JUNE 12 (FRIDAY) (Tribute to Philippine Cinema)
Andong / Sabongero 3:00 pm
Serbis 5:30 pm
Independencia 8:00 pm

JUNE 13 (SATURDAY)
Ridicule 12:30 pm
Dix-Sept Fois Cecile Cassard 3:00 pm
L ‘Esquive 5:30 pm
Flandres 8:00 pm

JUNE 14 (SUNDAY)
Un Secret 12:30 pm
Jean dela Fontaine 3:00 pm
Les Quatre Cent Coups 5:30 pm
Van Gogh 8:00 pm

DAN IN REAL LIFE

Steve Carell, Juliette Binoche, Dan Cook, Dianne Wiest, John Mahoney, Emily Blunt

"Something is happening to Dan. It's confusing.
It's awkward. It's family."

HBO

Dan (Steve Carell) is a widower and father of 3 daughters. He earns a living by writing an advice column. This is his story. He is an ordinary guy. A bit of a loner until he meets Marie (Juliette Binoche). But there is a problem. It turns out that "the woman at the bookstore" is none other than his brother's girlfriend. Poor Dan. To make matters worse, he has to endure a weekend with his entire family consisting of his parents, his siblings, their wives, a whole bunch of nieces, nephews and of course - Marie!

This family themed romantic comedy is totally predictable yet it succeeds due to the valiant efforts of Steve Carell. He is what I call an "intelligent comic". He can be funny (without resorting to slapstick or vulgar humor) one second and then be serious in another frame, effortlessly. Thankfully, he was able to overshadow Dan Cook in most of their scenes together. I couldn't grasp the concept that Dan Cook and Steve Carell could be siblings nor the fact that Juliette Binoche was cast as Dan Cook's love interest. In that sense, the film was predictable because of course Dan is much better suited for Marie. They have so much in common. They look good together. So naturally they will end up together.

So give or take a few dragging sequences, this film was a delight to watch. It had a solid ensemble cast headed by Carell and Binoche. Their performances as a group was infectious and rowdy as large families are expected to be. I, specifically like the 3 daughters of Dan. They conveyed with firm conviction the various hang ups/pitfalls of being nurtured by a widower.

The soundtrack was filled with fun upbeat songs. Well except for the really silly corny songs which Dan Cook would enforce on our eardrums. Pure torture, I tell you. Yes it is pretty apparent I don't like Dan Cook! Heh!

The storyline although predictable (yes I repeat myself a lot!) was coherent and uncomplicated.

I conclude by saying that when Dan uttered this line:

What don't I understand, Cara? Please, help me out. What is it? Is it frustrating that you can't be with this person? That there's something keeping you apart? That there's something about this person that you can connect with? And whenever you're near this person, you don't know what to say, and you say everything that's in your mind and in your heart, and you know that if you could just be together, that this person would help you become the best possible version of yourself?

I smiled and nodded in agreement.

NE LE DIS A PERSONNE (TELL NO ONE)

Francois Cluzet, Marie-Josee Croze, Kristin Scott Thomas,
Jean Rochefort, Francois Berleand

"8 years ago, Alex's wife was murdered. Today ... She e-mailed him!"

Star Movies

Every Friday nights of May, Star Movies shows a French movie as a tribute to the ongoing Cannes film festival.

This week, the featured film is a gripping thriller guaranteed to keep you on the edge of your seat. That is, if you can keep up with the numerous twists and turns which kept cropping up during the film. That said, it was still well presented and nicely edited in a coherent, dramatic fashion albeit with the occasional slow paced scenes. Despite being a thriller with various nuances of a whodunit crime story, it is also a narrative of a poignant love story that endures through time. An interesting observation is how some scenes would focus on powerful images of scenery without any characters in it yet convey so much to the audience in terms of providing clues. Shots which make you go "ohhh, right! Now I get it"!

The characters are well developed and multi-dimensional and portrayed by believable and serious French actors. Actors who use subtle yet expressive facial expressions to convey their emotions. A bit too many characters though to hold your concentration, if you ask me.

Setting varies from the chaotic urban jungle to serene rustic surroundings. Dialogue is entirely in French with English subtitles for the non Francophone viewers.

It has been a while since I got enthralled by a French film. So I was glad I caught this thriller from start to finish. A movie which doesn't disappoint. A narrative with all the right ingredients. A solid believable plot. Interesting characters. Crisp cinematography. Under the able direction of Guillaume Canet, a French actor/director who starred in "Joyeux Noel" a war themed masterpiece and "Mon Idole" a quirky dark humor comedy. Two French film I had the good fortune of watching at past French film festivals in town.